1943.50.601.A: Jade 'Huang' Disk Segment with Notched Ends
Ritual ImplementsThe jade piece is shaped into a semicircle with the center cut out and shown lying horizontally flat. It is light green in color on a dark grey background. There are thin swirling carved lines throughout the piece that make a pattern. The left and right edges of the piece are horizontal and irregularly-cut with a small hole in each end.
Gallery Text
In the Zhou dynasty the number of jades in burial sites increased significantly, as multiple plaques and beads were sewn or strung together and draped over the face and body of the deceased. Jades in the forms of figures and animals became increasingly realistic, and surface patterns became more complex and highly decorative.
Identification and Creation
- Object Number
- 1943.50.601.A
- Title
- Jade 'Huang' Disk Segment with Notched Ends
- Classification
- Ritual Implements
- Work Type
- pendant
- Date
- 10th-9th century BCE
- Places
- Creation Place: East Asia, China
- Period
- Zhou dynasty, Western Zhou period, c. 1050-771 BCE
- Culture
- Chinese
- Persistent Link
- https://hvrd.art/o/204295
Location
- Location
-
Level 1, Room 1740, Early Chinese Art, Arts of Ancient China from the Neolithic to the Bronze Age
Physical Descriptions
- Medium
- Evenly light green translucent nephrite
- Dimensions
-
Chord 14.1 x W. 4 x Thickness 0.4 cm (5 9/16 x 1 9/16 x 3/16 in.)
Weight 61 g
Provenance
- Recorded Ownership History
- [A. W. Bahr, March 23, 1929] sold; to Grenville L. Winthrop, New York (1929-1943), bequest; to Fogg Art Museum, 1943.
Published Text
- Catalogue
- Ancient Chinese Jades from the Grenville L. Winthrop Collection in the Fogg Art Museum, Harvard University
- Authors
- Max Loehr and Louisa G. Fitzgerald Huber
- Publisher
- Fogg Art Museum (Cambridge, MA, 1975)
Catalogue entry no. 325 by Max Loehr:
325 Huang, Disk Segment with Notched Ends
Fashioned of evenly light green translucent jade, the segment forms an arc of about 170 degrees. The ends are accentuated by carefully wrought notches. At either end, close to the notches, are single perforations. Both sides are decorated identically with configurations of two birds whose heads lie toward the ends and whose tails interlock in the middle. These birds, executed in sloping cuts and incised lines, are designed in long, flowing curves of an abstract nature, which closely resemble bronze decorations of Middle Western Chou date. On one side of the segment, the grooves of the décor are filled with earth and traces of cinnabar. Middle Western Chou.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Grenville L. Winthrop
- Accession Year
- 1943
- Object Number
- 1943.50.601.A
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.
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Publication History
- Max Loehr and Louisa G. Fitzgerald Huber, Ancient Chinese Jades from the Grenville L. Winthrop Collection in the Fogg Art Museum, Harvard University (Cambridge, MA, Fogg Art Museum, 1975)., cat. no. 325, pp. 218-219
- Jessica Rawson, Western Zhou Ritual Bronzes from the Arthur M. Sackler Collections (Volume IIA), Arthur M. Sackler Foundation and Arthur M. Sackler Museum (Washington, D.C. and Cambridge, MA, 1990), p. 116, fig. 162b
- Jenny So, Early Chinese Jades in the Harvard Art Museums (Cambridge, MA, 2019), pp. 178-79, 182-83, cat. 23A
Exhibition History
- Re-View: S228-230 Arts of Asia, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/31/2008 - 06/01/2013
- 32Q: 1740 Early China I, Harvard Art Museums, 11/16/2014 - 01/01/2050
Subjects and Contexts
- Google Art Project
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu