© President and Fellows of Harvard College
Gallery Text

Chinese ceramic wares made in Song dynasty (960–1279) court taste are esteemed for their refined forms, subtle decoration, and soft, muted glaze colors. Buoyed by national peace, economic prosperity, and the rise of a highly educated civil official class, local ceramics industries throughout China began to thrive and innovate at unprecedented levels.

Kilns seeking to supply household wares to their highly cultured clientele often created pieces that were reminiscent of other precious items. For example, northern Ding wares, with their decorative designs and thin bodies, were often compared to silverwork, while the thick green glazes coating southern Longquan wares brought carved jades to mind. Although natural forms were popular, like those inspired by flower blossoms, government officials, who had attained their positions through long study of ancient texts and history, were especially drawn to ceramics that resembled the bronzes and jades of antiquity. Courtly taste in China would change drastically after the Song, shifting toward brightly decorated blue-and-white porcelains, invented at Jingdezhen in the fourteenth century and manufactured at the same kilns that produced the delicate blue-tinged white wares known as qingbai.

Identification and Creation
Object Number
1995.59
Title
Small Censer in the Form of an Archaic Bronze 'Ding' Tripod Vessel
Classification
Vessels
Work Type
vessel
Date
12th-13th century
Places
Creation Place: East Asia, China, Henan province
Period
Jin dynasty, 1115-1234
Culture
Chinese
Physical Descriptions
Medium
Jun ware: light gray stoneware with robin's-egg blue glaze
Technique
Jun
Dimensions
max.: H. 5.5 × body Diam. 7.2 cm (2 3/16 × 2 13/16 in.)
mouth: Diam. 6.4 cm (2 1/2 in.)
Provenance
[J. J. Lally & Co., New York, 1995], sold; to Harvard University Art Museums, 1995.

Acquisition and Rights
Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Ernest B. and Helen Pratt Dane Fund for the Acquisition of Oriental Art
Accession Year
1995
Object Number
1995.59
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
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Exhibition History

Masterworks of East Asian Painting, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 11/03/1995 - 06/09/1996

A Decade of Collecting: Asian Acquisitions 1990-1999, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 03/11/2000 - 11/05/2000

Streams and Mountains without End: Landscape Paintings from China, Korea, and Japan, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 11/25/2000 - 08/26/2001

Plum, Orchid, Chrysanthemum, and Bamboo: Botanical Motifs and Symbols in East Asian Painting, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 07/06/2002 - 01/05/2003

Rocks, Mountains, Landscapes and Gardens: The Essence of East Asian Painting ('04), Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 01/31/2004 - 08/01/2004

A Compelling Legacy: Masterworks of East Asian Painting, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 08/24/2004 - 03/20/2005

Forging the New: East Asian Painting in the Twentieth Century, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 05/03/2005 - 10/16/2005

Downtime, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 04/28/2007 - 04/20/2008

Re-View: S228-230 Arts of Asia, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/31/2008 - 06/01/2013

32Q: 2600 East Asian, Japanese, Chinese and Korean, Harvard Art Museums, Cambridge, 11/01/2014 - 12/01/2016

Adorning the Inner Court: Jun Ware for the Chinese Palace, Harvard Art Museums, Cambridge, 05/20/2017 - 08/13/2017

Subjects and Contexts

Google Art Project

Jun Ware

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu