- Identification and Creation
- Object Number
Christopher Wilmarth, American (Sonoma, CA 1943 - 1987 New York, NY)
- The Whole Soul Summed Up
- Work Type
- Physical Descriptions
- Pastel and graphite on layered cream modern laid paper
- sight: 67 x 48.5 cm (26 3/8 x 19 1/8 in.)
- Inscriptions and Marks
- Signed: graphite, l.r.: C. Wilmarth 1979
- watermark: l.l.
- inscription: l.l., graphite, in artist's hand: The Whole Soul Summed Up
- [Nielsen Gallery, Boston, Massachusetts], sold; to Private Collector, sold; to [Hirschl & Adler Modern Gallery, New York, New York]*. [G. W. Einstein Company, Inc., New York, New York], sold; to Harvard University Art Museums, 1998.
* Information provided by John Baker of the Nielsen Gallery.
- Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Margaret Fisher Fund
- © Estate of Christopher Wilmarth / Susan Wilmarth-Rabineau
- Accession Year
- Object Number
- Modern and Contemporary Art
- The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
- Publication History
Edward Saywell, Christopher Wilmarth: Drawing into Sculpture, exh. cat., Harvard University Art Museums (Cambridge, MA, 2003), checklist no. 45 and p. 25, repr. color p. 71
Roger Boyce, "Becoming Transparent" [review of "Christopher Wilmarth: Drawing into Sculpture"], Art In America (February 2004), 92, no. 2, pp. 110-113, repr. p. 113
- Exhibition History
Christopher Wilmarth: Drawing into Sculpture, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/05/2003 - 06/29/2003
Reverie: Christopher Wilmarth, Before and After Mallarmé, Harvard Art Museums, Cambridge, 05/20/2017 - 08/13/2017
- Subjects and Contexts
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