2012.1.64: Black-figure Globular Aryballos
VesselsA vessel which is entirely round, with a short neck and wide spout, one edge of the spout continues into a flat handle which connects to the body of the vessel. In black and red there are concentric circles around the spout, round ovals on the body surrounding the neck, and below that a figure with their arms and legs bent as if running. They are surrounded by uneven organic shapes which are geometrically divided into sixths.
Identification and Creation
- Object Number
- 2012.1.64
- Title
- Black-figure Globular Aryballos
- Classification
- Vessels
- Work Type
- vessel
- Date
- 6th century BCE
- Places
- Creation Place: Ancient & Byzantine World, Europe, Corinth (Corinthia)
- Period
- Archaic period
- Culture
- Greek
- Persistent Link
- https://hvrd.art/o/175061
Physical Descriptions
- Medium
- Terracotta
- Technique
- Wheel-made
- Dimensions
- 6.21 x 6.09 cm (2 7/16 x 2 3/8 in.)
Provenance
- Recorded Ownership History
- [Fallani, Rome] (by 1951), sold; to the Alice Corinne McDaniel Collection, Department of the Classics, Harvard University (1951-2012), transfer; to the Harvard Art Museums, 2012.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Transfer from the Alice Corinne McDaniel Collection, Department of the Classics, Harvard University
- Accession Year
- 2012
- Object Number
- 2012.1.64
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
-
Intact and of a typically Corinthian buff clay, this globular aryballos depicts three padded dancers (komast dancers). Concentric circles are on the top of the disc-shaped mouth; around the side are a series of dots. Oblong, petal-like shapes decorate the shoulder, above two additional lines encircling the upper part of the body. On the main section of the vessel, the three dancers, executed in black-figure with some added red, are represented in profile, moving to the right. They have very large hands, held out to the front or close to the buttocks at the back. Details of the padded costume are indicated. Between the dancers are cursorily executed rosettes and circular dots. Around the base are additional concentric circles. The decoration is somewhat worn.
- Commentary
-
Publication History
- Alex Seeberg, The Wellcome Painter and his Companions (Copenhagen, 1964), 35.1, pp. 29-50, p. 40-41
- John Crawford, Sidney Goldstein, George M. A. Hanfmann, John Kroll, Judith Lerner, Miranda Marvin, Charlotte Moore, and Duane Roller, Objects of Ancient Daily Life. A Catalogue of the Alice Corinne McDaniel Collection Belonging to the Department of the Classics, Harvard University, ed. Jane Waldbaum, Department of the Classics (unpublished manuscript, 1970), P12, p. 58-59 [M. C. Marvin]
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu