Harvard Art Museums / Fogg Museum | Bush-Reisinger Museum | Arthur M. Sackler Museum

Object Number

1985.108

Title

Tunic Fragment with Birds, Flowers, Lions, and Dancers

Classification

Textile Arts

Work Type

textile

Date

8th-10th century

Places

Creation Place: Ancient & Byzantine World, Africa, Egypt (Ancient)

Period

Byzantine period

Culture

Byzantine

Persistent Link

https://hvrd.art/o/171308

Medium

Wool and linen

Technique

Woven, tapestry weave

Dimensions

46 x 36 cm (18 1/8 x 14 3/16 in.)

Credit Line

Harvard Art Museums/Arthur M. Sackler Museum, Gift of Nanette B. Rodney

Accession Year

1985

Object Number

1985.108

Division

Asian and Mediterranean Art

Contact

am_asianmediterranean@harvard.edu

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Description

This tunic fragment features two short clavi (shoulder bands) terminating in pendants containing blue medallions with a red border. The main field of the fragment features a design of alternating blue and red roundels: blue roundels with red borders contain yellow and red animals, probably lions; red roundels contain nude human dancers wearing the scarves or implements characteristic of members of Dionysus’ retinue. Two thin dark blue tendrils emerge from each roundel, indicating the medallions are composed of vines, a common compositional motif. Separating the small roundels are red and blue candelabra plants flanked by a pair of green birds with crests (probably quails or peahens). Inside the narrow rectangular field between the two clavi, interlacing thick red and yellow vine scrolls or garlands contain spiky green flower buds. Below the pair of vines/garlands, blue birds with crests and red wings flank large green flowers/jewels and baskets with red fruits suspended from the vines above. The top of the fragment features a geometric meander design created in the flying shuttle technique of supplementary weft wrapping. A dark blue wave scroll border runs around the clavi.

Commentary

This tunic fragment likely comes from the part of the garment that decorated the chest (or upper back) and sat right below the neck slit. A reinforced selvedge at the top of the fragment indicates the position of the slit for the neck opening in this tunic. This fragment may represent the front or back of the tunic, since they were often identical. The staining on the textile suggests it was worn or wrapped a body inside a tomb.

Imagery of dancers, lions, peacocks, and lush plants in an abstract style. The composition of the frieze containing paired birds and baskets and flowers suspended from garlands can be compared to that of Harvard’s 1962.81.

Ioli Kalavrezou, Byzantine Women and Their World, exh. cat., Harvard University Art Museums (Cambridge, MA, 2003), p. 267/fig. 159

Byzantine Women and Their World, Harvard University Art Museums, Cambridge, 10/25/2002 - 04/28/2003

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu