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Identification and Creation

Object Number
2001.236
People
Susanna Niederer, Swiss (Basel, Switzerland born 1958)
Title
Fing-W
Other Titles
Alternate Title: Fing-W 17
Classification
Drawings
Work Type
drawing
Date
1999
Culture
Swiss
Persistent Link
https://hvrd.art/o/169251

Physical Descriptions

Medium
White ink on gray wove paper
Dimensions
24 x 31.9 cm (9 7/16 x 12 9/16 in.)
Inscriptions and Marks
  • Signed: initialled in graphite at l.r.: SN 1999
  • inscription: l.r., graphite, handwritten, in artist's hand: FING - W 17

Provenance

Recorded Ownership History
Margarete Roeder Gallery, New York, NY, sale, 2.
Sarah-Ann and Werner H. Kramarsky, New York, NY, purchase, 2, gift.

Acquisition and Rights

Credit Line
Harvard Art Museums/Busch-Reisinger Museum, Gift of Sarah-Ann and Werner H. Kramarsky
Accession Year
2001
Object Number
2001.236
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Descriptions

Commentary
Concerned with the intersection of language, sound, and image, Susanna Niederer has employed the ellipse as symbol for both the limits of each system and the point of their exchange. In her work, In the course of her decade-long exploration of the ellipse and its rhythmic, graphic, and spatial qualities, Niederer experimented with a number of techniques and materials including embossed aluminum, silkscreen on glass, and incised metal tubing. Concurrently, she elaborated her ideas on paper in a number of serial works. The ink on paper drawings that comprise the Fing-W and Ro-Ko series are gestural in contradistinction to her sculptural pieces. The repetitive inscription of ellipses bound by squares forms irregular grids. Though minimal the pieces are also intimate, ink markings on small sheets of mulberry or parchment paper.

With a background in the study of Romance languages and art history, Susanna Niederer has edited for publishing houses and directed films on contemporary art. She lives and works in Zürich and Paris, though she has, in the past 20 years, held residences in such countries as Britain, Mexico, and the U.S. The Museum Wiesbaden mounted an extensive exhibit of her work with ellipses in 1999.

Verification Level

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