Your Collection

Add this item to your collection
Harvard Art Museums
Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
2001.197
People
Hanne Darboven, German (Munich, Germany 1941 - 2009 Hamburg, Germany)
Title
Letter and Indices to 24 Songs
Other Titles
Series/Book Title: Letter and Indices to 24 Songs
Classification
Drawings
Work Type
portfolio
Date
1974
Culture
German
Persistent Link
https://hvrd.art/o/165386

Physical Descriptions

Medium
Portfolio of 16 ink drawings on translucent vellum paper

Provenance

Recorded Ownership History
The artist, gift; Sol LeWitt, 1974, gift; Busch-Reisinger Museum, 2001

Acquisition and Rights

Credit Line
Harvard Art Museums/Busch-Reisinger Museum, Gift of Carol and Sol LeWitt
Copyright
© Hanne Darboven / Artists Rights Society (ARS), New York
Accession Year
2001
Object Number
2001.197
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Descriptions

Description
"Letter and Indices to 24 Songs" consists of 16 drawings. Four of these are a letter dated July 9/10, 1974, from the artist to Sol LeWitt, which enables us to date the accompanying 12 drawings. These drawings are the indices to her composition "24 Gesänge" (24 songs or cantos). Darboven’s letter explains some aspects of the songs: Each song is dedicated to a letter of the alphabet, a through x, and each is composed in three parts (I, II, III) and two forms ("A" and "B"). A form uses numbers 1-61 and B form uses numbers 1-10, and both use her characteristic repetitive u (und keine Worte mehr?). In the letter, Darboven writes that she is sending Sol the indices to songs 1, 6, 12, 13, 19, and 24.

NB: "24 Songs" appears to be connected to another work of the same title consisting of over 1000 sheets that was exhibited jointly at Leo Castelli and Sonnabend Galleries in New York in 1975. The BRM indices to both A and B forms of her songs resemble the A form of the larger work, insofar as they develop vertically. (The A form in the larger work develops vertically; in contrast, the B form develops horizontally. The directional development may relate to the form of the songs: the A form songs are trapezoidal while the B form songs are triangular.)

Publication History

  • Kelly Baum, Andrea Bayer, and Sheena Wagstaff, Unfinished: Thoughts Left Visible, exh. cat., The Metropolitan Museum of Art (New Haven, London, 2016), pp. 233, 283, fig. 182-85, ill.

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu