2002.50.113: Small Multi-Necked Vase
Lighting DevicesIdentification and Creation
- Object Number
- 2002.50.113
- Title
- Small Multi-Necked Vase
- Classification
- Lighting Devices
- Work Type
- lighting device
- Date
- 20th century
- Places
- Creation Place: Middle East, Iran
- Persistent Link
- https://hvrd.art/o/147859
Physical Descriptions
- Medium
- Pinkish fritware, pierced, under turquoise (copper) transparent alkali glaze with black overpaint
- Dimensions
- 14.8 cm (5 13/16 in.)
Provenance
- Recorded Ownership History
- [Hadji Baba Rabbi House of Antiquities, Teheran, 1970], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (1970-2002), gift; to Harvard Art Museums, 2002.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, The Norma Jean Calderwood Collection of Islamic Art
- Accession Year
- 2002
- Object Number
- 2002.50.113
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
- Three miniature vases are attached to the pear-shaped body of this wide-mouthed vessel. The primary neck is elaborated by a band of triangular cutouts, which are filled with the turquoise glaze that covers the body of the vase and ends in thick drips just above the foot ring. Several aspects of the vase are atypical: it is unusually small, the mouths of the smaller vases are filled with glaze, and the ceramic fabric is uncommonly soft for fritware.
Published Catalogue Text: In Harmony: The Norma Jean Calderwood Collection of Islamic Art , written 2013
137
Small multi-necked vase
Probably Iran, 20th century[1]
Pinkish fritware, pierced, under turquoise (copper) transparent alkali glaze with black overpaint
14.8 × 10.5 cm (5 13/16 × 4 1/4 in.)
2002.50.113
Three miniature vases are attached to the pear-shaped body of this wide-mouthed vessel. The primary neck is elaborated by a band of triangular cutouts, which are filled with the turquoise glaze that covers the body of the vase and ends in thick drips just above the foot ring. Several aspects of the vase are atypical: it is unusually small, the mouths of the smaller vases are filled with glaze, and the ceramic fabric is uncommonly soft for fritware.[2]
Mary McWilliams
[1] The vase was last fired within the past 100 years, according to the results of thermoluminescence analysis carried out by Oxford Authentication Ltd. in 2011.
[2] See, for example, larger examples of this type in the Walters Art Museum, Baltimore (48.1278), and in the Khalili Collection, London (POT525): Grube 1994, 184–85, cat. 191.
Publication History
- Mary McWilliams, ed., In Harmony: The Norma Jean Calderwood Collection of Islamic Art, exh. cat., Harvard Art Museums (Cambridge, MA, 2013), p. 266, cat. 137, ill.
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu