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Identification and Creation

Object Number
2023.636
People
Jan van der Heyden, Dutch (Gorkum 1637 - 1712 Amsterdam)
Title
Two Wooden Houses in the Goudsbloemstraat, Burned December 25, 1682
Classification
Drawings
Work Type
drawing
Date
1682
Culture
Dutch
Persistent Link
https://hvrd.art/o/100021

Physical Descriptions

Medium
Brown and black ink, gray wash over black chalk on cream antique laid paper
Dimensions
26.7 x 20 cm (10 1/2 x 7 7/8 in.)
Inscriptions and Marks
  • watermark: foolscap with seven points
  • inscription: lower right, brown ink: J. vander Heyde f 1682.
  • inscription: mount, verso, lower right, black ink: 89
  • label: mount, lower right: 140
  • inscription: mount, lower center, graphite: Dessin de Jan van der Heyden 1637-1712. / L'un des meilleurs urbanistes hollandais / a été gravé, d'après une mention au verso. / Tres beau dessin. / sur papier à la folie.

Provenance

Recorded Ownership History
[Hotel Drouot, Paris, Feb. 20, 1967, lot 140]. Carel (Charles) Emil Duits, London; to his heirs, sold via [Stephen Somerville, London]; to Maida and George Abrams, 2002

Acquisition and Rights

Credit Line
The Maida and George Abrams Collection, Fogg Art Museum, Harvard University, Cambridge, Massachusetts, Gift of George Abrams in appreciation of Peter C. Sutton, Harvard College '72
Accession Year
2023
Object Number
2023.636
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Dessins anciens: collection de Monsieur J.B. . ., auct. cat., Hôtel Drouot (Paris, February 20, 1967), lot 140, pl. IV
  • "Firefighting in Amsterdam in the Seventeenth Century", Duits Quarterly, ed. Clifford Duits (1968), no. 12, p. 14, repr. p. 12
  • Helga Wagner, "Jan van der Heyden als Zeichner: Die Zeichnungen für das Buch über die 'Slang-Brandspuiten'", Jahrbuch der Berliner Museen (1970), 12, pp. 111-150, pp. 119 n. 19, 126-127, fig. 11
  • Lyckle de Vries, Jan van der Heyden, Meulenhoff/Landshoff (Amsterdam, 1984), p. 93
  • Michiel C. Plomp, "[Review] Bruegel to Rembrandt. Dutch and Flemish Drawings from the Maida and George Abrams Collection.", Oud Holland (2004), vol. 117, no. 1/2, pp. 99-102, p. 102 n. 12
  • Susan Donahue Kuretsky, Time and Transformation in Seventeenth-Century Dutch Art, exh. cat., Frances Lehman Loeb Art Center at Vassar College (Poughkeepsie, NY, 2005), cat. no. 47, repr. (color)
  • Peter C. Sutton and Yale University Press, Jan van der Heyden (1637-1712), exh. cat. (New Haven and London, 2006), cat. no. 46, repr. (color)

Exhibition History

  • Bruegel to Rembrandt: Dutch and Flemish Drawings from the Maida and George Abrams Collection, Harvard University Art Museums, Cambridge, 03/22/2003 - 07/06/2003
  • Time and Transformation in Seventeenth-Century Dutch Art, Frances Lehman Loeb Art Center at Vassar College, 04/08/2005 - 06/19/2005; John and Mable Ringling Museum of Art, Sarasota, 08/20/2005 - 10/30/2005; Speed Art Museum, Louisville, 01/10/2006 - 03/26/2006
  • Jan van der Heyden (1637-1712), Bruce Museum, Greenwich, 09/16/2006 - 01/10/2007
  • Mirror of Holland: Drawings from the Maida and George Abrams Collection, Part 2, Museum of Fine Arts, Boston, 03/26/2011 - 07/31/2011

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu