Calendar

Sculpted fragment with large female figure at center and small male figures standing behind her shoulders.

Funerary relief of Ba’altega, with sons Šim’on and Hairan, Palmyra (Syria), c. 150 CE. Limestone. Harvard Art Museums/Arthur M. Sackler Museum, Gift of Alden Sampson, Richard Norton, and Edward W. Forbes, 1908.3.


Art Study Center Seminar: Rethinking Ancient Art at the Harvard Art Museums

Seminar
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Come discuss current displays and future plans for exhibiting works in the ancient Greek, Roman, Egyptian, and Middle Eastern collections.

A drawing on lined paper with cursive handwriting shows a triangular shape in colorful stripes intersecting a striped circle at the top of the paper.

Terran Last Gun, Reconstructing the West, 2022. Ink and colored pencil on antique “Journal Day Book Chicago, IL.” on ledgerpaper (dated 1903). Harvard Art Museums/Fogg Museum, Bequest of Christian A. Herter, Jr., by exchange, 2024.54.


Gallery Talk: Drawn to Earth: Contemporary Art and Environment in the Americas

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Madeline Murphy Turner will discuss a new installation of contemporary drawings that address ecological crises.

This woodcut print shows a well-dressed man and woman standing on a rocky shore, staring off into the sea beyond.

Edvard Munch, Two Human Beings (The Lonely Ones), 1899, printed c. 1917. Woodcut, from one carved block (birch wood), sawn into three pieces, printed in four colors with hand coloring (watercolor and oil paint) on cream wove paper. Harvard Art Museums/Fogg Museum, The Philip and Lynn Straus Collection, 2023.600.


Gallery Talk: Edvard Munch: Technically Speaking

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join a Straus Center conservator in a discussion about techniques and materials in a selection of works featured in our special exhibition.

Two stacked photographs: the top image shows several painted plaster fragments organized by their colors (green, yellow, red, pink, and black); at bottom is a larger painted fragment, with green and red decoration and a black line.

Photos: Kate Smith and Caitlin Clerkin


Gallery Talk: Investigating Color at Ancient Dura-Europos

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join a conservator and curator to learn about recent research into the color and craft of wall painting at ancient Dura-Europos, Syria.

A painting of a man and a woman standing on a colorful rocky shore facing away from the viewer.

Edvard Munch, Two Human Beings (The Lonely Ones), 1906–8. Oil on canvas. Harvard Art Museums/Busch-Reisinger Museum, The Philip and Lynn Straus Collection, 2023.551.


Exhibition Tour: Edvard Munch: Technically Speaking [CANCELED]

Tour
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for an in-depth, hour-long tour of our special exhibition, on view through July 27, 2025.

Abstracted brushstrokes of a pink, yellow and red sky with a large black form on the left-hand side.

Jules Olitski, April Dream, Lavender and Black, 2003. Opaque watercolor on heavy weight white wove paper. Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection, 2021.233. © 2024 Jules Olitski Art Foundation/Licensed by VAGA at Artists Rights Society (ARS), NY.


Exhibition Tour: The Solomon Collection: From Dürer to Degas and Beyond

Tour
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for a tour of our special exhibition The Solomon Collection: Dürer to Degas and Beyond, led by an exhibition curator.

Abstracted brushstrokes of a pink, yellow and red sky with a large black form on the left-hand side.

Jules Olitski, April Dream, Lavender and Black, 2003. Opaque watercolor on heavy weight white wove paper. Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection, 2021.233. © 2024 Jules Olitski Art Foundation/Licensed by VAGA at Artists Rights Society (ARS), NY.


Opening Celebration: A Roundtable Discussion of The Solomon Collection: From Dürer to Degas and Beyond

Lecture
Harvard Art Museums, Menschel Hall, Lower Level
32 Quincy Street, Cambridge, MA

To celebrate our new exhibition, join us for a discussion between artists Peter Lipsitt and Marjorie Minkin and art critic Karen Wilkin.

A bustling event in a spacious indoor museum courtyard with high arches and three levels. The lower level is filled with people socializing, mingling, and enjoying drinks at tables covered with teal tablecloths.

Photo: Caitlin Cunningham Photography


Harvard Art Museums at Night

Special Event
Harvard Art Museums
32 Quincy Street, Cambridge, MA,

We’re keeping our doors open late for an evening of art, fun, food, and more!

A painting shows a series of concentric circles radiating outward in red, orange, and yellow, against a purple field.

Kenneth Noland, Ring, 1964. Acrylic on canvas. Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection, 2021.201.


Gallery Talk: Kenneth Noland and His Radical Geometry

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

A conservator and a curator will discuss their respective approaches to Noland’s stained canvas paintings of chevrons and concentric circles.

This woodcut print shows a well-dressed man and woman standing on a rocky shore, staring off into the sea beyond.

Edvard Munch, Two Human Beings (The Lonely Ones), 1899, printed c. 1917. Woodcut, from one carved block (birch wood), sawn into three pieces, printed in four colors with hand coloring (watercolor and oil paint) on cream wove paper. Harvard Art Museums/Fogg Museum, The Philip and Lynn Straus Collection, 2023.600.


Gallery Talk: Edvard Munch: Technically Speaking

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join a Straus Center conservator in a discussion about techniques and materials in a selection of works featured in our special exhibition.

A rectangular sculpture features bold black geometric lines on a white undulating surface.

Carmelo Arden Quin, Lignes Noires, 1952. Alkyd paint on wood. Harvard Art Museums/Fogg Museum, Modern and Contemporary Acquisition Fund, 2011.497.


Art Study Center Seminar: Experiment and Disruption in Mid-Century Argentine Art

Seminar
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join Madeline Murphy Turner to explore mid-20th-century Argentine experimental art, featuring works recently gifted to the Harvard Art Museums.

A group of teens is seated on a panel, and one teen in a striped shirt is speaking into a microphone. A screen behind them reads “DIYDS!! Do It Your Damn Self!! Film Festival.”

28th Annual Do It Your Damn Self!! National Youth Film Festival

Film
Harvard Art Museums, Menschel Hall
32 Quincy Street , Cambridge, MA, Enter at Broadway for evening programs

Join us for the premiere of the longest-running youth film festival in the country! A panel discussion with the teen filmmakers will follow.

Abstracted brushstrokes of a pink, yellow and red sky with a large black form on the left-hand side.

Jules Olitski, April Dream, Lavender and Black, 2003. Opaque watercolor on heavy weight white wove paper. Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection, 2021.233. © 2024 Jules Olitski Art Foundation/Licensed by VAGA at Artists Rights Society (ARS), NY.


Exhibition Tour: The Solomon Collection: From Dürer to Degas and Beyond

Tour
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for a tour of our special exhibition The Solomon Collection: Dürer to Degas and Beyond, led by an exhibition curator.

Abstracted brushstrokes of a pink, yellow, and red sky with a large black form on the left-hand side.

Jules Olitski, April Dream, Lavender and Black, 2003. Matte opaque paint on white paperboard. Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection, 2021.233. © 2024 Jules Olitski Art Foundation/Licensed by VAGA at Artists Rights Society (ARS), NY.


Partners Event: Reception and Exhibition Tour of The Solomon Collection: Dürer to Degas and Beyond

Supporter Event
Harvard Art Museums
32 Quincy Street, Cambridge, MA

We invite our Partners to a reception and a special curator-led tour of the exhibition The Solomon Collection: Dürer to Degas and Beyond.

A painting of a man and a woman standing on a colorful rocky shore facing away from the viewer.

Edvard Munch, Two Human Beings (The Lonely Ones), 1906–8. Oil on canvas. Harvard Art Museums/Busch-Reisinger Museum, The Philip and Lynn Straus Collection, 2023.551.


Exhibition Tour: Edvard Munch: Technically Speaking

Tour
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for an in-depth, hour-long tour of our special exhibition, on view through July 27, 2025.

A dark bronze sculpture of a man’s upper body.

Wilhelm Lehmbruck, Head of a Thinker, 1918, cast 1925–26. Bronze. Harvard Art Museums/Busch-Reisinger Museum, Arthur K. and Mariot F. Solomon Collection, 2021.196.


Gallery Talk: Wilhelm Lehmbruck’s Head of a Thinker

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join curatorial fellow Peter Murphy for an in-depth discussion of Lehmbruck’s 1918 sculpture.

This album page features a painting of a seated woman, framed by Persian calligraphy and an outer floral border.

Keshav Das (painter), Mir ‘Ali Haravi (calligrapher), Album page with Painting of a Seated Woman and Calligraphy, album: early 17th century; painting: c. 1590–1600; calligraphy: c. 1535–45. Opaque watercolor, ink, and gold on paper. Harvard Art Museums/Arthur M. Sackler Museum, Gift of Adrienne Rubel Mohrig, 2023.503.


Gallery Talk: A Universal Vision—Creative Synthesis of European Prints and Indian Paintings at the Mughal Court

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Discover how Mughal painters combined European models with Indian meanings to appeal to a culturally and religiously diverse audience.

Drag performer Darren Tashine sits in a gallery in elaborate, bright pink clothes, reading a book to a crowd. A large black and white print is on the wall behind him.

Drag performer Darren Tashine. Photo: Jarvis Subia.


Second Saturdays Story Time

Special Event
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for Second Saturdays Story Time, where local librarians read stories in the galleries!

A painting made with bright green acrylic paint, which appears to have been pulled up and down the paper.

Marjorie Minkin, Kenai II, 1983. Acrylic on paper. Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection, 2021.197. © Marjorie Minkin.


Gallery Talk: The Artist’s Toolbox—Experiments with Color in the Solomon Collection

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Learn about the unusual tools artists used to make some of the colorful abstract works in our exhibition showcasing the Solomon Collection.

A painting of a man and a woman standing on a colorful rocky shore facing away from the viewer.

Edvard Munch, Two Human Beings (The Lonely Ones), 1906–8. Oil on canvas. Harvard Art Museums/Busch-Reisinger Museum, The Philip and Lynn Straus Collection, 2023.551.


Exhibition Tour: Edvard Munch: Technically Speaking

Tour
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for an in-depth, hour-long tour of our special exhibition, on view through July 27, 2025.

This screenprint shows a group of brown-skinned figures gathered in a large room with a wooden floor and blue walls. The figures have few facial features. The figures’ clothes are either black, red, yellow, blue, or beige or in combination of those colors.

Jacob Lawrence, American, The 1920s . . . The Migrants Cast Their Ballots, 1974. Screenprint. Harvard Art Museums/Fogg Museum, Gift of Lorillard, Division of Loews Theatres, Inc., Transfer from Student Print Rental Program, M26664. © The Jacob and Gwendolyn Lawrence Foundation, Seattle/Artists Rights Society (ARS), New York.


Museums Closed

Special Event
Harvard Art Museums
32 Quincy Street, Cambridge, MA

The Harvard Art Museums will be closed on Thursday, June 19, in observance of Juneteenth.

A photograph of two porcelain sculptures, one a figural sculpture and the other an abstract sculpture.

Polymnia, c. 1744–45, a Meissen porcelain figurine from the collection of the Busch-Reisinger Museum beside Arlene Shechet’s Sexy Baby Eyes, 2012; © Arlene Shechet. Image courtesy of the artist.


Gallery Talk: Disrupt the View

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join Lynette Roth for a closer look at Arlene Shechet’s one-of-a-kind installation Disrupt the View at the Harvard Art Museums.

This woodcut print shows a well-dressed man and woman standing on a rocky shore, staring off into the sea beyond.

Edvard Munch, Two Human Beings (The Lonely Ones), 1899, printed c. 1917. Woodcut, from one carved block (birch wood), sawn into three pieces, printed in four colors with hand coloring (watercolor and oil paint) on cream wove paper. Harvard Art Museums/Fogg Museum, The Philip and Lynn Straus Collection, 2023.600.


Gallery Talk: Edvard Munch: Technically Speaking

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join a Straus Center conservator in a discussion about techniques and materials in a selection of works featured in our special exhibition.

A group of people are gathered around a high table, holding drinks and smiling. The background is softly blurred.

Photo: Caitlin Cunningham Photography


Harvard Art Museums at Night

Special Event
Harvard Art Museums
32 Quincy Street, Cambridge, MA,

We’re keeping our doors open late for an evening of art, fun, food, and more!

Abstracted brushstrokes of a pink, yellow and red sky with a large black form on the left-hand side.

Jules Olitski, April Dream, Lavender and Black, 2003. Opaque watercolor on heavy weight white wove paper. Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection, 2021.233. © 2024 Jules Olitski Art Foundation/Licensed by VAGA at Artists Rights Society (ARS), NY.


Exhibition Tour: The Solomon Collection: From Dürer to Degas and Beyond

Tour
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for a tour of our special exhibition The Solomon Collection: Dürer to Degas and Beyond, led by an exhibition curator.

This dark-hued woodcut print shows a crowd of people staring blankly at the viewer. The sky above them resembles waves.

Edvard Munch, Angst, 1896. Woodcut printed in black ink with hand coloring in blue, green, orange, and yellow crayons and blue and red watercolor on off-white China paper. Harvard Art Museums/Fogg Museum, The Philip and Lynn Straus Collection, 2023.586.


Art Study Center Seminar: Edvard Munch and German Expressionism

Seminar
Harvard Art Museums
32 Quincy Street, Cambridge, MA

This seminar will explore ties between Munch and German expressionism, examining works by Munch, Ernst Ludwig Kirchner, Emil Nolde, and others.

A painting made with bright green acrylic paint, which appears to have been pulled up and down the paper.

Marjorie Minkin, Kenai II, 1983. Acrylic on paper. Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection, 2021.197. © Marjorie Minkin.


Gallery Talk: The Artist’s Toolbox—Experiments with Color in the Solomon Collection

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Learn about the unusual tools artists used to make some of the colorful abstract works in our exhibition showcasing the Solomon Collection.

A black and white photograph of a city skyline at night, lit up by fireworks.

Elaine Mayes, American, 4th of July N.Y.C., 1978. Gelatin silver print. Harvard Art Museums/Fogg Museum, Richard and Ronay Menschel Fund for the Acquisition of Photographs, P2002.1.6. © Elaine Mayes.


Museums Closed

Special Event
Harvard Art Museums
32 Quincy Street, Cambridge, MA

The Harvard Art Museums will be closed for Independence Day.

A brown piece of wood with a jagged brown edge is covered with attached tags and labels featuring text in many languages.

Honoré-Victorin Daumier, Reverse side of Two Lawyers, c. 1865. Oil on panel. Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection, 2021.186.


Gallery Talk: Marks, Stamps, and Tags—Visible Traces of Provenance in the Solomon Collection

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Exhibition curator Casey Monahan will discuss the visible traces of ownership seen on works from the Solomon Collection, currently on view.

A painting of a man and a woman standing on a colorful rocky shore facing away from the viewer.

Edvard Munch, Two Human Beings (The Lonely Ones), 1906–8. Oil on canvas. Harvard Art Museums/Busch-Reisinger Museum, The Philip and Lynn Straus Collection, 2023.551.


Exhibition Tour: Edvard Munch: Technically Speaking

Tour
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for an in-depth, hour-long tour of our special exhibition, on view through July 27, 2025.

This album page features a painting of a seated woman, framed by Persian calligraphy and an outer floral border.

Keshav Das (painter), Mir ‘Ali Haravi (calligrapher), Album page with Painting of a Seated Woman and Calligraphy, album: early 17th century; painting: c. 1590–1600; calligraphy: c. 1535–45. Opaque watercolor, ink, and gold on paper. Harvard Art Museums/Arthur M. Sackler Museum, Gift of Adrienne Rubel Mohrig, 2023.503.


Gallery Talk: A Universal Vision—Creative Synthesis of European Prints and Indian Paintings at the Mughal Court

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Discover how Mughal painters combined European models with Indian meanings to appeal to a culturally and religiously diverse audience.

A man reads a picture book to a group of families in a gallery.

Photo: Jarvis Subia


Second Saturdays Story Time

Special Event
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for Second Saturdays Story Time, where local librarians read stories in the galleries!

This woodcut print shows a well-dressed man and woman standing on a rocky shore, staring off into the sea beyond.

Edvard Munch, Two Human Beings (The Lonely Ones), 1899, printed c. 1917. Woodcut, from one carved block (birch wood), sawn into three pieces, printed in four colors with hand coloring (watercolor and oil paint) on cream wove paper. Harvard Art Museums/Fogg Museum, The Philip and Lynn Straus Collection, 2023.600.


Gallery Talk: Edvard Munch: Technically Speaking

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join a Straus Center conservator in a discussion about techniques and materials in a selection of works featured in our special exhibition.

Abstracted brushstrokes of a pink, yellow and red sky with a large black form on the left-hand side.

Jules Olitski, April Dream, Lavender and Black, 2003. Opaque watercolor on heavy weight white wove paper. Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection, 2021.233. © 2024 Jules Olitski Art Foundation/Licensed by VAGA at Artists Rights Society (ARS), NY.


Exhibition Tour: The Solomon Collection: From Dürer to Degas and Beyond

Tour
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for a tour of our special exhibition The Solomon Collection: Dürer to Degas and Beyond, led by an exhibition curator.

A painting of a man and a woman standing on a colorful rocky shore facing away from the viewer.

Edvard Munch, Two Human Beings (The Lonely Ones), 1906–8. Oil on canvas. Harvard Art Museums/Busch-Reisinger Museum, The Philip and Lynn Straus Collection, 2023.551.


Exhibition Tour: Edvard Munch: Technically Speaking

Tour
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for an in-depth, hour-long tour of our special exhibition, on view through July 27, 2025.

Abstracted brushstrokes of a pink, yellow, and red sky with a large black form on the left-hand side.

Jules Olitski, April Dream, Lavender and Black, 2003. Opaque watercolor on heavyweight white wove paper. Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection, 2021.233. © 2024 Jules Olitski Art Foundation/Licensed by VAGA at Artists Rights Society (ARS), NY.


Gallery Talk: “With Love, Jules”—The Paintings of Jules Olitski in the Solomon Collection

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Discover the work of abstract painter Jules Olitski and learn about his friendship with museum benefactors Arthur and Marny Solomon.

A painting of a man and a woman standing on a colorful rocky shore facing away from the viewer.

Edvard Munch, Two Human Beings (The Lonely Ones), 1906–8. Oil on canvas. Harvard Art Museums/Busch-Reisinger Museum, The Philip and Lynn Straus Collection, 2023.551.


Exhibition Tour: Edvard Munch: Technically Speaking

Tour
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for an in-depth, hour-long tour of our special exhibition, on view through July 27, 2025.

Abstracted brushstrokes of a pink, yellow and red sky with a large black form on the left-hand side.

Jules Olitski, April Dream, Lavender and Black, 2003. Opaque watercolor on heavy weight white wove paper. Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection, 2021.233. © 2024 Jules Olitski Art Foundation/Licensed by VAGA at Artists Rights Society (ARS), NY.


Exhibition Tour: The Solomon Collection: From Dürer to Degas and Beyond

Tour
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for a tour of our special exhibition The Solomon Collection: Dürer to Degas and Beyond, led by an exhibition curator.

Two people happily chat on a bench with a large, black abstract sculpture behind them on a gallery wall.

Photo: Caitlin Cunningham Photography


Harvard Art Museums at Night

Special Event
Harvard Art Museums
32 Quincy Street, Cambridge, MA,

We’re keeping our doors open late for an evening of art, fun, food, and more!

Painted plaster bust of a Black woman, with ropes around her chest; she is looking up and to her left.

After Jean-Baptiste Carpeaux, Why Born Enslaved!, original 1868, cast before 1972. Painted plaster. Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection, 2021.224.


Gallery Talk: Beneath the Surface of Jean-Baptiste Carpeaux’s Why Born Enslaved!

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for a conversation about the restoration of a painted plaster version of Jean-Baptiste Carpeaux’s sculpture Why Born Enslaved!

A man reads a picture book to a group of families in a gallery.

Photo: Jarvis Subia


Second Saturdays Story Time

Special Event
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for Second Saturdays Story Time, where local librarians read stories in the galleries!

A brown piece of wood with a jagged brown edge is covered with attached tags and labels featuring text in many languages.

Honoré-Victorin Daumier, Reverse side of Two Lawyers, c. 1865. Oil on panel. Harvard Art Museums/Fogg Museum, Arthur K. and Mariot F. Solomon Collection, 2021.186.


Gallery Talk: Marks, Stamps, and Tags—Visible Traces of Provenance in the Solomon Collection

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Exhibition curator Casey Monahan will discuss the visible traces of ownership seen on works from the Solomon Collection, currently on view.

A painting of a seated young man holding a long staff, with a dog at his feet.

Giovanni Battista Tiepolo, Saint Roch as a Pilgrim, c. 1730. Oil on canvas. Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop, 1943.123.


Gallery Talk: Gray Area—Compassion and Companionship

Gallery Talk
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Dig deeper into the timeless tale of Saint Roch and his faithful dog.

A line of people on a stone staircase waiting to enter a large brick building with a brightly lit, ornate entry doorway.

Photo: Caitlin Cunningham Photography


Harvard Art Museums at Night

Special Event
Harvard Art Museums
32 Quincy Street, Cambridge, MA,

We’re keeping our doors open late for an evening of art, fun, food, and more!

A man reads a picture book to a group of families in a gallery.

Photo: Jarvis Subia


Second Saturdays Story Time

Special Event
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for Second Saturdays Story Time, where local librarians read stories in the galleries!

A group of people enjoying a coloring activity with bright orange posters in the background.

Photo: Caitlin Cunningham Photography


Harvard Art Museums at Night

Special Event
Harvard Art Museums
32 Quincy Street, Cambridge, MA,

We’re keeping our doors open late for an evening of art, fun, food, and more!

A man reads a picture book to a group of families in a gallery.

Photo: Jarvis Subia


Second Saturdays Story Time

Special Event
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for Second Saturdays Story Time, where local librarians read stories in the galleries!

A man reads a picture book to a group of families in a gallery.

Photo: Jarvis Subia


Second Saturdays Story Time

Special Event
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for Second Saturdays Story Time, where local librarians read stories in the galleries!

A man reads a picture book to a group of families in a gallery.

Photo: Jarvis Subia


Second Saturdays Story Time

Special Event
Harvard Art Museums
32 Quincy Street, Cambridge, MA

Join us for Second Saturdays Story Time, where local librarians read stories in the galleries!

May 2025