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Identification and Creation

Object Number
1957.193
Title
Bahram Gur Hunts with Azada (text, recto; painting, verso), illustrated folio from the Great Ilkhanid Shahnama (Book of Kings)
Other Titles
Series/Book Title: Shahnama
Classification
Manuscripts
Work Type
manuscript folio
Date
c. 1335
Places
Creation Place: Middle East, Iran, Tabriz
Period
Ilkhanid period
Culture
Persian
Persistent Link
https://hvrd.art/o/216956

Physical Descriptions

Medium
Ink, opaque watercolor and gold on paper
Dimensions
folio: 49.3 x 40.2 cm (19 7/16 x 15 13/16 in.)

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of Edward W. Forbes
Accession Year
1957
Object Number
1957.193
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Publication History

  • Armenag Sakisian, La Miniature Persane du XIIe au XVIIe Siecle, Les Editions G. van Oest (Paris, France, 1929), page 24/figure 35
  • Laurence Binyon and J. V. S. Wilkinson, Persian Miniature Painting: Including a Critical and Descriptive Catalogue of the Miniatures Exhibited at Burlington House, January-March, 1931, exh. cat., Oxford University Press (NY) and Oxford University Press (UK) (London, England, 1933), page 47/number 29g
  • Doris Brian, "A Reconstruction of the Miniature Cycle in the Demotte 'Shah-Nameh'", Ars Islamica, Freer Gallery of Art / Smithsonian Institution and University of Michigan (1 January 1939), vol. 6(2), pp. 97-112, no. 47
  • Eric Schroeder, Persian Miniatures in the Fogg Museum of Art, Harvard University Press (Cambridge, MA, 1942), pp. 49-50, fig. 7
  • Marianna Shreve Simpson, Arab and Persian Painting in the Fogg Art Museum, Fogg Art Museum (Cambridge, MA, 1980), pp. 23, 113, no. 53
  • Oleg Grabar and Sheila Blair, Epic Images and Contemporary History, University of Chicago Press (Chicago, IL, 1980), page 150-151/figure 47
  • François Déroche, ed., Les manuscrits du Moyen-Orient : essais de codicologie et de paléographie (Paris, 1989), pl. XX A
  • Abolala Soudavar, "The Saga of Abu-Sa'id Bahador Khan: The Abu-Sa'idname", Oxford Studies In Islamic Art XII: The Court of the Il-Khans 1290-1340, Oxford University Press (NY) (Oxford, UK, 1996), page 148/figure 43
  • Robert Hillenbrand, Islamic Art and Architecture, Thames & Hudson (London, England, 1999), page 211/figure 166
  • Linda Komaroff, ed., The Legacy of Genghis Khan: Courtly Art and Culture in Western Asia, 1256-1353, exh. cat., Yale University Press (New Haven, CT, 2002), pp98, fig. 110; p257, num. 55

Exhibition History

  • Arab and Persian Painting, Fogg Art Museum, Cambridge, 02/10/1981 - 03/09/1981
  • The Heavenly Court: Persian Poetry and Painting, Harvard University Art Museums, Fogg Art Museum, Cambridge, 02/09/1985 - 03/31/1985
  • Islamic Art: The Power of Pattern, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 09/23/1989 - 01/17/1990
  • Paintings for Princes: The Art of the Book in Islam, Harvard University Art Museums, Cambridge, 01/27/1990 - 03/25/1990
  • Legacy of Genghis Khan: Courtly Art and Culture 1256-1353 (The), The Metropolitan Museum of Art, New York, 10/28/2002 - 02/16/2003; Los Angeles County Museum of Art, Los Angeles, 04/13/2003 - 07/27/2003
  • The Sport of Kings: Art of the Hunt in Iran and India, Harvard University Art Museums, Cambridge, 01/22/2005 - 06/26/2005
  • Word and Image in Persian Painting, Harvard Art Museums, Cambridge, 01/31/2013 - 03/30/2013
  • 32Q: 2550 Islamic, Harvard Art Museums, Cambridge, 05/14/2015 - 11/03/2015

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu