painting proper © President and Fellows of Harvard College
Identification and Creation
Object Number
2013.47
People
Unknown Artist
Traditionally attributed to Tosa Ryō-en, Japanese (13th c. - )
Title
Welcoming Descent of Amitâbha Buddha (Amida Nyorai) flanked by the Bodhisattvas Avalokiteshvara (Kannon Bosatsu) and Mahâsthâmaprâpta (Seishi Bosatsu); Amida sanzon raigō zu
Other Titles
Transliterated Title: Amida sanzon raigō zu: Amida Nyorai (Amitâbha), Kannon Bosatsu (Avalokitesvara), Seishi Bosatsu (Mahâsthâmaprâpta)
Classification
Paintings
Work Type
painting, hanging scroll
Date
14th century
Places
Creation Place: East Asia, Japan
Period
Nambokuchō period, 1333-1392
Culture
Japanese
Physical Descriptions
Medium
Hanging scroll; gold ink, cut-gold leaf (kirikane), and color on indigo dyed silk
Dimensions
painting proper: H. 98.7 x W. 38.7 cm (38 7/8 x 15 1/4 in.)
mounting, inlcuding suspension core and roller ends: H. 194.9 x W. 61.5 cm (76 3/4 x 24 3/16 in.)
Provenance
Louis V. Ledoux Collection, New York (by 1948), by descent; to his son L. Pierre Ledoux, New York (1948-2001), by inheritance; to his widow Joan F. Ledoux, New York, (2001-2013), gift; to Harvard Art Museums, 2013.

Footnotes:
1. Louis V. Ledoux (1880-1948)
2. L. Pierre Ledoux (1912-2001)
3. On long term loan to Harvard Art Museums from 1981 to 2013.
Acquisition and Rights
Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, The Louis V. Ledoux Collection; Gift of Mrs. L. Pierre Ledoux in memory of her husband
Accession Year
2013
Object Number
2013.47
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
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Descriptions
Description
This hanging scroll depicts a standing Buddha Amitabha (Jp. Amida Nyorai) at center with magnificent golden rays of light emanating from his halo, accompanied by two attendant bodhisattvas: Avalokitesvara (Jp. Kannon Bosatsu) at the viewer’s right and Mahasthamaprapta (Jp. Seishi Bosatsu) at the left. Each figure stands facing the right in three-quarter view; each is perched atop a pair of lotuses held aloft by clouds that carry the deities in a slight downward direction, from upper left to lower right. Painted predominantly in gold pigment on dyed silk, with just a few touches of ink and color to highlight facial accents on the Buddha and the bodhisattvas' jewels and scarves, the scene illustrates a raigō, or “welcoming descent” scene in which Amitabha descends from his celestial realm in order to receive the soul of a devotee and transport it to the Western Pure Land—a distant paradise believed to provide the ideal conditions for attaining enlightenment. The resplendent but empty lotus seat carried by Avalokitesvara in the lower right of this painting is the vehicle intended to carry the soul of the believer to the Western Pure Land.
Exhibition History

32Q: 2740 Buddhist II, Harvard Art Museums, Cambridge, 06/02/2016 - 11/15/2016

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu