Together, Alone: Indigenous Film Now

This series—presented in conjunction with the special exhibition Everywhen: The Eternal Present in Indigenous Art from Australia—will highlight the contribution that Indigenous filmmakers have made and how they are reshaping cinematic representations.

While Indigenous peoples from Australia have been portrayed in film since the beginning of the medium, it is only in the last two decades that Indigenous directors have taken control of the camera to tell their own stories in their own ways. In addition, non-Indigenous directors have had to re-examine how they tell Indigenous stories to ensure that they become true collaborations of meaningful exchange. Whether working independently or collaboratively, Indigenous peoples are taking ownership of their self-representation in documentary, musical, social realism, and avant-garde cinema.

Join us for weekly Sunday matinee screenings during the run of the series.

About today’s film:
Another Country (2015)
75 min., color; Australia, English, and Yolngu

The great Aboriginal Australian actor David Gulpilil tells the tale of Another Country, a story of what happened when his people’s way of life was interrupted. This documentary film speaks to the havoc caused by the superimposition of a new culture over an old one and the consequent problems in diverse areas of daily life, such as time, money, garbage, and errant kangaroos.

Credits
Writers: David Gulpilil, Rolf de Heer, and Molly Reynolds
Director: Molly Reynolds
Cinematographer: Matt Nettheim
Editor: Tania Nehme
Sound Design and Recording: James Currie and Tom Heuzenroeder
Producers: Peter Djigirr, Rolf de Heer, and Molly Reynolds
Associate Producer: Cathy Gallagher

The screenings will be held in Menschel Hall, Lower Level.

Free admission

Cosponsored by the Harvard University Native American Program.

Support for this program is provided by the Richard L. Menschel Endowment Fund. Modern and contemporary art programs at the Harvard Art Museums are made possible in part by generous support from the Emily Rauh Pulitzer and Joseph Pulitzer, Jr., Fund for Modern and Contemporary Art.

Lead support for Everywhen: The Eternal Present in Indigenous Art from Australia and related research has been provided by the Harvard Committee on Australian Studies. The exhibition is supported by the Australian Government through the Department of Foreign Affairs and Trade and the Australian Consulate-General, New York.