The Archives collects, organizes, and preserves the institution’s historical documents and makes them available to students, scholars, and interested members of the international art community. Its mission is to document and promote knowledge and appreciation of the Art Museums’ history, programs, and goals, and the professional and personal accomplishments of its principals.
Archival materials, crucial to the Art Museums’ institutional memory, mandate, and mission, supply a vital complementary narrative to the works of art themselves, recording their acquisition, history, and use. Holdings include signiﬁcant papers of individuals and groups associated with the Art Museums’ history, as well as comprehensive materials on the Fogg, Busch-Reisinger, and Arthur M. Sackler museums, which integrated to form the Harvard University Art Museums (now the Harvard Art Museums) in 1983.
Documents and artifacts in the Harvard Art Museums Archives date from the opening of the Fogg Museum in 1895 to the present. The Archives contains letters, photographs, scrapbooks, glass lantern slides, audio- and videotapes, motion picture ﬁlms, architectural drawings, student works, and digital ﬁles, as well as over 3,000 printed volumes, consisting largely of Art Museums publications, catalogues, and supporting materials.
The Archives provides insight into the formation of the Art Museums’ collections and the museum’s mission as a teaching institution. Harvard was arguably the premier training ground in the country for curators, conservators, and other museum professionals; the Archives’ collections of teaching-related materials serve as rich resources for the study of the pedagogical approaches of Art Museums’ teaching staﬀ.
Highlights include correspondence with collectors, gallery owners, museum professionals, and notables throughout the 20th century, including Alfred Barr, Bernard Berenson, Belle da Costa Greene, Lincoln Kirstein, Helen Frick, and Abby and John D. Rockefeller. The Archives is strong in documentation related to museum theory and practice, and also includes papers of artists Alfonso Ossorio, David Smith, Chaim Soutine, and Denman W. Ross, among others. In addition, the Archives holds the records of the Howard Wise Gallery, a major venue for kinetic art in the 1960s.