© President and Fellows of Harvard College
Identification and Creation
Object Number
2014.210
People
Nam June Paik, American (Seoul, South Korea 1932 - 2006 Miami, FL)
Title
Cello Memory
Classification
Sculpture
Work Type
sculpture
Date
2002
Culture
Korean
Physical Descriptions
Medium
1 Channel Video Installation with 2 40" LCD Monitors
Dimensions
219.1 x 269.2 x 24.1 cm (86 1/4 x 106 x 9 1/2 in.)
Provenance
Nam June Paik, created 2002; Ken Hakuta, Miami Beach, FL (2002-2014), gift; to the Harvard Art Museums, 2014.
Acquisition and Rights
Credit Line
Harvard Art Museums/Fogg Museum, Gift of the Hakuta Family
Copyright
© Nam June Paik Estate
Accession Year
2014
Object Number
2014.210
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
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Descriptions

Label Text: 32Q: 4000 Study Center Reception , written 2014
Considered the pioneer of video art, Paik earned a graduate degree in musical composition before he went on to challenge the classical tradition. Influenced by composer John Cage and Fluxus founder George Maciunas, whom he met in Germany in the 1950s, Paik began to combine music and objects to create a new form that we now know as performance art. He presented these works at Fluxus events from Germany to New York during the 1960s and ’70s, often incorporating visual material manipulated using the video synthesizer he developed with engineer Shuya Abe. Paik’s interest in performance resulted in his famous collaborations with the classically trained cellist Charlotte Moorman. She played Paik’s edgy scores in various states: in the nude, while wearing a bra with tiny TV monitors concealing her breasts, or while using a cello made up of three television monitors. The work here suggests the placement of the cello between Moorman’s breasts, with the screens revealing Paik’s synthesized collage of footage recalling her performance from decades earlier.

Publication History

Suzanne Volmer, Cambridge, Massachusetts: Rebecca Horn, Sculpture, International Sculpture Center (June 2015), Vol. 34, No. 5, p. 70

Exhibition History

32Q: 4000 Study Center Reception, Harvard Art Museums, Cambridge, 11/01/2014 - 01/14/2016

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu