- Identification and Creation
- Object Number
Nam June Paik, American (Seoul, South Korea 1932 - 2006 Miami, FL)
- Cello Memory
- Work Type
- Physical Descriptions
- 1 Channel Video Installation with 2 40" LCD Monitors
- 219.1 x 269.2 x 24.1 cm (86 1/4 x 106 x 9 1/2 in.)
- Nam June Paik, created 2002; Ken Hakuta, Miami Beach, FL (2002-2014), gift; to the Harvard Art Museums, 2014.
- Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Gift of the Hakuta Family
- © Nam June Paik Estate
- Accession Year
- Object Number
- Modern and Contemporary Art
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Label Text: 32Q: 4000 Study Center Reception , written 2014
Considered the pioneer of video art, Paik earned a graduate degree in musical composition before he went on to challenge the classical tradition. Influenced by composer John Cage and Fluxus founder George Maciunas, whom he met in Germany in the 1950s, Paik began to combine music and objects to create a new form that we now know as performance art. He presented these works at Fluxus events from Germany to New York during the 1960s and ’70s, often incorporating visual material manipulated using the video synthesizer he developed with engineer Shuya Abe. Paik’s interest in performance resulted in his famous collaborations with the classically trained cellist Charlotte Moorman. She played Paik’s edgy scores in various states: in the nude, while wearing a bra with tiny TV monitors concealing her breasts, or while using a cello made up of three television monitors. The work here suggests the placement of the cello between Moorman’s breasts, with the screens revealing Paik’s synthesized collage of footage recalling her performance from decades earlier.
- Publication History
Suzanne Volmer, Cambridge, Massachusetts: Rebecca Horn, Sculpture, International Sculpture Center (June 2015), Vol. 34, No. 5, p. 70
- Exhibition History
32Q: 4000 Study Center Reception, Harvard Art Museums, Cambridge, 11/01/2014 - 01/14/2016
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