Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
2008.25.10
People
Anthony van Dyck, Flemish (Antwerp, Belgium 1599 - 1641 London)
Title
Jan Snellinck
Other Titles
Series/Book Title: Iconography
Classification
Prints
Work Type
print
Date
c. 1626-1633
Culture
Flemish
Persistent Link
https://hvrd.art/o/324154

Physical Descriptions

Technique
Etching
Dimensions
platemark: 24.5 x 15.7 cm (9 5/8 x 6 3/16 in.)
framed: 57.79 x 46.99 x 2.54 cm (22 3/4 x 18 1/2 x 1 in.)
Inscriptions and Marks
  • watermark: Fleur-de-lys in crowned shield (M.H. 158-9, circa 1935-45)
  • inscription: lower margin pen and brown ink and red chalk: hans Snellinckx S
  • collector's mark: Sir Peter Lely (Lugt 2092)

Provenance

Recorded Ownership History
Sir Peter Lely (Lugt 2092). Cledenin J. Ryan, sold [through Parke-Bernet Galleries, New York, January 19-20, 1940, lot 120]. Mr. and Mrs. W. Clifford Klenk, Long Island, New York. [Sotheby Parke Bernet, New York, February 16, 1979, lot 617]. [R. M. Light & Co., Boston], sold; to Mr. and Mrs. Walter C. Klein, New York, gift; to Harvard Art Museums, 2008.

State, Edition, Standard Reference Number

State
i/viii
Standard Reference Number
M.-H. 10; Amsterdam/Antwerp 14

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Walter C. Klein, Class of 1939
Accession Year
2008
Object Number
2008.25.10
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Descriptions

Commentary
The Iconography is a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This compilation of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists, a survey of the most distinguished men and women of his time, went through many editions. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink.

Many of these eighteen etched portraits by van Dyck are rare first state impressions, including the artist's Self-Portrait. The majority of the other eighteen are depictions of artists as well, including Jan and Pieter Brueghel, Lucas Vorsterman and Paulus Pontius-important reproductive engravers of Rubens's work, and Cornelis Anthoniszoon.

Publication History

  • M. Knoedler & Co., The Complete Etched Portrait Work of Anthony Van Dyck from the Collections of Sir Peter Lely and Prosper Henry Lankrink (New York, 1934), cat. no. 11, repr.

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu