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Identification and Creation

Object Number
BR68.13
People
Egon Schiele, Austrian (Tulln, Austria 1890 - 1918 Vienna, Austria)
Title
Sleeping Figure with Blanket
Other Titles
Original Language Title: Schlafende mit Decke
Former Title: Drapery Study
Classification
Drawings
Work Type
drawing
Date
1910
Culture
Austrian
Persistent Link
https://hvrd.art/o/222701

Location

Location
Level 1, Room 1440, Modern and Contemporary Art, Secessionism: Munich, Vienna, Berlin
View this object's location on our interactive map

Physical Descriptions

Medium
Watercolor and charcoal on tan paper
Dimensions
sight: 31 x 44.3 cm (12 3/16 x 17 7/16 in.)
frame: 58.7 × 74 cm (23 1/8 × 29 1/8 in.)
Inscriptions and Marks
  • Signed: initialed in graphite at l.r.: S
  • inscription: u.r., graphite, handwritten, in artist's hand: S. 10.
  • label: Removed from backing board: B-R / Busch-Reisinger Museum Harvard Universtiy, 29 Kirkland Street, Cambridge, Massachusetts 02138 / Accession No. 1968.13 / Title: Drapery Study / Artist: Egon Schiele (1890-1918) / Date: 1910 / Medium: Watercolor and charcoal / Size: 12 1/4 x 17 1/2 in. / Purchase, Selma Sobin and Antonia Paepcke DuBrul Funds
  • label: Removed from backing board: B-R / Busch-Reisinger Museum Harvard Universtiy, 29 Kirkland Street, Cambridge, Massachusetts 02138 / DEUTSCHE KUNST DES 20. JAHRHUNDERTS AUS DEM BUSCH-REISINGER MUSEUM, HARVARD UNIVERSITY / Schiele, Drapery Study (Gewandstudie) check list number 121 crate number 18 / Stadel Frankfurt Oct. 21, 1982-Jan. 19, 1983 / Bauhaus-Archiv, Berlin Feb. 10, 1983-April 1983 / Kunstmuseum, Dusseldorf May 8, 1983-June 26, 1983

Acquisition and Rights

Credit Line
Harvard Art Museums/Busch-Reisinger Museum, Selma H. Sobin and Antonia Paepcke DuBrul Funds
Accession Year
1968
Object Number
BR68.13
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Publication History

  • Accessions of American and Canadian Museums, April-June 1968, The Art Quarterly, ed. Willis F. Woods, Paul L. Grigaut, Frederick Cummings, and Graham Hood (New York, 1968), Vol. XXXI, No. 4, pp. 454-455, pp. 454-455, ill.
  • Marjorie B. Cohn, Wash and Gouache: A Study of the Development of the Materials of Watercolor, exh. cat., Fogg Art Museum (Cambridge, 1977), pp. 9, 28, cat. no. 56 p. 108
  • Charles Werner Haxthausen, The Busch-Reisinger Museum, Harvard University, Abbeville Press (New York, NY, 1980), p. 133, repr.
  • Jane Kallir, Egon Schiele, The Complete Works: Including a Biography and a Catalogue Raisonne, Harry N. Abrams, Inc. (New York, NY, 1990), no. 403
  • Peter Nisbet and Joseph Koerner, The Busch-Reisinger Museum, Harvard University Art Museums, ed. Peter Nisbet, Harvard University Art Museums and Scala Publishers Ltd. (Cambridge, MA and London, England, 2007), p. 177

Exhibition History

  • Drawings & Watercolors by Egon Schiele, Des Moines Art Center, Des Moines, 09/20/1971 - 10/31/1971; Columbus Gallery of Fine Arts, Columbus, 11/15/1971 - 12/19/1971; The Art Institute of Chicago, Chicago, 01/03/1972 - 02/13/1972
  • Wash and Gouache: A Study of the Development of the Materials of Watercolor, Fogg Art Museum, Cambridge, 05/12/1977 - 06/22/1977
  • 20th-Century Works on Paper from the Permanent Collection, Busch-Reisinger Museum, Cambridge, 09/07/1981 - 11/11/1981
  • Deutsche Kunst des 20. Jahrhunderts aus dem Busch-Reisinger Museum, Stadtische Galerie im Stadelschen Kunstinstitut, Frankfurt, 10/23/1982 - 01/16/1983; Bauhaus-Archiv, Berlin 30, 02/10/1983 - 04/17/1983; Kunstmuseum Düsseldorf, Düsseldorf, 05/08/1983 - 06/26/1983
  • “As though my body were naught but ciphers”: Crises of Representation in Fin-de-Siècle Vienna, Harvard University Art Museums, Busch-Reisinger Museum, 02/12/2005 - 06/12/2005
  • 32Q: 1440 Secessionism: Munich, Vienna, Berlin (Expressionism), Harvard Art Museums, Cambridge, 03/11/2024 - 10/01/2024
  • Flowers of Evil: Symbolist Drawings, 1870–1910, Harvard Art Museums, Cambridge, 05/21/2016 - 08/14/2016

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu