Joos De Momper
© President and Fellows of Harvard College
Identification and Creation
Object Number
2008.25.6
People
Anthony van Dyck, Flemish (Antwerp, Belgium 1599 - 1641 London)
Title
Joos de Momper
Other Titles
Series/Book Title: Iconography
Classification
Prints
Work Type
print
Date
c. 1626-1633
Culture
Flemish
Physical Descriptions
Technique
Etching
Dimensions
platemark: 24.4 x 15.7 cm (9 5/8 x 6 3/16 in.)
framed: 57.79 x 46.99 x 2.54 cm (22 3/4 x 18 1/2 x 1 in.)
Inscriptions and Marks
  • collector's mark: Sir Peter Lely (Lugt 2092)
  • inscription: lower margin in pen and brown ink: Joos de Momper
  • watermark: Fleur-de-lys in crowned shield (M.H. 158-9, circa 1635-45)
Provenance
Sir Peter Lely (Lugt 2092). Cledenin J. Ryan, Short Hills, New Jersey, sold; [through his sale, Parke-Bernet, New York, January 17-18, 1940, lot 117]. Mr. and Mrs. W. Clifford Klenck, Long Island. [Sotheby Parke Bernet Galleries, New York, February 16, 1979, lot 614]. [R. M. Light & Co., Boston], sold; to Mr. and Mrs. Walter C. Klein, New York, gift; to Harvard Art Museums, 2008.
State, Edition, Standard Reference Number
State
i/v
Standard Reference Number
M.-H. 7; Amsterdam/Antwerp 10
Acquisition and Rights
Credit Line
Harvard Art Museums/Fogg Museum, Gift of Walter C. Klein, Class of 1939
Accession Year
2008
Object Number
2008.25.6
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Descriptions
Commentary
The Iconography is a collection of portrait prints made after drawings and paintings by van Dyck. Eighteen were etched by the artist himself, although the majority are engravings made by a variety of printmakers. This compilation of portraits of princes, politicians, soldiers, statesmen, scholars, art connoisseurs and most importantly artists, a survey of the most distinguished men and women of his time, went through many editions. The edition published by Martinus van den Enden during van Dyck's lifetime consisted of eighty portraits. Van Dyck prepared these prints by making oil sketches and drawings in black chalk, sometimes washed with brown ink.

Many of these eighteen etched portraits by van Dyck are rare first state impressions, including the artist's Self-Portrait. The majority of the other eighteen are depictions of artists as well, including Jan and Pieter Brueghel, Lucas Vorsterman and Paulus Pontius-important reproductive engravers of Rubens's work, and Cornelis Anthoniszoon.
Publication History

M. Knoedler & Co., The Complete Etched Portrait Work of Anthony Van Dyck from the Collections of Sir Peter Lely and Prosper Henry Lankrink (New York, 1934), cat. no. 8 [as Josse de Momper], repr.

Related Works

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu