Art

Lovers' Picnic, painting (recto), text (verso), illustrated folio from a manuscript of the Divan (Collected Works) of Hafiz

2007.183.2 recto (painting)

2007.183.2 verso (text)

2007.183.2 recto (painting) detail

2007.183.2 recto (painting) and 2007.183.1 verso (text)

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Attributed to Sultan Muhammad
Persian (16th century)
Lovers' Picnic, painting (recto), text (verso), illustrated folio from a manuscript of the Divan (Collected Works) of Hafiz, c. 1530
Manuscript Folio
Persian
,
16th century
Safavid period
Creation Place: Tabriz, Iran
Ink, opaque watercolor, and gold on paper
19 x 12.4 cm (7 1/2 x 4 7/8 in.)
Harvard Art Museums/Arthur M. Sackler Museum, Gift of Stuart Cary Welch in honor of Edith Iselin Gilbert Welch
, 2007.183.2
Department of Islamic & Later Indian Art
,
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. Please contact the curatorial department listed above for more information.
Description
This well-known painting features a pair of courtly lovers in a spring garden. Holding hands, they are seated on a carpet, shaded by a canopy bearing an exuberant arabesque. A wine bearer offers the young man a golden bowl; musicians and dancers perform in the foreground on the banks of a stream bordered by flowers. The painting appears on what was once folio 66 recto of a famous manuscript of the Divan of Hafiz and illustrates the 229th ghazal of Hafiz (P. Loloi, Hafiz Master of Persian Poetry, A critical Poetry, New York, 2004, p.149). Only the first line of the poem is shown on the illustrated page and the rest of the poem can be found on the verso side. Because the name of Sam Mirza (b. 1517), brother to the Safavid ruler Shah Tahmasp, appears on one of the now dispersed paintings, it is posited that the prince was the patron of the manuscript.
Marks
signed: A couplet by Hafiz is written in the text blocks at the upper edge of the painting. It has been translated by Martin B. Dickson to read:
"A rose without the glow of a lover bears no joy;
Without wine to drink, the spring brings no joy."
inscription: In the text blocks at the upper edge of the painting (translated by Martin B. Dickson): "A rose without the glow of a lover bears no joy; / Without wine to drink, the spring brings no joy."
Provenance
Stuart Cary Welch, Jr., Contootook, NH, (by 2007), gift; to Harvard University Art Museums, 2007.
Bibliography
Armenag Sakisian, La Miniature Persane du XIIe au XVIIe Siecle, Les Editions G. van Oest (Paris, France, 1929), pp. 113, pl. LXXXI, fig. 146

Laurence Binyon and J. V. S. Wilkinson, Persian Miniature Painting: Including a Critical and Descriptive Catalogue of the Miniatures Exhibited at Burlington House January-March, 1931, exh. cat., Oxford University Press (NY) and Oxford University Press (UK) (London, England, 1933), pp. 112, 115, 116, 128-9:illus. Pl. LXXXIII A, no. 127

Ivan Stchoukine, Les peintures des manuscrits safavis 1502-1587, P. Guenther (Paris, 1959), pp. 60-61

Basil Gray, La Peinture Persane, Skira (Geneve, 1961), pp. 130, 136, 137

Stuart Cary Welch, Persian Painting: Five Royal Safavid Manuscripts of the Sixteenth Century, George Braziller (New York, 1976), p. 117

Stuart Cary Welch, Wonders of the Age: Masterpieces of Early Safavid Painting, 1501-1576, exh. cat., Fogg Art Museum (Cambridge, MA, 1979), pp. 122-23

Martin Bernard Dickson and Stuart Cary Welch, The Houghton Shahnameh, Harvard University Press (Cambridge, MA, 1981), pp.37-39, 58

Elizabeth Murray, Cultivating Sacred Space: Gardening for the Soul, Pomegranate (San Francisco, 1997), page 22

Harvard Art Museum, Harvard Art Museum Annual Report 2007-2008, (Cambridge, 2009), p. 34

Tina Marie Theresa D'Alessandro Powell, Picnic in Pisticci, Big Fat Pen Publishing, Inc. (Canada, 2012), p. 39, ill.; p. 98

Farid al-Din Attar, Layli Anvar and Michael Barry, Le Cantique des Oiseaux: illustré par la peinture en Islam d’orient, Diane de Selliers (Paris, 2012), p. 278, ill. p. 279.

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