- Gallery Text
Man Ray, known primarily for his surrealist photographs, moved to Ridgefield, New Jersey, in the fall of 1912. In his memoir he described the town’s valley and blue hills as “a continual source of inspiration for landscape work.” The twenty-three-year-old artist was deeply influenced by the 1913 Armory Show, which presented the most recent developments in European art. The minimal, planar buildings depicted here owe an obvious debt to Cézanne, whose View of the Domaine Saint-Joseph, shown at the Armory, is similar in composition and style. The difference in texture and coloration in the horizontal registers of Rooftops Ridgefield, previously thought to be signs of an inferior restoration or poor condition, is now interpreted as evidence of Ray’s reworking of the painting after seeing the Armory Show. The young artist, who quickly assimilated what he observed, soon became a leader of the avant-garde.
- Identification and Creation
- Object Number
Man Ray, American (Philadelphia, PA 1890 - 1976 Paris, France)
- Rooftops Ridgefield
- Work Type
Level 1, Room 1300, Modern and Contemporary Art, Early Modernism
View this object's location on our interactive map
- Physical Descriptions
- Oil on canvas
- 44.45 x 54.61 cm (17 1/2 x 21 1/2 in.)
framed: 58.8 x 68.7 x 4.5 cm (23 1/8 x 27 1/16 x 1 3/4 in.)
- Private Collection, by gift and sale; to Harvard University Art Museums, 2006.
- Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Anonymous gift in memory of Elaine Siegler Taswell and gift of Dr. Ernest G. Stillman, Class of 1907, by exchange
- © Man Ray Trust / Artists Rights Society (ARS), New York / ADAGP, Paris
- Accession Year
- Object Number
- Modern and Contemporary Art
- The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
- Publication History
Curtis Carter and Francis M. Naumann, Man Ray in America, exh. cat., Marquette University (Milwaukee, Wisconsin, 1989), p. 26, fig. 5
Francis M. Naumann, Man Ray in America: Paintings, Drawings, Sculpture, and Photographs from the New York/Ridgefield (1912-21) and Hollywood (1940-50) Years, exh. cat., Francis Naumann Fine Art (New York, New York, 2001), p. 29, fig. 11
Francis M. Naumann, Conversion to Modernism: The Early Work of Man Ray, Rutgers University Press (New Brunswick, NJ, 2003), p. 55, fig. 67
Harvard University Art Museums, Harvard University Art Museums Annual Report 2006-7 (Cambridge, MA, 2008), p. 20, ill.
- Exhibition History
32Q: 1300 Early Modernism, Harvard Art Museums, Cambridge, 11/01/2014
- Subjects and Contexts
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at email@example.com