Leander's Tower On The Bosporus
© President and Fellows of Harvard College
Identification and Creation
Object Number
1895.716
People
Sanford Robinson Gifford, American (Greenfield, NY 1823 - 1880 New York, NY)
Title
Leander's Tower on the Bosporus
Other Titles
Former Title: Leander's Tower on the Bosphorus
Former Title: In the Bosphorus
Classification
Paintings
Work Type
painting
Date
1876
Culture
American
Location
Level 2, Room 2120, European and American Art, 17th–19th century
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Physical Descriptions
Medium
Oil on canvas
Dimensions
48.4 x 99.4 cm (19 1/16 x 39 1/8 in.)
frame: 77.5 x 128.3 x 11.4 cm (30 1/2 x 50 1/2 x 4 1/2 in.)
Inscriptions and Marks
  • Signed: l.r.: S R Gifford, 1876
Provenance
Purchased by William Hayes Fogg, New York, NY, before 1877; his bequest to his wife, Mrs. William Hayes Fogg, 1884; her bequest to the Fogg Art Museum, 1895.
Aquisition and Rights
Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Mrs. William Hayes Fogg
Accession Year
1895
Object Number
1895.716
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Publication History

John F. Weir, A Memorial Catalogue of the Paintings of Sanford Robinson Gifford, N.A., exh. cat., The Metropolitan Museum of Art (1881), no. 645

Nikolai Cikovsky, Sanford Robinson Gifford (1823-1880), exh. cat., University of Texas at Austin (Austin, TX, 1970), p. 77, no. 57, ill.

Kenyon Castle Bolton, III, Peter G. Huenink, Earl A. Powell III, Harry Z. Rand, and Nanette C. Sexton, American Art at Harvard, exh. cat., Fogg Art Museum (Cambridge, MA, 1972), cat. 80, ill.

John Wilmerding, ed., The Genius of American Painting, William Morrow & Company (New York, 1973), pp. 143-145, ill. p. 144

Ila Weiss, "Sanford Robinson Gifford (1823-1880)" (PhD Diss., Columbia University, 1975), Xerox University Microfilms, pp. 320, 321; pl IX C 1, p. 593

Ila Weiss, Poetic Landscape: The Art and Experience of Sanford R. Gifford, University of Delaware Press (Newark, DE, 1987), p. 304, ill. p. 303

Kevin J. Avery and Franklin Kelly, ed., Hudson River School Visions: The Landscapes of Sanford R. Gifford, exh. cat., Metropolitan Museum of Art / Yale University Press (New York; New Haven and London, 2003), p. 216, cat. 59, ill.

Kimberly Orcutt, "Personal Collecting Meets Institutional Vision: The Origins of Harvard's Fogg Art Museum", Journal of the History of Collections (2006), vol. 18, no. 2, pp. 267-284, p. 270; p. 272, fig. 4, p. 274

Stephan Wolohojian, ed., Harvard Art Museum Handbook, Harvard Art Museum (Cambridge, MA, 2008), ill. p. 163

Theodore E. Stebbins, Jr. and Melissa Renn, American Paintings at Harvard, Volume One: Paintings, Watercolors, and Pastels by Artists Born before 1826, Yale University Press and Harvard Art Museums (Cambridge and New Haven, 2014), p. 26, 223-225, cat 174, ill.

Sandra Kelberlau, ""How One Landscape-Painter Paints: The Technique of Sanford Robinson Gifford"" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, June 2006), Unpublished, pp. 1-8 passim

Exhibition History

Annual Exhibition, 1877, National Academy of Design, New York, 01/01/1877 - 12/31/1877

175th Anniversary Celebration Honoring William Hayes Fogg Family, Berwick Academy, S. Berwick, 10/21/1966 - 10/23/1966

Sanford Robinson Gifford, 1823-1880, Albany Institute of History and Art, Albany, 01/01/1971 - 01/31/1971; Hirschl & Adler Galleries, New York, 02/01/1971 - 03/31/1971; University of Texas at Austin Art Museum, Austin, 11/01/1970 - 11/30/1970

American Art at Harvard, Fogg Art Museum, Cambridge, 04/19/1972 - 06/18/1972

Sanford Robinson Gifford, 1823-1880, Amon Carter Museum, Fort Worth, 03/06/2004 - 05/16/2004; National Gallery of Art, Washington, 06/27/2004 - 09/26/2004; The Metropolitan Museum of Art, New York, 10/07/2003 - 02/08/2004

Re-View: S424-426 Western Art from 1560 to 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 08/16/2008 - 06/18/2011

Subjects and Contexts

Collection Highlights

Google Art Project

Verification Level

4 - Best. Object is extensively researched, well described and information is vetted