- Identification and Creation
- Object Number
Albert Bierstadt, American (Solingen (near Dusseldorf), Germany 1830 - 1902 New York, NY)
- Rocky Mountains, "Lander's Peak"
- Work Type
Level 2, Room 2100, European and American Art, 17th–19th century
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- Physical Descriptions
- Oil on linen
- 110.8 x 90.2 cm (43 5/8 x 35 1/2 in.)
frame: 146.4 x 126.4 x 10.8 cm (57 5/8 x 49 3/4 x 4 1/4 in.)
- Inscriptions and Marks
- Signed: l.l.: A. Bierstadt 63 (AB in monogram)
- Acquired by William Hayes Fogg, New York; his bequest to his wife, Mrs. William Hayes Fogg, 1884; her bequest to Fogg Art Museum, 1895.
- Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Bequest of Mrs. William Hayes Fogg
- Accession Year
- Object Number
- European and American Art
- Publication History
Richard S. Trump, "Life and Works of Albert Bierstadt" (Thesis, Ohio State University, 1963), Unpublished and Ohio State University, 217
Paintings, Drawings, and Sculpture from the Fogg Art Museum, Harvard University, exh. cat., Yale University Art Gallery (New Haven, CT, 1967), n.p.
Kenyon Castle Bolton, III, Peter G. Huenink, Earl A. Powell III, Harry Z. Rand, and Nanette C. Sexton, American Art at Harvard, exh. cat., Fogg Art Museum (Cambridge, MA, 1972), cat. 74, ill.
Gordon Hendricks, Albert Bierstadt: Painter of the American West, exh. cat., Harry N. Abrams, Inc./Amon Carter Museum (Fort Worth, TX, 1974), cl-113
Jonathan L. Fairbanks, Frontier America: The Far West, exh. cat., Museum of Fine Arts, Boston (Boston, MA, 1975), p. 63, cat. 72, ill.; p. 216; back cover, ill.
Celeste Marie Adams and Franklin Kelly, America: Art and the West, exh. cat., American-Australian Foundation for the Arts/Int'l Cultural Corp. of Aus. Ltd (New York, NY, 1986), p. 26 and footnote p. 29; reproduced, color, no. 19 and detail
Chris Bruce, ed., Myth of the West, Rizzoli/The Henry Art Gallery, Univ. of Washington (New York and Seattle, WA, 1990), p. 62; reproduced, color, p. 66
Jean Clair, ed., Cosmos: From Romanticism to the Avant-Garde, exh. cat., The Montreal Museum of Fine Arts (Montreal, Canada, 1999), pp. 82-3, illustr. in b/w
Andrew Wilton and Tim Barringer, American Sublime: Landscape Painting in the United States, 1820-1880, exh. cat., Tate Gallery Publishing Limited (London and Princeton, NJ, 2002), pp. 230-231, cat. 89, ill.
Gabriella Belli and Paola Giacomoni, Montagna: Arte, scienza, mito da Durer a Warhol (Milan, Italy, 2003), p. 196
John Updike, Still Looking: Essays on American Art, Alfred A. Knopf, Inc. (New York, 2005), pp. 41-43, ill. opp. p. 43
Kimberly Orcutt, "Personal Collecting Meets Institutional Vision: The Origins of Harvard's Fogg Art Museum", Journal of the History of Collections (2006), vol. 18, no. 2, pp. 267-284, p. 270; p. 271, fig. 3; p. 274
Barbara Novak, Nature and Culture: American Landscape and Painting, 1825-1875, Oxford University Press (NY) (New York, NY, 2007), pl. 3, ill.
Stephan Wolohojian, ed., Harvard Art Museum/ Handbook, Harvard Art Museum (Cambridge, MA, 2008), ill. p. 156
Theodore E. Stebbins, Jr., Virginia Anderson, and Kimberly Orcutt, ed., American Paintings at Harvard, Volume Two, Paintings, Drawings, Pastels and Stained Glass by Artists Born 1826-1856, Harvard University Art Museums/Yale University Press (Cambridge, MA and New Haven, CT, 2008), p. 44, cat. 21, ill. p. 46
Judy Murray and Ray Williams, Engaging New Americans, Preparing for US Citizenship with the Harvard Art Museums, Harvard Art Museums (Cambridge, MA, 2012), ill. p. 44
Theodore E. Stebbins, Jr. and Melissa Renn, American Paintings at Harvard, Volume One: Paintings, Watercolors, and Pastels by Artists Born before 1826, Yale University Press and Harvard Art Museums (Cambridge and New Haven, 2014), p. 26
Peter T. Harstad, "The Lander Trail", Idaho Yesterdays, Idaho State Historical Society (Boise, ID, Fall 1968), vol. XII, no. 3, cover
Marjorie B. Cohn, "A Slow Start for American Art at the Fogg", Harvard University Art Museums Review (Fall 1992), vol. II, no. 1, p. 3, p. 3, fn. 6
Barbara Novak, "American Landscape: The Nationalist Garden and the Holy Book", Art In America (January 1972 - February 1972), pp. 46-57, reproduced p. 47, color
John Wilmerding, "Harvard and American Art", Apollo (June 1978), vol. CVII, no. 196, pp. 490-495, p. 491 ,pl. XXI
Louise Todd Ambler and Kenyon Castle Bolton, III, "American Painting at Harvard", Antiques (New York, NY, November 1972), vol. 102, no. 5, pp. 876-883, p. 877, pl. 1
Gordon Hendricks, "The First Three Western Journeys of Albert Bierstadt", The Art Bulletin, College Art Association of America (September 1964), vol. XLVI, no. 3, pp. 333-65, pp. 333-365; reproduced fig. 5
Fogg Art Museum and Benjamin Rowland, Jr., Real and Ideal in American Art, exh. cat. (Cambridge, MA, Summer 1948), cat. 22 as "Landscape in the Rockies"
- Exhibition History
Real and Ideal in American Art, Fogg Art Museum, Cambridge, 06/01/1948 - 09/01/1948
Paintings, Drawings, Sculpture from the Fogg Art Museum, Harvard University, Yale University Art Gallery, New Haven, 10/12/1967 - 12/03/1967
The American Vision: Painting 1825-1875, Rosenberg Gallery, New York, 10/08/1968 - 11/02/1968
American Art at Harvard, Fogg Art Museum, Cambridge, 04/19/1972 - 06/18/1972
The American Landscape, Arts Club of Chicago, Chicago, 11/15/1973 - 12/30/1973
Frontier American, Museum of Fine Arts, Boston, Boston, 01/23/1975 - 03/16/1975; Denver Art Museum, Denver, 04/16/1975 - 06/01/1975; Fine Arts Gallery of San Diego, San Diego, 07/02/1975 - 08/17/1975; Rockhill Nelson Gallery of Art, Kansas City, 09/17/1975 - 11/02/1975; Milwaukee Art Museum, Milwaukee, 12/05/1975 - 01/18/1976
America: Art and the West, Art Gallery of New South Wales, Sydney, 02/06/1987 - 04/05/1987; Art Gallery of Western Australia, Perth, 12/11/1986 - 01/21/1987
Myth of the West, Henry Art Gallery, Seattle, 09/14/1990 - 11/25/1990
The Persistence of Memory: Continuity and Change in American Cultures, Harvard University Art Museums, Cambridge, 07/29/1995 - 05/13/2001
American Sublime: Landscape Painting in the United States 1820-1880, Tate Gallery, London, 02/21/2002 - 05/19/2002
- Subjects and Contexts
Artstor Digital Library
Google Art Project
- Verification Level
4 - Best. Object is extensively researched, well described and information is vetted