Attic Red-Figure Hydria: The Ransom Of Hector
© President and Fellows of Harvard College
Identification and Creation
Object Number
1972.40
People
The Pioneer Group, Greek ( active early 6th century BCE )
Title
Attic Red-figure Hydria: The Ransom of Hector
Classification
Vessels
Work Type
vessel
Date
510-500 BCE
Places
Creation Place: Ancient & Byzantine World, Europe, Athens (Attica)
Period
Archaic period
Culture
Greek
Location
Level 3, Room 3410, South Arcade
View this objects location on our interactive map
Physical Descriptions
Medium
Terracotta
Technique
Red-figure
Dimensions
38.1 cm h x 38 cm diam at handles (15 x 14 15/16 in.)
Provenance
[Munzen und Medaillen AG, Basel, May 6, 1967, Auction 34, lot 149], sold; to Frederick M. Watkins, New Haven, CT, (1967-1972), bequest; to Fogg Art Museum, 1972.
State, Edition, Standard Reference Number
Standard Reference Number
Beazley Archive Database #352403
Aquisition and Rights
Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Frederick M. Watkins
Accession Year
1972
Object Number
1972.40
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Descriptions
Commentary
Re-View Exhibition, Spring 2008, gallery label information:

"Respect the gods, Achilles. Think of your own father, and pity me. . . . I have borne what no man who has walked this earth has ever yet borne: I have kissed the hand of the man who killed my son."

With these words in Book 24 of Homer's Iliad, the Trojan king Priam implores the Greek hero Achilles to let him ransom dead Hector. The scene on this hydria (water jar) is a dense visual rendering of the narrative. Hector's mutilated body is prominent; his wounds and tied ankles recall Achilles dragging the corpse behind his chariot. Just arrived, Priam clasps Achilles' knees in supplication and begins to speak. The reclining hero is startled; his big dinner knife and the now-faded strips of red meat hanging from the table lend him an air of brutality. At right, a suit of armor reminds the viewer of the events that led to the poignant encounter.
Publication History

The Frederick M. Watkins Collection, exh. cat., Fogg Art Museum (Cambridge, MA, 1973)

David Gordon Mitten and Amy Brauer, Dialogue with Antiquity, The Curatorial Achievement of George M. A. Hanfmann, exh. cat., Fogg Art Museum (Cambridge, MA, 1982), p. 12, no. 17.

Kristin A. Mortimer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums/Abbeville Press (Cambridge, MA; New York, NY, 1985), p. 103, no. 113, ill.

James Cuno, Harvard's Art Museums: 100 Years of Collecting, Harvard University Art Museums/Harry N. Abrams, Inc. (Cambridge, MA, 1996), p. 98-99, ill.

Lexicon Iconographicum Mythologiae Classicae (LIMC), Artemis (Zürich, Switzerland, 1999), Achilleus 655.

Luca Zoppi, "Reinventing the Iliad", The Word, ed. Sarah MacDonald, Boylan Group (Drogheda, 2004), Vol. 53/No. 9, p. 23

George M. A. Hanfmann and David Gordon Mitten, "The Art of Classical Antiquity", Apollo (May 1978), Vol. 107, No. 195, 8-15, fig. 8.

Exhibition History

Dialogue with Antiquity: The Curatorial Achievement of George M.A. Hanfmann, Fogg Art Museum, 05/07/1982 - 06/26/1982

The Frederick M. Watkins Collection, Fogg Art Museum, Cambridge, 01/31/1973 - 03/14/1973

To Bid Farewell: Images of Death in the Ancient World, Rhode Island School of Design, Museum of Art, Providence

Re-View: S422 Ancient & Byzantine Art & Numismatics, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 04/12/2008 - 06/18/2011

Ancient to Modern, Harvard Art Museums, Cambridge, 01/31/2012 - 06/01/2013

Verification Level

3 - Good. Object is well described and information is vetted