- Identification and Creation
- Object Number
Ferdinand-Victor-Eugène Delacroix, French (Charenton Saint-Maurice France 1798 - 1863 Paris France)
- A Turk Surrenders to a Greek Horseman
- Work Type
Level 2, Room 2200, European and American Art, 17th–19th century, The Emergence of Romanticism in Early Nineteenth-Century France
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- Physical Descriptions
- Oil on canvas
- 80 x 64.1 cm (31 1/2 x 25 1/4 in.)
framed: 107.3 x 90.8 x 11.4 cm (42 1/4 x 35 3/4 x 4 1/2 in.)
- Inscriptions and Marks
- Signed: l.l.: Eug. Delacroix 1856
- Ferdinand Victor Eugène Delacroix, sold; to [Tedesco Frères, Paris, April 1856]. Léon Fraissinet, Marseille, by 1873. Baron de Beurnonville. E. Secrétan, by 1855, sold [his sale, Christie's, London, July 12, 1889, no. 14]; to [Boussod, Valadon et Cie, Paris], sold; to Isidore Montaignac, October 4, 1890. George I. Seney, New York, sold; to [Broussod, Valadon et Cie, Paris, March 9, 1892], sold; to F. L. Ames, New York, March 24, 1892. Louis Sarlin, Paris, by 1910, sold [through his sale, Galerie Georges Petit, Paris, March 2, 1918, no. 28], sold; to Herman Heilbuth, Copenhagen, sold [probably on his behalf by Winkel and Magnusson, Copenhagen (?)]. Hodebert, Paris, by 1929. Renou, by 1930. Grenville L. Winthrop [through Martin Birnbaum], November 30, 1930, bequest; to Fogg Art Museum, 1943.
- Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
- Accession Year
- Object Number
- European and American Art
Label Text: 32Q: 2200 19th Century , written 2014
In the mid-1850s, Delacroix returned to themes he had treated thirty years earlier, though with an important difference. Rather than carefully distinguish literary from historical and topical subjects, he conflated them, as in this instance. Here, he draws on Byron’s description of the giaour (a Turkish slur for non-Muslims) overcoming the Turkish pasha in his poem “The Giaour, a Fragment of a Turkish Tale” (1813). To a contemporary audience, the composition could have appeared to be an episode from the Greek War of Independence (1821–32), a romantic cause célèbre that had inspired two of Delacroix’s large canvases of the 1820s. The result is a nostalgic invention that appealed to mid-century French orientalist fantasies.
- Publication History
Adolphe Moreau, Eugene Delacroix et son Oeuvre (Paris, France, 1873), p. 244, no. 1
Alfred Robaut, L'Oeuvre Complète de Eugène Delacroix, Chavanay Freres (Paris, France, 1885), no. 1293
Etienne Moreau-Nélaton, Delacroix Reconte par Lui-Même, Henri Laurens (Paris, France, 1916), vol. II, p. 166, repr. fig. 384
Raymond Escholier, Delacroix, Peintre, Graveur, Ecrivain, Henri Floury (Paris, France, 1926 - 1929), vol. III, repr. opposite p. 230
Paul Jamot, Centenaire du Romantisme: Exposition Eugène Delacroix, exh. cat., Musée du Louvre (Paris, France, 1930), no. 170, pp. 101-102
Louis Hourticq, Delacroix: l'oeuvre du maitre, Hachette (Paris, France, 1930), repr. p. 168
Ferdinand-Victor-Eugène Delacroix, Journal de Eugène Delacroix, ed. André Joubain, Plon (Paris, France, 1932), vol. II, pp. 210, 442
Michel Florisoone, Delacroix, Braun et Cie (Paris, France, 1938), repr.
Chinese Sculpture, Bronzes, Jades, Paintings and Drawings, Egyptian and Persian sculpture, Pre-Columbian art; selected from the collection of Grenville Lindall Winthrop, exh. cat., Fogg Art Museum (Cambridge, MA, 1943), p. 10
Between the Empires: Géricault, Delacroix, Chassériau, exh. cat., Fogg Art Museum (Cambridge, MA, 1946), p. 9
Maria Luisa Saco, "Joyas del arte en los museos Norteamericanos", Cultura Peruana (Lima, Peru, 1957), vol. XVII, no. 105, repr.
S. Lane Faison, Jr., A Guide to the Art Museums of New England, Harcourt, Brace and Co. (New York, NY, 1958), p. 115, repr. as fig. 9
Martin Birnbaum, The Last Romantic (New York, NY, 1960), p. 200
Philippe Lannes de Montebello, "The Problem of Composition in Eugene Delacroix's Small Canvases" (Thesis, Harvard University?, 1961), Unpublished, p. 11, 1-5
Frank Anderson Trapp, The Attainment of Delacroix, The Johns Hopkins University Press (Baltimore, MD and London, England, 1971), pps. 120, 122, repr. in b/w fig. 62
Lee Johnson, The Paintings of Eugene Delacroix: a critical catalogue, 1816-1831, The Clarendon Press (Oxford & New York, 1981), vol. I, p. 105; vol. 3, p. 142, no. 323
Kristin A. Mortimer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums/Abbeville Press (Cambridge, MA; New York, NY, 1985), no. 205, p. 180, ill.
Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 73, color plate; pp. 105, 230, repr. b/w cat. no. 291
Chikashi Kitazaki, ed., Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum, exh. cat., National Museum of Western Art (Ueno, Japan, 2002), pp. 94-95, cat. #14, color repr.
Stephan Wolohojian, Ingres, Burne-Jones, Whistler, Renoir... La Collection Grenville L. Winthrop, exh. cat., Musée des Beaux-Arts de Lyon and Réunion des Musées Nationaux (Paris, France, 2003), no. 31, pp. 118-119, repr. in color
Stephan Wolohojian, ed., A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exh. cat., The Metropolitan Museum of Art and Yale University Press (New York, NY, 2003), no. 31, pp. 112-113, repr. in color
Christopher Riopelle, Harvard's Winthrop Collection: Nineteenth-Century Paintings and Drawings from the Grenville L. Winthrop Collection, exh. cat., National Gallery Company Limited (London, 2003), p. 32, cat. 19, ill.
Camille Bernard, "Some Aspects of Delacroix's Orientalism", The Bulletin of the Cleveland Museum of Art, Cleveland Museum of Art (Cleveland, OH, April 1971), p. 126, repr.
Otto Benesch, "The Winthrop Collection: From Neo-Classic to Romanticism; David, Ingres, Géricault", Art News (January 1-14, 1944), vol. 42, no. 16, pp. 9-10, 20-21, 32, p. 32
Catalogue de 17 Tableaux Anciens... de la Collection Secrétan, auct. cat., Christie's, London (London, England, July 13, 1889), no. 14, repr.
René Huyghe, "L'Exposition Delacroix au Musée du Louvre", Bulletin des Musées de France (June 1930), vol. II, no. 6, pp. 117-134
Beatrice Farwell, "Sources for Delacroix' 'Death of Sardanapalus' ", The Art Bulletin, College Art Association of America (March 1958), vol. XL, no. 1, pp. 66, no. 3
Catalogue des Tableaux Modernes... composant la Collection Louis Sarlin, auct. cat., Galerie Georges Petit (London, England, March 2, 1918), no. 28, repr.
- Exhibition History
Exposition de chef-d'oeuvre de l'ecole française: vingt peintres du xixe siècle, Galerie Georges Petit, Paris, 05/02/1910 - 05/31/1910
Exposition Eugène Delacroix: Peintures, aquarelles, pastels, dessins, gravures, documents, Musée du Louvre, Paris, 06/01/1930 - 09/30/1930
Chinese sculpture, bronzes, jades, paintings and drawings, Egyptian and Persian sculpture, Pre-Columbian art : selected from the collection of Grenville Lindall Winthrop, Fogg Art Museum, Cambridge, 10/01/1943 - 02/28/1944
Between the Empires: Gericault, Delacroix, Chasseriau--Painters of the Romantic Movement, Fogg Art Museum, Cambridge, 04/30/1946 - 06/01/1946
Delacroix in New England Collections, Fogg Art Museum, Cambridge, 10/15/1955 - 11/26/1955
Master Paintings from the Fogg Collection, Fogg Art Museum, Cambridge, 04/13/1977 - 08/31/1977
Masterpieces of European Art, Busch-Reisinger Museum, Cambridge, 06/22/1985 - 09/15/1985
Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum, National Museum of Western Art, Tokyo, 09/14/2002 - 12/08/2002
A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, Musée des Beaux-Arts de Lyon, Lyon, 03/15/2003 - 05/26/2003; National Gallery, London, 06/25/2003 - 09/14/2003; The Metropolitan Museum of Art, New York, 10/23/2003 - 01/25/2004
For Students of Art and Lovers of Beauty: Highlights from the Collection of Grenville L. Winthrop, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/16/2004
Re-View: S424-426 Western Art from 1560 to 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 08/16/2008 - 06/18/2011
Modern Art and Modernity, Harvard Art Museums, Cambridge, 01/31/2013 - 06/01/2013
- Subjects and Contexts
Google Art Project
- Verification Level
4 - Best. Object is extensively researched, well described and information is vetted