Art

Self-Portrait Dedicated to Paul Gauguin

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Dutch (Groot Zundert (Zundert), The Netherlands 1853 - 1890 Auvers-sur-Oise, France)
Self-Portrait Dedicated to Paul Gauguin, 1888
Painting
Dutch
,
19th century
Oil on canvas
61.5 x 50.3 cm (24 3/16 x 19 13/16 in.)
framed: 90.4 x 79.7 x 8.3 cm (35 9/16 x 31 3/8 x 3 1/4 in.)
Harvard Art Museums/Fogg Museum, Bequest from the Collection of Maurice Wertheim, Class of 1906
, 1951.65
Department of Paintings, Sculpture & Decorative Arts
,
Marks
signed: red paint, l.r.: Vincent/Arles
exhibition label: backing board, blue ballpoint pen, handwritten: no. 25
exhibition label: backing board, paper, printed: F: #0476 H: #1581
exhibition label: backing board, typed: SL 84.366
exhibition label: back of frame, paper, printed and typed
exhibition label: back of frame, paper: #TL 60.9.33
inscription: stretcher, blue pencil: 10131F
inscription: key of stretcher, graphite: 10131
inscription: u.l., red oil, French, in artist's hand: [barely legible:] a mon ami Paul G[auguin, Arles]
label: back of frame, paper, printed: no. 20
label: backing board, black felt-tip, printed and handwritten: no. 24
label: backing board, printed: Gustav Knauer[ ] / 173 [ ] / Kunst-Abtei[ ]
label: backing board, paper, printed: [ ] er S[ ] / [ ] 9 [ ]
label: back of frame, vinyl strip from labelmaker: BMA 4472.8 1969
label: backing board, black marker: MMFA - 6 / 25
label: back of frame, paper: Case no. 4-31, catal. #28
label: back of frame, paper, typewritten
label: center of backing board, black ink, handwritten: EIGENTUM / der Frau [GEHEINRAT] / v. Tschudi
label: back of frame, white label, blue ball-point ink, handwritten: 8 PTG
label: [1948], back of frame, paper, printed and typed: No. 66
label: back of frame, paper, printed and typed: [ ] A PROVINC[ ] / [QUE]BE[C]
label: back of frame, paper, blue ball-point ink, handwritten: Box #6 / 4 of 4
label: back of frame, masking tape with blue ball-point ink, handwritten: MFA 65-58
Provenance
Vincent van Gogh, Arles, (1888,) gift; to Paul Gauguin, (1888-1897) sold. [Ambroise Vollard, Paris.] [Paul Cassirer Gallery, Berlin.] Dr. Hugo von Tschudi, Berlin, (1906-1911), by descent; to his widow, Angela von Tschudi, Munich (1911-1919), to Neue Staatsgalerie, (1919-1939) sold; [Entartete Kunst sale, 1939, Fischer Gallery, Lucerne,Switzerland, no. 45]; to Maurice Wertheim (1939-1951) bequest; to Fogg Art Museum, 1951.


Notes:
Gauguin sold the painting for Fr 300
Hugo von Tschudi bought the painting for the Nationalgalerie, Berlin, with funds from sponsors, but did not submit it to the Kaiser for pre-approval. He took the painting to Munich when he assumed a post there.
Bibliography
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Manuel Gasser, Das Selbstbildnis, Kinder Verlag (Zurich, Switzerland, 1961), pp. 200-203; repr. in color

Franz Roh, "Entartete" Kunst: Kunstbarbarei im Dritten Reich, Fackeltrager-Verlag (Hannover, Germany, 1962), pp. 57, 233-234

The Maurice Wertheim Collection: Modern French Art-- Manet to Picasso, exh. cat., Museum of Fine Arts, Boston (Houston, TX, 1962), pl. 6, pp. 22-24

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Rudolph Herman Fuchs, "Dutch Modern Classics", Delta, Cambridge University Press (U.K.) (Cambridge, England, Winter 1969 - Winter 1970), vol. XII, no. 4, pp. 13-16, repr. p. 15

Robert Wallace, The World of van Gogh, Time-Life Books (New York, NY, 1969), repr. in color, p. 178

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Hartwig Garnerus, "...als Arnulf Rainer als van Gogh als Rembrandt als...: Anmerkungen zu Rainers van-Gogh-Ubermalungen", Die Kunst (November 1980), heft 11 B20365E, pp. 715-719, repr. in b/w fig. 2, p. 716

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François Berthier, Van Gogh et le Japon, brochure, Publications Orientalistes de France (Paris, France, 1980?), repr. b/w fig. 20, p. 24

John Russell, The Meanings of Modern Art, Harper & and Row (New York, NY, 1981), repr. in b/w p. 26

Bogomila Welsh-Ovcharov, Vincent van Gogh and the Birth of Cloisonism, exh. cat., Art Gallery of Ontario (Toronto, Ontario, Canada, 1981), fig. 32, pp. 49, 184

A.M. Hammacher and Renilde Hammacher, Van Gogh: A Documentary Bibliography, (New York, NY, 1982), p. 176, repr.

Douglas Cooper, Paul Gauguin: 45 Lettres à Vincent, Théo et Jo van Gogh, Staatsuitgeverij and La Bibliotheque des Arts ('s-Gravenhage, Netherlands, and Lausanne, Switzerland, 1983), repr. b/w p. 10

John E. Gedo, Portraits of the Artist, The Guilford Press (New York, NY and London, England, 1983), repr. in b/w fig. 14, p. 138

Bennett Schiff, "Triumph and Tragedy in the Land of 'Blue Tones and Gay Colors' ", Smithsonian (October 1984), repr. in color p. 76

Jean-François Barrielle, La vie et l'Oeuvre de Vincent van Gogh, ACR Edition-Vilo (Paris, France, 1984), repr. in color p. 111

Ronald Pickvance, Van Gogh in Arles, exh. cat., Metropolitan Museum of Art / Harry N. Abrams, Inc. (New York, NY, 1984), no. 99, p. 171, repr. in color opposite p.

Vojtech Jirat-Wasiutynski and H. Travers Newton, Vincent Van Gogh's Self Portrait Dedicated to Paul Gauguin: An Historical and Technical Study, Fogg Art Museum (Cambridge, MA, 1984)

Pascal Bonafoux, Portraits of the Artist: The Self-Portrait in Painting, Skira/Rizzoli (New York, NY, 1985), repr. in color p. 125

Vivien Raynor, ""Art: Impressionist Show at the I.B.M. Gallery" [review]", The New York Times (New York, NY, April 26, 1985), p. C24

Kristin A. Mortimer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums/Abbeville Press (Cambridge, MA; New York, NY, 1985), no. 221, p. 194, repr. in color

Bruce Bernard, ed., Vincent by Himself: A Selection of van Gogh's Paintings and Drawings together with Extracts from his Letters, Little, Brown & and Company (Boston, MA, 1985), repr. in color p. 242

G. Freisinger, "Second Impressions", Harvard Magazine (Cambridge, MA, May 1985 - June 1985), p. 42 ill. p. 43

Bernard Zurcher, Vincent van Gogh: Art, Life, and Letters, Rizzoli (New York, NY, 1985), color plate 120

The Artists who Left the Great Works: van Gogh, The Shinshusha Co., Ltd. (Tokyo, Japan, 1986?), repr. in color p. 28

Pascal Bonafoux, Van Gogh par Vincent, Denoel (Paris, France, 1986), repr. in color between pages 96 and 97

Vincent van Gogh, Asahi Shimbun Press (Japan, 1987), repr. in color no. 35

Tsukasa Kodera, "Van Gogh and Japan", Dutch Heights (December 1988), vol. 4, repr. in color p. 12

John O'Brian, Degas to Matisse: the Maurice Wertheim Collection, exh. cat., Harry N. Abrams, Inc./Fogg Art Museum (New York, NY and Cambridge, MA, 1988), no. 19, pp. 90-94; repr. in color p. 91, b/w uv repr. p. 93

Walter Feilchenfeldt, ""Van Gogh Fakes: the Wacker affair with an illustrated catalogue of the forgerie", Simiolus (1989), vol. 19, no. 4, repr. in b/w p. 302

Massimo Gemin, Van Gogh, Arch Cape Press (New York, NY, 1989), repr. in color no. 37, p. 59

Mario-Andreas von Lüttichau, "Entartete Kunst", Du (July 1989), heft nr. 7, text pp. 38-41; repr. p. 38

Victor Merlhes, Paul Gauguin et Vincent van Gogh 1887-1888: Lettres Retrouvees, Sources Ignorees, Avanti et après (Taravao, Tahiti, 1989), repr. in color p. 116

Nathan Goldstein, Design and Composition, Prentice-Hall (Englewood Cliffs, NJ, 1989), repr. in color as pl 18

Torsten Kramer, Portratmalerei, Arbeitsheft fur die Oberstufedes Gymnasiums, Ernst Klett Verlag (Stuttgart, Germany, 1989), repr. in color abb. 21, p. 11 of repr.

Keith Wheldon, Van Gogh, Brompton Books, Ltd (London, England, 1989), repr. in color p. 111

Ron Manheim, "The 'Germanic' van Gogh: a case study of cultural annexation", Simiolus (1989), vol. 19, no. 4, repr. fig. 4, b/2 p. 285; text p. 284

Stefan van Raay, ed., Imitation and Inspiration: Japanese Influence on Dutch Art, Art Unlimited Books D'Arts (Amsterdam, The Netherlands, 1989), repr. in color p. 107; text, pps. 106-108

Françoise Cachin, Gauguin: "ce malgre moi de sauvage", Découvertes Gallimard (Paris, France, 1989), repr. in b/w p. 152

The Maurice Wertheim Collection and Selected Impressionist and Post-Impressionist Paintings and Drawings in the Fogg Art Museum, exh. cat., Harry N. Abrams, Inc. (New York, NY, 1990), repr. in color no. 28, p. 87

Jonathan Petropolous, "Saving Culture from the Nazis", Harvard Magazine (Cambridge, MA, March 1990 - April 1990), cover ill.

David Sweetman, Van Gogh: His Life and His Art, Crown Publishers Inc. (New York, NY, 1990), colorplate I, text pp. 280-281

Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 89, color plate; p. 110, 255, repr. b/w cat. no. 383

MaryAnne Stevens, Emile Bernard 1868-1941: A Pioneer of Modern Art, exh. cat., Staadtische Kunsthalle/Van Gogh Museum/Waanders Publishers (Mannheim, Germany/Amsterdam/Zwolle, 1990), repr. in b/w fig. 13, p. 42; text, p. 43

David Sweetman, The Love of Many Things: A Life of Vincent van Gogh, Hodder and Stoughton (London, England, 1990), repr. in color pl. I

Hans Bronkhorst, Vincent van Gogh, Portland House (New York, NY, 1990), repr. in color p. 86; text p. 91

Jan Hulsker, Vincent and Theo van Gogh: a Dual Biography, Fuller Publications (Ann Arbor, MI, 1990), p. 297, fig. 82

Tsukasa Kodera, Vincent van Gogh: Christianity versus Nature, John Benjamins Publishing Co. (Amsterdam / Philadelphia PA, 1990), repr. in color pl. 4; text p. 56ff; repr. in b/w fig. 74, 74a (x-ray)

Barbara A. Ramsay-Jolicoeur and Ian N. M. Wainwright, Shared Responsibility: A Seminar for Curators and Conservators, National Gallery of Canada (Ottawa, Canada, 1990), repr. in b/w fig. 18, p. 67 and text; also in French p. 73

Bertrand Lavier and Elisabeth Lebovici, "La Touche de van Gogh", Beaux Arts Magazine (April 1990), no. 78, ill. p. 77

Juleke Van Lindert and Evert van Uitert, Een eigentijdse expressie: Vincent van Gogh en zijn portretten, Meulenhoff/Landshoff (Amsterdam, The Netherlands, 1990), repr. in b/w fig. 109, p. 118

Vincent van Gogh: Painter, Printmaker, Collector, exh. cat., Norton Simon Museum (Pasadena, CA, 1990), repr. in b/w, fig. 11, p. 9

Eliane Escoubas, "[Unidentified article]", Dossier: Art et phenomenologie (1991), no. 7, repr. in b/w p. 182

Charlotte van Rappard-Boon and Willem van Gulik, Catalogue of the van Gogh Museum's Collection of Japanese Prints, Van Gogh Museum / Waanders Publishers (Amsterdam, The Netherlands, 1991), repr. in color fig. 29, p. 33; text p. 32 and fig. 34, p. 39, b/w, UV photo

"Is there Another Doctor in the House?", Explore magazine, University of Kansas (Spring 1991), repr. p. 3

Post-Impressionists and Les Nabis, Dohosha Shuppan (Japan, 1991), repr. in color, p. 15

Judy Sund, True to Temperament: van Gogh and the French Naturalist Literature, Cambridge University Press (U.K.) (Cambridge, England, 1992), repr. in b/w p. 189; text pp. 188-190

Jutta Hulsewig-Johnen, O Mensch!: Das Bildnis des Expressionismus, Karl Kerber Verlag (Bonn, Germany, 1992), repr. in b/w p. 65

Vincent van Gogh and Japan, exh. cat., National Museum of Modern Art, Kyoto (Kyoto, Japan, 1992), repr. fig. 20, p. 31, in b/w and fig. 23, p. 33, in b/w, ultraviolet

Kodera Tsukasa and Yvette Rosenberg, The Mythology of Vincent van Gogh, TV Asahi, John Benjamins (Tokyo, Japan and Philadelphia, PA, 1993), repr. no. 145, p. 265

Carol M. Zemel, Vincent van Gogh, Rizzoli Publications (New York, NY, 1993), repr. in color pl. 2

Gilles Plazy, "Le Vertige du Miroir: Van Gogh et ses Autoportraits", Beaux Arts Magazine, Publications Nuit et Jour (Levallois, France, June 1994), no. 124, ill. p. 92

Lost Paradise: Symbolist Europe, exh. cat., The Montreal Museum of Fine Arts (Montreal, Canada, 1995), p. 245-246, repr.

Christoph Zuschlag, Entartete Kunst: Austellungsstrategien im Nazi-Deutschland, Wernersche Verlagsgesellschaft Worms (Worms, Germany, 1995), pp. 363-364; fig. 49

Sidney Perkowitz, Empire of Light: A History of Discovery in Science and Art, Henry Holt (New York, NY, 1996), pp. 120-121

Genpei Akasegawa, "Cezanne, Sesshu and Van Gogh", Taiyo (The Sun) (Winter 1996), p. 100

Andrea Pophanken, "Austellungen und Veranstaltungen", Bayerische Staatsgemäldesammlungen Jahresbericht (1997), pp. 33-34, pp. 33-34, repr. in b/w

Dr. Hugo von Tschudi, Manet Bis Van Gogh, exh. cat., Prestel Verlag (Munchen, 1997)

Michael F. Marmor and James G. Ravin, The Eye of the Artist, Mosby- Year Book, Inc. (St. Louis, MO, 1997), repr. in color p. 111 as fig. 10-2; pp. 110-117

Oskar Bätschmann, The Artist in the Modern World, A Conflict between Market and Self-Expression, DuMont Buchverlag (Cologne, Germany, 1997), p. 147, fig. 101, repr. in b/w

Cynthia Saltzman, Portrait of Dr. Gachet: The Story of a van Gogh Masterpiece, Viking Press (New York, NY, 1998), repr. in b/w following p. 200

Hans Belting, Das Unsichtbare Meisterwerk, Verlag C.H. Beck (Munich, Germany, 1998), p. 215; repr. p. 214 as fig. 71

Dieter Beaujean, Vincent van Gogh: Leben und Werk, Könemann Verlagsgesellschaft (Cologne, Germany, 1999), p. 59, repr. in color

Stefan Koldehoff, "Vincent und die Wissenschaft", Art [Das Kunstmagazin] (Hamburg, Germany, June 1999), no. 6, pp. 78-85, p. 82, repr. in colour

Yolande Clergue, Le Regard de Vincent Van Gogh sur les estampes japonaises du XIXè siècle, exh. cat., Association pour la Création de la Fondation Vincent Van Gogh (Arles, France, 1999), p. 67, repr. in b/w

Seiyo Bijutsukan [The History of Western Art], Shogakukan Inc. (Tokyo, Japan, 1999), p. 893, repr. in color; detail repr. pp. 3, 21

George T.M. Shackelford, Vincent van Gogh - The Painter and the Portrait, Universe Publishing (New York, 2000), pp. 6, detail repr. in color detail, 32, 34, repr. in color, 76

Roland Dorn, Van Gogh Face to Face, The Portraits, exh. cat., Detroit Institute of Arts (Detroit, MI, 2000), p. 138, fig. 129, repr. in color

Leonard Blussé, ed., Bridging the Divide: 400 Years, The Netherlands - Japan, Hotei Publishing (Leiden, The Netherlands, 2000), repr. in color p. 169

Vojtech Jirat-Wasiutynski and H. Travers Newton, Technique and Meaning in the Paintings of Paul Gauguin, Cambridge University Press (U.K.) (Cambridge, England, 2000), pp. 106-107, repr. in b/w as fig. 48

Linda Whiteley, Van Gogh Life and Works, MQ Publications Ltd. (London UK, 2000), pp. 96-97, repr. in color

Debora Silverman, Van Gogh and Gauguin: The Search for Sacred Art, Farrar, Straus & and Giroux (New York, NY, 2000), pp. 27-46, repr. in color as fig. 3; detail repr. as fig. 9; repr. on cover

Sam Hunter, Modern Art: Painting, Sculpture, Architecture, Harry N. Abrams, Inc. (New York, NY, 2000), pp. 45-46, repr. as fig. 52

Nancy Mowll Mathews, Paul Gauguin: An Erotic Life, Yale University Press (U.S.) (New Haven and London, 2001), p. 117, repr. in color as fig. 35

Susan Goldman Rubin, The Yellow House: Vincent van Gogh & Paul Gauguin Side by Side, Harry N. Abrams, Inc./Art Institute of Chicago (New York, NY, 2001), p. 28, repr. in color

Gilles Néret, Renoir: Painter of Happiness, Taschen (Köln, Germany, 2001), repr. in color, p. 179

Douglas Druick and Peter Kort Zegers, Van Gogh and Gauguin: The Studio of the South, exh. cat., The Art Institute of Chicago (Chicago, IL, 2001), p. 148, repr. in color as pl. 73; repr. on front cover

Debra N. Mancoff, Highlights of the Exhibition Van Gogh and Gauguin: The Studio of the South, The Art Institute of Chicago (Chicago, 2001), p. 34; det. repr. in color p. 3; p. 36, repr. in color as fig. 22

Vojtech Jirat-Wasiutynski, "Van Gogh in the South: Antimodernism and Exoticism in the Arlesian Paintings", Policing the Boundaries of Modernity: Antimodernism and Artistic Experience, University of Toronto Press (Toronto, Ontario, Canada, 2001), pp. 177-191, p. 186; repr. as fig. 11.10

Elizabeth Childs, "Seeking the Studio of the South: Van Gogh, Gauguin, and Avant-Garde Identity", exh. cat., Saint Louis Art Museum/Rizzoli International Publications (Saint Louis, MO, 2001), pp.129-130, repr. in color p. 112

Daniel Wildenstein, Gauguin: Premier itinéraire d'un sauvage, catalogue de l'oeuvre peint (1873-1888), Skira/Seuil (Milan, Italy, and Paris, France, 2001), vol. II, under no. 309; pp. 479, 483, repr.

Wulf Herzogenrath and Dorothee Hansen, Van Gogh: Felder - Das Mohnfeld und der Künstlerstreit, exh. cat., Kunsthalle Bremen (Bremen, Germany, 2002), p. 25, repr. in color

Nathalie Le Foll, "Internet Navigué et Approuvé", Connaissance des Arts (February 2002), no. 591, p. 33, repr. p. 33

"Absinthe Friends", Holland Herald, KLM (Amstelveen, The Netherlands, March 2002), vol. 37, no. 3

Cornelia Homburg, "Vincent van Gogh and the Avant-Garde: Colleagues, Competitors, Friends", Van Gogh's Imaginary Museum: Exploring the Artist's Inner World, Van Gogh Museum / Harry N. Abrams (Amsterdam and New York NY, 2003), pp. 113-122, p. 120, repr. as fig. 125

H. Harvard Arnason, History of Modern Art: Painting, Sculpture, Architecture, Photography, Prentice Hall (Upper Saddle River, NJ, 2004), pp. 64-65, repr. as fig. 3.21

Christopher Reed, "Wrong!", Harvard Magazine (Cambridge, MA, September 2004-October 2004), vol. 107, no. 1, pp. 40-51, pp. 42-43, ill.

Hendrik Kolenberg and Anne Ryan, 19th Century Australian Watercolours Drawings & Pastels from the Gallery's Collection, Art Gallery of New South Wales (Sidney, N.S.W., Australia, 2005), p. 82, repr.

van Gogh Echt Falsch: Zwei Selbstbildnisse der Sammlung Emil Bührle, exh. cat., Stiftung Sammlung E. G. Bührle (Zürich, Switzerland, 2005), pp. 16-18, repr. in color p. 17 as abb.19; repr. p. 23 as abb. 25

Who Am I? Self-Portraits in Art and Writing, website, National Gallery of Art, 2005, repr. in biographical section

Jacquelynn Baas, Smile of the Buddha: Eastern Philosophy and Western Art from Monet to Today, University of California Press (Berkeley, Los Angeles, and London, 2005), pp. 27, 32-33, repr. in color p. 26

Margaret Weigel, "Visual Arts::Smart Art", WBUR.org (February 2006)

David Rollow, "Creation and Chaos", The Boston Globe (December 17 2006), ill. p. K6,

Martin Gayford, The Yellow House: van Gogh, Gauguin, and Nine Turbulent Weeks in Arles, Little, Brown & and Company (New York, NY, 2006), pp. 5-7; repr. in b/w p. 6

Richard R. Brettell and Stephen F. Eisenman, Nineteenth-Century Art in the Norton Simon Museum, Yale University Press (U.S.) (New Haven CT and London, 2006), vol. I, p. 424, repr. in b/w as fig. 111b

Tsukasa Kodera, Vincent Willem van Gogh, Shogakukan Inc. (Japan, 2006), repr. pp. 75, 97

Walter Feilchenfeldt, By Appointment Only: Cezanne, Van Gogh and Some Secrets of Art Dealing, Thames & and Hudson (New York, 2006), p. 114, repr. p. 114

Charlotte van Rappard-Boon, Willem van Gulik, Keiko van Bremen and Tsukasa Kodera, Catalogue of the van Gogh Museum's Collection of Japanese Prints, Van Gogh Museum / Waanders Publishers (Amsterdam, 2006), pp. 32-33, repr. p. 33 as fig. 29; p. 39 ultraviolet photograph repr. as fig. 34

Peter Schjeldahl, "Different Strokes: Van Gogh and Gauguin in Arles", The New Yorker (New York, February 5, 2007), 82, issue 48, pp. 70-74, p. 72

Benedict Leca, ed., Rembrandt: Three Faces of the Master, exh. cat., ed. Benedict Leca Cincinnati Art Museum (Cincinnati, Ohio, 2008), repr. in color as Fig. 2 on p.22.

Stephan Wolohojian, ed., Harvard Art Museum Handbook, Harvard Art Museum (Cambridge, MA, 2008), p. 170, repr.

Tsukasa Kodera, The Life of Vincent van Gogh, Shogakukan Inc. (Tokyo, 2008), repr. as image plate 3, X-ray of painting repr. p. 177

Yoshiyuki Furutani, Susumu Shimoyama, Hideyuki Ohara and Hiroshi Yoshida, "Daubigny's Garden" 1890 by Vincent van Gogh, (Hiroshima, 2008), p. 84, repr. p. 84 as pl. 2

Wouter van der Veen, "Van Gogh: A Literary Mind, Literature in the correspondence of Vincent van Gogh", Van Gogh Studies, ed. Chris Stolwijk (Amsterdam, 2009), vol. 2, pp. 200-201, fig. 25

Johnny Golding, Deleuze and Contemporary Art, ed. Stephen Zepke Edinburgh University Press (Edinburgh, 2010), fig. 8.1, p. 133

Stefan Muntwyler, Farbpigmente Farbstoffe Farbgeschichten, Gewerbemuseum Winterthur (Winterthur, Switzerland, 2010), p. 142, repr. in color p. 143

Bettina Gockel, "'...und zuletzt nahm sie einen Schuh vom Vatter zum ihn abmalen, weil ihr nicht einfiel was sonst malen.' Schuhe als Ursprungsmythos der modernen Kunst", Zurich Studies in the History of Art (2010/2011), 17/18, pp. 665-688, p. 678, repr. p. 681 as fig. 13

Steven Naifeh and Gregory White Smith, Van Gogh: The Life, Random House (New York, 2011), p. 625, repr. in color plate sec. 2, following p. 590

Clémence Simon, "Van Gogh: À la recherche de Van Gogh", Dada: la première revue d'art, no. 179, pp. 6-9, 2012, p. 8, reproduced [in color]

Sjraar van Heugten, Vincent van Gogh: rêves de Japon, exh. cat., Pinacotheque de Paris (Paris, France, 2012), p. 31, reproduced

Impressionist & Modern Art Evening Sale, auct. cat., Christie's, New York (November 5, 2013), repr. p. 81 as figure 7

Olaf Peters, "The Attack on Art", Apollo (2014), CLXXIX, NO. 618, pp. 130-35, p. 135; p. 133, as fig. 5 (in photograph as confiscated "degenerate" art); p. 135 as fig. 9 (in photograph of auction, 1939)

Elizabeth M. Rudy, "Researching the Wertheim Collection at the Harvard Art Museums", Collections: A Journal for Museum and Archives Professionals (Summer 2014), Vol. 10, No. 3, pp. 301-6, p. 302

Exhibition History
Wurttembergischer Kunstverein, [Unknown venue, Stuttgart], Stuttgart, 10/01/1924 - 11/30/1924
French Painting since 1870 lent by Maurice Wertheim, Class of 1906, Fogg Art Museum, Cambridge, 06/01/1946 - 09/07/1946; National Gallery of Art, Washington, 07/01/1953 - 09/13/1953
Six Masters of Post-Impressionism, Wildenstein Gallery, New York, New York, 04/08/1948 - 05/08/1948, no. 66
Trends in European Painting: 1880-1930, Century Association, New York, 02/01/1949 - 02/28/1949
La Peinture Française depuis 1870, Musée de la Province de Quebec, 07/12/1949 - 08/07/1949
The Maurice Wertheim Collection, The Metropolitan Museum of Art, New York, 07/01/1952 - 09/14/1952
French Paintings Since 1870 from the Maurice Wertheim Collection, National Gallery of Art, Washington, 06/01/1953 - 09/30/1953
The Maurice Wertheim Collection, Philadelphia Museum of Art, Philadelphia, 06/15/1957 - 09/15/1957; Minneapolis Institute of Arts, Minneapolis, 06/10/1958 - 08/31/1958
The Maurice Wertheim Collection: Manet to Picasso, The Museum of Fine Arts, Houston, Houston, 06/13/1962 - 09/02/1962
The Maurice Wertheim Collection, Currier Gallery of Art, Manchester, 06/24/1965 - 09/07/1965; Rhode Island School of Design, Museum of Art, Providence, 09/03/1968 - 09/22/1968; Montgomery Museum of Art, Montgomery, 06/01/1971 - 09/30/1971; Maine State Museum, Augusta, 06/01/1972 - 09/01/1972
Manet to Matisse: The Maurice Wertheim Collection, IBM Gallery of Science and Art, New York, 04/09/1985 - 05/25/1985
The Maurice Wertheim Collection and Selected Impressionist and Post-Impressionist Paintings and Drawings in the Fogg Art Museum, Isetan Department Store, Tokyo, 03/01/1990 - 04/10/1990; Yamaguchi Prefectural Museum of Art, 04/14/1990 - 05/13/1990
Manet bis van Gogh: Hugo von Tschudi und der Kampf um die Moderne, Neue Pinakothek, Munich, 01/24/1997 - 05/11/1997
Vincent's Irises, J. Paul Getty Museum, Los Angeles, 01/19/1999 - 03/21/1999
Van Gogh Face to Face: The Portraits, Museum of Fine Arts, Boston, Boston, 07/02/2000 - 09/24/2000
Van Gogh, The Art Institute of Chicago, Chicago, 01/01/1949 - 12/31/1950; The Metropolitan Museum of Art, New York, 01/01/1949 - 12/31/1950
The Maurice Wertheim Collection: Modern French Art--Monet to Picasso, North Carolina Museum of Art, Raleigh, 06/17/1960 - 09/04/1960
Van Gogh at Arles, The Metropolitan Museum of Art, New York, 10/18/1984 - 12/30/1984
Vincent van Gogh and the Painters of the Petit Boulevard, Saint Louis Art Museum, St. Louis, 02/17/2001 - 05/13/2001
Re-View: S427 Impressionist & Postimpressionist Art, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 08/02/2008 - 06/18/2011
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