Art

Odalisque with a Slave

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French (Montauban 1780 - 1867 Paris)
Odalisque with a Slave, 1839-1840
Painting
French
,
19th century
Oil on canvas
72.1 x 100.3 cm (28 3/8 x 39 1/2 in.)
frame: 94.6 x 122.6 x 7.6 cm (37 1/4 x 48 1/4 x 3 in.)
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
, 1943.251
Department of Paintings, Sculpture & Decorative Arts
,
Marks
signed: l.l.: J. Ingres / Rom. 1839
Provenance
Jean-Auguste-Dominique Ingres, Painted, 1839, Sold to Charles Marcotte d'Argenteuil, 1840.
Charles Marcotte d'Argenteuil, Purchased from artist, 1840, to son Louis-Marie-Joseph Marcotte.
Louis-Marie-Joseph Marcotte, from father Louis Marcotte d'Argenteuil, Sold to Louis Aguillon, 1875. The work was offered for sale at the Ingres sale, Drouot, Paris April 27, 1867 as no. 17, but was bought in by Marcotte for Fr 44,000.
Louis Aguillon, Purchased from Marcotte family, Acquired by Louis Marcotte de Quivières. Aguillon was the brother-in-law of L.-M.-J. Marcotte.
Louis Marcotte de Quivières, Acquired from Louis Aguillon, Sold to Guilhermoy [?] at de Quivières sale, 1875. The work was no. 11 in the de Quivières sale at the Hotel Drouot. de Quivières was the nephew of Charles Marcotte, the original owner.
Guilhermoy [?], Purchased at de Quivières sale, 1875. Spelling of owner's name varies-- Guilhermoy or Guilhermy. He paid Fr 50,000 at the de Quivières sale.
Gustave Pereire, Paris, 1911, To his wife (at his death?).
Mme. Henriette Pereire, From her husband, Gustave Pereire.
Carroll S. Tyson, Philadelphia, To Wildenstein?.
Wildenstein & Company, New York, NY, Sold to Winthrop, 1935.
Grenville Lindall Winthrop, Purchased from Wildenstein, NY, 1935, Bequest to Fogg Art Museum, 1943. Winthrop paid $75,000.
Bibliography
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René Huyghe, L'Art et l'Homme, Librairie Larousse (Paris, France, 1961), III, no. 930

Ingres and Degas: Two Classical Draughtsmen, exh. cat., Fogg Art Museum (Cambridge, MA, 1961), p. v no. 17

Daniel Ternois, "Lettres inédites d'Ingres à Hippolyte Flandrin", Bulletin du Musée Ingres, Amis du Musée Ingres (Montauban, France, July 1962), p. 22

Anita Brookner, "Art Historians and Art Critics VII: Charles Baudelaire", The Burlington Magazine (1964), vol. CVI, repr. p. 272 fig. 23 p. 276

Paintings from the Bequest of Grenville L. Winthrop shown in conjunction with the Ingres Centennial Exhibition, exh. cat., Fogg Art Museum (Cambridge, MA, 1967), no. III

Robert Rosenblum, Jean-Auguste-Dominique Ingres, Harry N. Abrams, Inc. (New York, NY, 1967), pp. 82, 142-145, repr. on dustjacket and pl. 38

Valentina N. Berezina, Zhan Ogrust Dominik Engr, Sovestkii khudozhnik (Leningrad, 1967), pls. 54 and 58, detail

Ingres: Centennial Exhibition, 1867-1967. Drawings, Watercolors and Oil Sketches from American Collections, exh. cat., Fogg Art Museum (Cambridge, MA, 1967), p. x

Ingres et son Temps: Exposition organisé pour le centenaire de la mort d'Ingres, exh. cat., Ministere des affaires culturelles/Reunion des Musées Nationaux (Montauban, France, 1967), under no. 114, p. 79

Ingres, exh. cat., Réunion des Musées Nationaux (Paris, France, 1967), under nos. 176-182, 198, 255

Madeline Cottin, "Theophile Gautier, le Poème de la Femme", Gazette des Beaux-Arts (1967), vol. LXX, p. 307

Ingres e Firenze, exh. cat., Centro di Firenze (Florence, Italy, 1968), under nos. 106, 119-121

Pierre Angrand, Monsieur Ingres et son époque, La Bibliothèque des Arts (Lausanne, Switzerland, 1968), pp. 187, 222

Ingres in Italia: 1806-1824, 1835-1841, exh. cat., Accademia di Francia (Rome, Italy, 1968), pp. 158 under nos. 119-191, 160 under no. 122

Emilio Radius and Ettore Camesasca, L'opera completa di Ingres, Rizzoli (Milan, Italy, 1968), no. 128a, pp. 106-107; under no. 167a, p. 117

Heinz Peters, ed., Kleine Museum Reise durch Amerika, Gebr. Mann Verlag (Berlin, Germany, 1969), p. 100

Gridley McKim-Smith, "Grenville L. Winthrop: retrospective for a collector, 2: Grenville Winthrop's Western art", The Connoisseur (1969), vol. CLXX, pp. 190-192

Hans Naef, "'Odalisque à l'Esclave' by J.A.D. Ingres", Fogg Art Museum Acquisitions, 1968, Fogg Art Museum (Cambridge, MA, 1969), pp. 80-99

Dorothy W. Gillerman, Gridley McKim-Smith and Joan R. Mertens, Grenville L. Winthrop: Retrospective for a Collector, exh. cat., Fogg Art Museum (Cambridge, MA, 1969), no. 85, p. 240

D. Fromont, La Peinture française du classicisme au réalisme, (Brussels, Belgium, 1969), no. 15, detail repr.

Pierre Angrand and Hans Naef, "Ingres et la famille de Pastoret, correspondence inedite. II", Bulletin du Musée Ingres, Amis du Musée Ingres (Montauban, France, July 1970), p. 19

Hélène Toussaint, Le Bain Turc d'Ingres, Réunion des Musées Nationaux (Paris, France, 1971), no. 5, pp. 19-21, 32

Daniel Ternois and Ettore Camesasca, Tout l'oeuvre peint d'Ingres, (Paris, France, 1971), no. 129a, pp. 106-107; under no. 168a, p. 117

The Age of Neo-Classicism, exh. cat., Royal Academy and Victoria and Albert Museum (London, England, 1972), pp. 931-932, under no. 660

John Connolly, "Ingres and the Erotic Intellect", ARTnews Annual (1972), vol. XXXVIII, p. 21, 25, 31 nn. 8, 9; repr. p. 23

Edmund Burke Feldman, Varieties of Visual Experience, Art as Image and Idea, Harry N. Abrams, Inc. (New York, NY, 1972), repr. p. 445

Ossian, exh. cat., Grand Palais (Paris, France, 1974), p. 99

John Connolly, "Ingres Studies: Antiochus and Stratonice: The Bather and Odalisque Themes", (1974), pp. 45-52

Pierre Barousse, "L' 'idée' chez Monsieur Ingres", Bulletin du Musée Ingres, Amis du Musée Ingres (Montauban, France, 1975), p. 162

"Treasures from New England: Special Section for the Nation's Bicentennial", The Boston Globe (Boston, MA, September 12, 1976), p. 9

Charles Baudelaire, "Exposition Universelle", Oeuvres Complètes (Paris, France, 1976), vol. II, p. 588, vol. II, p. 588

Frederick S. Wight, The Potent Image: Art In the Western World from Cave Paintings to the 1970s, Collier Books (New York, NY, 1976), repr. b/w p. 229

Gianni Rizzoni and Fiorella Minervino, Ingres, Mondadori (Milan, Italy, 1976), pp. 60-61, fig. 4

René Huyghe, La relève de l'imaginaire: la peinture francaise au XIXe siecle: realisme, romantisme, Flammarion (Paris, France, 1976), pp. 208, 224

William Hauptman, "Ingres and Photographic Vision", History of Photography (April 1977), I, pp. 117-128, pp. 124-125, repr. p. 128 fig. 15

Evelyne Pansu, Ingres Dessins, Chene (Paris, France, 1977), pp. 18-19, 31

Jon Whiteley, Ingres, Oresko Books Ltd. (London, England, 1977), pp. 11-15, 70, no. 52, repr.

Hans Naef, Die Bildniszeichnungen von J.-A.-D. Ingres, (Bern, Switzerland, 1978), vol. II, pp. 519, 566; vol. III pp. 230, 371, 436 fig. 3

Grand Collection of World Art, Kodansha (Tokyo, Japan, 1978), pl 18

The Second Empire: Art in France under Napoleon III, exh. cat., Philadelphia Museum of Art (Philadelphia, PA, 1978), under no. VII-41

Jean Sutherland Boggs, "Variations on the Nude", Apollo (June 1978), vol. CVII, no. 196, pp. 487-489, p. 487, fig. 1, pp. 488-489

Ingres: Drawings from the Musée Ingres at Montauban and Other Collections, exh. cat., Victoria and Albert Museum (London, England, 1979), p. 44, above nos. 61-63

Marjorie B. Cohn and Susan L. Siegfried, Works by J. A. D. Ingres in the Collection of the Fogg Art Museum, exh. cat., Fogg Art Museum (Cambridge, MA, 1980), pp. 10-11, 116, 118-119, repr. in b/w p. 117; color p. 16, no. 41

Gaetan Picon, Jean-Auguste-Dominique Ingres, Quai des Celestins, 4 (New York, NY, 1980), repr. in color p. 68

25 Great Masters of Modern Art: Ingres, Kodansha (Tokyo, Japan, 1981), repr. in color, no. 44

William R. Johnston, The Nineteenth Century Paintings in the Walters Art Gallery, Walters Art Museum (Baltimore, MD, 1982), p. 37, under no. 6

Walter B. Denny, "Orientalism in European Art", The Muslim World (July 1983 - October 1983), vol. LXXIII, no. 3, repr. in b/w fig. 7; text p. 267

Smaro Kamboureli, "Discourse and Intercourse, Design and Desire in the Erotica of Anaïs Nin", Journal of Modern Literature (March 1984), vol. II, no. 1, repr. in b/w p. 158

Norman Bryson, Tradition and Desire: From David to Delacroix, (Cambridge and New York, 1984), pp. 137, 138, repr. as fig. 72, pp. 139-142, 144

John Russell, "Ingres Saw Himself as the Savior of French Painting", New York Times (New York, NY, January 8, 1984), pp. 29-30, p. 30

David Finn, How to Visit a Museum, Harry N. Abrams, Inc. (New York, NY, 1985), pp. 126-127, repr. in color

Kristin A. Mortimer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums/Abbeville Press (Cambridge, MA; New York, NY, 1985), no. 200, p. 176, repr. in color

Daniel Ternois, "Une amitié romaine: les lettres d'Ingres à Édouard Gatteaux", Actes du Colloque: Ingres et Rome, Montauban (Montauban, 1986), pp. 17-61, pp. 19, 21, 22, 41-42

Jack Flam, Matisse: the Man and His Art 1869-1918, Cornell University Press (Ithaca, NY, 1986), pp. 158, 191; repr. in b/w p. 194 as fig. 190

Edmund Burke Feldman, Varieties of Visual Experience, Art as Image and Idea, Harry N. Abrams, Inc. (New York, NY, 1987), p. 304, repr.

Barbara Chase-Riboud, De Macht van een Sultane, Van Holkema and Warendorf (Houten, The Netherlands, 1988), repr. on dustjacket

Dessins d'Ingres du musée de Montauban, exh. cat., Pavilion des Arts (Paris, France, 1989), pp. 46-47, repr. in b/w above no. 49

Tableaux et dessins anciens, auct. cat., Christie's, Monaco S.A.M. (Monaco, June 16, 1989), p. 105, under no. 68

Michele Haddad, La Divine et l'Impure: Le Nu au XIXe, Jaguar Editions (Paris, France, 1990), repr. in color pp. 114-115; text p. 102, 116-117, 170

Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 71, color plate; pp. 112, 226, repr. b/w cat. no. 278

Annalisa Zanni, Ingres: catalogo completo dei dipinti, Cantini Editore (Florence, Italy, 1990), cat. 86, pp. 110-111, repr.

Joy S. Kasson, Marble Queens and Captives: Women in Nineteenth-Century American Sculpture, Yale University Press (U.S.) (New Haven, CT and London, England, 1990), repr. in b/w fig. 18 p. 53

Felicity Campbell, "An Historical and Technical Investigation of J.A.D. Ingres' Odalique with a Slave at the Fogg Art Museum and Its Connection to Related Works", (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, 1990), Unpublished, pp. 1-43 passim

Gaetan Picon, Ingres, Skira/Rizzoli (Geneva, Switzerland/New York NY, 1991), repr. in color p. 44; pp. 54, 74-75, 117

Dr. Christine Ekelhart-Reinwetter, J. A. D. Ingres 1780-1867: Zeichnungen und Olstudien aus dem musée Ingres, Montauban, Ferdinandeum/Albertina (Innsbruck/Vienna, Austria, 1991), pp. 157-158, repr. in b/w as abb. 62

Carol Ockman, "Two Large Eyebrows a l'Orientale: Ethnic Stereotyping in Ingres' Baronne de Rothschild' ", Art History (December 1991), vol. 14, no. 4, repr. fig. 26 p. 529; mentioned p. 527

"Conservation Notes", Harvard University Art Museums Observer, Harvard University Art Museums (Cambridge, MA, November 8, 1991), Vol. III, No. 19

Edmund Burke Feldman, Varieties of Visual Experience, Art as Image and Idea, Harry N. Abrams, Inc. (New York, NY, 1992), repr. in color p. 320

Dr. Ruth Westheimer, The Art of Arousal, Abbeville Press (New York, NY, 1993), repr. in color pps. 16-17

Neoclassic Art, Revolutionary Epoque Art, Shogakukan Inc. (Tokyo, Japan, 1993), repr. in color fig. 79

Leonard M. Helfgott, Ties that Bind: a Social History of the Iranian Carpet, Smithsonian Institution Press (Washington, D.C, 1994), repr. in b/w p. 99, fig. 5

Cara D. Denison, The Thaw Collection: Master Drawings and New Acquisitions, exh. cat., Pierpont Morgan Library (New York, NY, 1994), pp. 96-97, under no. 66

José Luis Díez, Federico de Madrazo y Kuntz (1815-1894), exh. cat., Museo del Prado (Madrid, Spain, 1994), p. 218, repr. in b/w

Le baron Taylor, l'association des artistes et l'exposition du Bazar Bonne-Nouvelle en 1846, Fondation Taylor (Paris, France, 1995), pp. 34, 84, repr. as fig. 59; pp. 112, 123, 195-197, 222, 225, 228, 241, 257...

Georges Vigne, Ingres, Citadelles &, Mazenod and Abbeville Press (Paris, France; New York, NY, 1995), pp. 218-222, repr. in color as fig. 178; detail repr. p. 201 as fig. 166...

Georges Vigne, Dessins d'Ingres: Catalogue raisonné des dessins du musée de Montauban, Gallimard/Reunion des Musées Nationaux (Paris, France, 1995), pp. 406-408, 440

Eric Bertin, "Les peintures d'Ingres, II: Expositions et ventes publiques du vivant de l'artiste", Bulletin du Musée Ingres (1995), nos. 67-68, pp. 103-111, pp. 106, 108

"[Unidentified article]", Shinchosha (Tokyo, Japan, 1995), vol. 6, p. 33, repr. in color

Carol Ockman, Ingres' Eroticized Bodies: Retracing the Serpentine Line, (New Haven, CT, 1995), pp. 53, 73, 74, repr. as fig. 34, 97, 121, 165 n. 33

Eric Bertin, "Les Peintures d'Ingres, Estampes et photographies de reproduction parues du vivant de l'artiste", Bulletin du Musée Ingres, Amis du Musée Ingres (Montauban, France, 1996), no. 69, pp. 60-62

Cara D. Denison, From Mantegna to Picasso: Drawings from the Thaw Collection at the Pierpont Morg, exh. cat., Pierpont Morgan Library (New York, NY, 1996), pp. 118-119, under no. 58, repr.

Robert Newman, ed., Pedagogy, Praxis, Ulysses: Using Joyce's Text to Transform the Classroom, (Ann Arbor, MI, 1996), pp. 186-188, repr.

Patricia Condon, "Ingres, Jean-Auguste-Dominique", (London and New York, NY, 1996), pp. 841, 844

Paul de Roux, Ingres, Herscher (Paris, France, 1996), pp. 53, 68-69, repr. as fig. 20

Susan Grace Galassi, Picasso's variations on the masters: confrontations with the past, Harry N. Abrams, Inc. (New York, NY, 1996), p. 141, repr. as fig. 5-11

Patricia Condon, ""Les Dessins Historiques achevés de J.A.D. Ingres" (part two)", Bulletin du Musée Ingres, Amis du Musée Ingres (Montauban, France, 1996), no. 69, pp. 3-38, pp. 15, 36

Richard D. Leppert, Art and the Committed Eye: The Cultural Functions of Imagery, Westview Press, Inc. (Boulder, Colorado and Cumnor Hill, Oxford, 1996), pp. 234-236, 307 nn. 39, 40, fig. 9.6, pl. 16

William Rubin, ed., Picasso and Portraiture: Representation and Transformation, exh. cat., ed. William Rubin Museum of Modern Art, New York (New York, NY, 1996), p. 360, repr.

An Introduction to Music and Art in the Western World, Brown & and Benchmark Publishers (1996), p. 224, colorplate 46 following p. 226

Daniel Ternois, "Ingres et la photographie", Bulletin du Musée Ingres (1997), no. 70, pp. 41-50, p. 43

Andrew Carrington Shelton, "From Making History to Living Legend: The Mystification of M. Ingres (1834-1855)", (1997), vol. I, pp. x, 159, 175, 216 n. 159; vol II, pp. 246, 247, 302-303 n. 40...

Hans Belting, Das Unsichtbare Meisterwerk, Verlag C.H. Beck (Munich, Germany, 1998), pp. 134-135, repr.

Aileen Ribeiro, Ingres in Fashion: Representations of Dress and Appearance in Ingres's Images of Women, Yale University Press (U.S.) (New Haven, CT and London, England, 1999), pp. 179, 184, 205, 208 (detail repr.), 211, 231-236, repr. as fig. 186

Old Master Drawings, auct. cat., W. M. Brady & and Co., Inc. (New York, NY, 1999), under cat. no. 33, repr. as fig. 22

Christopher Riopelle, "The Early Nineteenth Century", The Critics' Choice: 150 Masterpieces of Western Art, ed. Marina Vaizey (New York, NY, 1999), pp. 228, 229, repr.

John Gage, Colour and Meaning: Art, Science and Symbolism, Thames & and Hudson (London, England, 1999), pp. 47, 48, 196, 198-9, 200, Pl.96, Inv. 51

Valérie Bajou, Monsieur Ingres, Editions Adam Biro (Paris, France, 1999), repr. p. 14, detail repr. p. 246; pp. 257-263, fig. 173; pp. 267-268, 271, 310..

Gary Tinterow and Philip Conisbee, Portraits by Ingres: Image of an Epoch, exh. cat., The Metropolitan Museum of Art (New York, NY, 1999), pp. 306 n. 30, 329, repr. as fig. 190, 410, 518 n. 79, 531, 535, 551, 552, 555..

Seiyo Bijutsukan [The History of Western Art], Shogakukan Inc. (Tokyo, Japan, 1999), p. 844, repr. in color

Daniel Ternois, ed., Lettres d'Ingres à Marcotte d'Argenteuil, Société de l'histoire de l'Art Français (Nogent-le-Roi, France, 1999), pp. 22, 25, 30-32, 35-36, 42, 45-46, 114-119, 166-168, 184, 205-212, 224...

Adrian Rifkin, Ingres, Then and Now, Routledge (London and New York, NY, 2000), pp. 28, 30, detail repr. as fig. 14, pp. 44, 71

Holly Edwards, Noble Dreams, Wicked Pleasures: Orientalism in America, 1870-1930, exh. cat., Princeton University Press and Sterling and Francine Clark Art Institute (Princeton, NJ, 2000), p. 13; repr. in b/w p. 15, fig. 5

Sam Hunter, Modern Art: Painting, Sculpture, Architecture, Harry N. Abrams, Inc. (New York, NY, 2000), repr. as fig. 5, p. 12

Anita Brookner, Romanticism and its Discontents, (New York, NY, 2000), pp. 107-108, repr. as fig. 36

Uwe Fleckner, Jean-Auguste-Dominique Ingres 1780-1867, Könemann Verlagsgesellschaft (Cologne, Germany, 2000), pp. 88-90, repr. in color as no. 87

Jack Flam, "Matisse and Ingres", Apollo (October 2000), v. 152, no. 464, pp. 20-25, pp. 20-21, repr. in b/w

Amelia Jones, "Posing the Subject: Performing the Other as Self", Making a Scene, ARTicle Press (Birmingham, England, 2000), pp. 33-56, p. 47; repr. in b/w pp. 48-49

Hans Belting, The Invisible Masterpiece, Reaktion Books (London, 2001), pp. 104-105, repr. in b/w

Mària van Berge-Gerbaud, Ingres et Marcotte: Lettres, documents, dessins, et gravures [Exposition-dossier II], exh. cat., Fondation Custodia (Paris, 2001), pp. 5, 7, 30, under no. 26, 37 under no. 36, 38 under no. 37 (cf. fig. 26)...

H. W. Janson, History of Art [6th ed.], Harry N. Abrams, Inc. (New York, NY, 2001), repr. p. 665 as fig. 21-30

Kirsten Hoving Powell, "Le Violon d'Ingres: Man Ray's Variations on Ingres, Deformation, Desire and de Sade", Fingering Ingres (Oxford and Malden, MA, 2001), pp. 137, 138, repr. as fig. 68

Daniel Ternois, Lettres d’Ingres à Marcotte d’Argenteuil: dictionnaire, Librairie des Arts et Métiers-Ed. Jacques Laget (Nogent-le-Roi, France, 2001), pp. 49, 50, 57, 76, 78, 83, 90, 99, 103, 118, 143, 161-166, 167, 179, 188, 191..

Chikashi Kitazaki, ed., Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum, exh. cat., ed. Chikashi Kitazaki National Museum of Western Art (Ueno, Japan, 2002), pp. 92-93, cat. #13, color repr.

Impressionist and Modern Art, auct. cat., de Pury & and Luxembourg (London, England, June 24 2002), p. 56, repr. in color as fig. 4

Hollis Clayson, "Henri Regnault's Wartime Orientalism", Orientalism's Interlocutors: Painting, Architecture, Photography, Duke University Press (Durham, NC, 2002), pp. 131-178, p. 152; repr. p. 153 as fig. 5

Amelia Jones, "'Every Man Knows Where and How Beauty Gives him Pleasure': Beauty Discourse and the Logic of Aesthetics", Aesthetics in a Multicultural Age, Oxford University Press (UK) (Oxford, England, and New York, 2002), pp. 215-239, pp. 228-231, repr. as fig. 4

Elizabeth Cowling and John Golding, Matisse Picasso, exh. cat., Tate Gallery Publishing Limited (London, 2002), p. 237; repr. in b/w as fig. 64, p. 355

Joan DelPlato, Multiple Wives, Multiple Pleasures: Representing the Harem, 1800-1875, Associated University Presses (Cranbury, London and Mississauga, 2002), pp. 38-39, repr. in b/w as fig. 2.3

Emory Elliott, ed., Aesthetics in a Multicultural Age, Oxford University Press (NY) and Oxford University Press (UK) (Oxford, England, and New York, 2002), p. 229, repr.

Ilaria Ciseri, Il Romanticismo: 1780-1860: la nascita di una nuova sensibilità, A. Mondadori (Milan, Italy, 2003), pp. 200-201, repr. in color

Stephan Wolohojian, Ingres, Burne-Jones, Whistler, Renoir... La Collection Grenville L. Winthrop, exh. cat., Musée des Beaux-Arts de Lyon and Réunion des Musées Nationaux (Paris, France, 2003), no. 72, pp. 195-199, repr. in color

Christopher Riopelle, Harvard's Winthrop Collection: Nineteenth-Century Paintings and Drawings from the Grenville L. Winthrop Collection, exh. cat., National Gallery Company Limited (London, 2003), p. 28, cat. 15, ill.

Michael Harris, Colored Pictures: Race and Visual Representation, The University of North Carolina Press (Chapel Hill NC, 2003), pp. 126, 130; repr. in color p. 130

Christopher Riopelle, "David, Delacroix, and French Painting around 1800", French Paintings from the Musée Fabre, Montpellier, National Gallery of Australia (Canberra, Australia, 2003), pp. 107-108, fig. 102

Asher Miller, "Ingres and the Fondation Custodia: Some Recent Publications", Master Drawings (Spring 2003), 41, no. 1, p. 73, p. 73

Stephan Wolohojian, ed., A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exh. cat., ed. Stephan Wolohojian The Metropolitan Museum of Art and Yale University Press (New York, NY, 2003), no. 72, pp. 187-190, repr. in color

Philip Ball, Bright Earth, The University of Chicago Press (Chicago, IL, 2003), pp. 7, 171, 176

Ivan Davidson Kalmar, "The Houkah in the Harem: On Smoking and Orientalist Art", Smoke: A Global History of Smoking, Reaktion Books (London, 2004), p. 220, repr.

Delacroix to Munch: Nineteenth-Century Visions, exh. cat., Boston Museum of Fine Arts (Nagoya, Japan, 2004), repr. in color as fig. 8, p. 37

Irvin Cemil Schick, Çerkes Güzeli Bir Sarkiyatçi Imgenin Serüveni, Oglak Güzel Kitaplar (Beyoglu-Istanbul, Turkey, 2004), p. 106, repr. in color

Laurence Madeline, ed., Picasso Ingres, exh. cat., ed. Laurence Madeline Réunion des Musées Nationaux / Librairie Arthème Fayard (Paris, 2004), under no. 71

Robert Dupin, "La Collection Winthrop", Universalia, Encyclopaedia Universalis (Paris, France, 2004), pp. 343-344, p. 344

Louis-Antoine Prat, Ingres, 5 Continents Press (Milan, Italy, 2004), cat. no. 48, repr., p. 90

Perrin Stein, French Drawings from the British Museum: Clouet to Seurat, exh. cat., British Museum Press/Metropolitan Museum (New York NY, 2005), p. 714, repr. as fig. 1

Patricia Condon, "Jean-Auguste-Dominique Ingres: The Politics of Friendship", Seeing and Beyond: Essays on Eighteenth- to Twenty-First Century Art..., ed. Deborah J. Johnson, Peter Lang (New York NY and Washington DC, 2005), pp. 43-61, p. 47; repr. in b/w as fig. 1, p. 60

Robert Rosenblum, 19th Century Art, Pearson Prentice Hall (Upper Saddle River, NJ, 2005), pp. 146-147, repr. in color as fig. 130

H. W. Janson and Anthony F. Janson, A Basic History of Western Art, Prentice Hall (Upper Saddle River, NJ, 2006), p. 455, repr. in color

Vincent Pomarède, Stéphane Guégan, Louis-Antoine Prat and Eric Bertin, Ingres 1780-1867, exh. cat., Editions Gallimard (Paris, France, 2006), p. 178, repr. as ill. 139

Karin H. Grimme, Jean-Auguste-Dominique Ingres, 1780-1867, Taschen GmbH (Cologne, Germany, 2006), p. 42, repr. p. 43 in color

Stéphane Guégan, Ingres: Erotic Drawings, Flammarion (Paris, France, 2006), repr. as pl. 56

Pierre Rosenberg, Only in America: One Hundred Paintings in American Museums Unmatched in European Collections, Skira (Milan, 2006), repr. on p. 174

Wendy Nolan Joyce, "Sculpting the Modern Muse: August Clésinger's 'Femme piqueé par un serpent'", ed. Cassandra Hamrick, Suzanne Nash and Dr. Marshall Olds University of Nebraska Press (Lincoln, NE and London, England, Fall 2006), p. 174, repr. fig. 34

Richard D. Leppert, The Nude: The Cultural Rhetoric of the Body in the Art of Western Modernity, Westview Press, Inc. (Boulder, CO, 2007), pp. 111-112, repr. as fig. 3.9

Charles Newton, Images of the Ottoman Empire, Victoria and Albert Museum (London, 2007), pp. 120-121, repr. in color on p. 121.

Stephan Wolohojian, ed., Harvard Art Museum Handbook, Harvard Art Museum (Cambridge, MA, 2008), p. 145, repr.

Michael Marrinan, Romantic Paris: Histories of a Cultural Landscape, 1800-1850, Stanford University Press (Stanford, 2009), pp. 198-201, fig. 94

Impressionist /Modern Evening Sale, auct. cat., Christie's, New York (New York, 4 May 2010), p. 89, repr. in color as Fig 3.

Laura Neve, Paul Delvaux: Aux Sources de l'Oeuvre, Editions Racine (Brussels, 2010), p. 105, repr. in color p 104

John Elderfield and Lauren Mahony, de Kooning: A Retrospective, exh. cat., ed. David Frankel The Museum of Modern Art (New York, NY, 2011), p. 473, repr. Fig. 3

Louis-Antoine Prat, Le dessin français au XIXe siècle, Somogy Editions D'Art (Paris, 2011), p. 182

Agnes Husslein-Arco and Sabine Grabner, ed., Orient & Occident: Travelling 19th Century Austrian Painters, exh. cat., ed. Agnes Husslein-Arco and Sabine Grabner Belvedere (Vienna, Austria & Munich, Germany, 2012), pp. 30-31, repr. Fig. 2

Maria Teresa Caracciolo, Le Romantisme, Citadelles & and Mazenod (Paris, 2013), repr. in color, pp. 234-235

Mio Wakita, Staging Desires: Japanese Feminity in Kusakabe Kimbei's Nineteenth-Century Souvenir Photography, D. Reimer (Berlin, 2013), p. 115; repr. in color as plate 36

Theodore E. Stebbins, Jr. and Melissa Renn, American Paintings at Harvard, Volume One: Paintings, Watercolors, and Pastels by Artists Born before 1826, Yale University Press and Harvard Art Museums (Cambridge and New Haven, 2014), p. 27

Exhibition History
[Exhibition for the Pension and Aid Fund of the Societé des Artistes], Galerie des Beaux-Arts, Paris, 01/11/1846 - 01/11/1846, no. 46
Exposition Universelle de Paris, 1855, Palais des Beaux-Arts, Paris, Paris, 05/15/1855 - 12/31/1855, no. 3351
Unidentified Exhibition, Galerie Petit, 1864, Galerie Francis Petit, Paris, 03/01/1864 - 03/31/1864
Tableaux, etudes peintes, dessins et croquis de J.-A.-D. Ingres peintre d'histoire, sénateur, membre de l'Institut, École Impériale des Beaux-Arts, Paris, 04/10/1867 - 12/31/1867, no. 423
Exposition David et ses elèves, Palais des Beaux-Arts, Paris, Paris, 04/07/1913 - 06/09/1913, no. 187
Exposition du Centenaire de la Conquête de l'Algerie, 1830-1930, Petit Palais, Paris, Paris, 05/01/1930 - 06/30/1930, #285
Exposition d'oeuvres importantes de grands maîtres du dix-neuvième siècle Prêtées au profit de la Cité Universitaire de l'Université de Paris, Galerie Paul Rosenberg, Paris, 05/18/1931 - 06/27/1931, no. 48
Ingres Centennial Exhibition, 1867-1967, Fogg Art Museum, Cambridge, 02/12/1967 - 04/09/1967
Grenville L. Winthrop: Retrospective for a Collector, Fogg Art Museum, Cambridge, 01/23/1969 - 03/31/1969
Master Paintings from the Fogg Collection, Fogg Art Museum, Cambridge, 04/13/1977 - 08/31/1977
A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, National Gallery, London, 06/25/2003 - 09/14/2003, 72
Chinese sculpture, bronzes, jades, paintings and drawings, Egyptian and Persian sculpture, Pre-Columbian art : selected from the collection of Grenville Lindall Winthrop, Fogg Art Museum, Cambridge, 10/01/1943 - 02/28/1944
Works by J.-A.-D. Ingres in the Collection of the Fogg Art Museum, Fogg Art Museum, Cambridge, 10/17/1980 - 12/07/1980
Masterpieces of European Art, Busch-Reisinger Museum, Cambridge, 06/22/1985 - 09/15/1985
Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum, National Museum of Western Art, Tokyo, 09/14/2002 - 12/08/2002, no. 13
A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, Musée des Beaux-Arts de Lyon, Lyon, 03/15/2003 - 05/26/2003, 72; The Metropolitan Museum of Art, New York, 10/23/2003 - 01/25/2004, 72
For Students of Art and Lovers of Beauty: Highlights from the Collection of Grenville L. Winthrop, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/16/2004 -
Re-View: S424-426 Western Art from 1560 to 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 08/16/2008 - 06/18/2011
Ancient to Modern, Harvard Art Museums, Cambridge, 01/31/2012 - 06/01/2013