The Breakfast Table
© President and Fellows of Harvard College
Identification and Creation
Object Number
1943.150
People
John Singer Sargent, American (Florence, Italy 1856 - 1925 London, England)
Title
The Breakfast Table
Other Titles
Former Title: Miss Violet Sargent
Former Title: La Jeune Fille dans la salle à manger
Former Title: Miss Millet at Breakfast
Classification
Paintings
Work Type
painting
Date
1883 - 1884
Culture
American
Location
Level 2, Room 2100, European and American Art, 17th–19th century
View this object's location on our interactive map
Physical Descriptions
Medium
Oil on canvas
Dimensions
54 x 45 cm (21 1/4 x 17 11/16 in.)
framed: 70.5 x 61.6 x 5.7 cm (27 3/4 x 24 1/4 x 2 1/4 in.)
Inscriptions and Marks
  • Signed: l.r.: à mon cher ami Besnard / John S. Sargent
  • inscription: l.r., paint, in artist's hand: a mon cher ami B[esnard].
Provenance
Gift of the artist to Albert Besnard, 1883-84; purchased from him by Hector Brame, 1931; purchased from him by Knoedler and Co., July 1931; purchased from them by Anna R. (Mrs. John D.) Mills, May or June 1935; purchased from her by Knoedler and Co., October 1935; purchased from them by Grenville L. Winthrop through Martin Birnbaum, October 1935; his bequest to the Fogg Art Museum, 1943.
Acquisition and Rights
Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.150
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Publication History

Martin Birnbaum, John Singer Sargent, January 12, 1856-April 15, 1925: A Conversation, William E. Rudge's Sons (New York, NY, 1941), p. 29, repr. in b/w p. 50

Charles Merrill Mount, John Singer Sargent: A Biography, W. W. Norton & Company (New York, NY, 1955), no. K853, p. 445

David McKibbin, Sargent's Boston, exh. cat., Museum of Fine Arts, Boston (Boston, MA, 1956), p. 113, Check List of Sargent's Portraits; repr. as fig. 8, p. 23

Richard Ormond, John Singer Sargent: Paintings, Drawings, Watercolors, Harper & Row (New York, NY and London, England, 1970), p. 32; repr. in color, fig. 32

Kenyon Castle Bolton, III, Peter G. Huenink, Earl A. Powell III, Harry Z. Rand, and Nanette C. Sexton, American Art at Harvard, exh. cat., Fogg Art Museum (Cambridge, MA, 1972), cat. 116, ill.

Edwin Austin Abbey, exh. cat., Yale University Art Gallery (New Haven, CT, 1974), p. 60; p. 19, fig. 14

John Singer Sargent, His Own Work, exh. cat., Coe Kerr Gallery, Inc. (New York, NY, 1980), in checklist, unpaginated

Carter Ratcliff, John Singer Sargent, Abbeville Press (New York, 1982), repr. fig. 6, p. 13

Caroline A. Jones, Modern Art at Harvard: The Formation of the Nineteenth- and Twentieth-Century Collections of the Harvard University Art Museums, exh. cat., Abbeville Press/Harvard University Art Museums (New York, NY and Cambridge, MA, 1985), reproduced in color, fig. 12, p. 26

Kristin A. Mortimer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums/Abbeville Press (Cambridge, MA; New York, NY, 1985), p. 185, cat. 211, ill.

Trevor J. Fairbrother, John Singer Sargent and America, Garland Publishing, Inc. (New York, NY, 1986), p. 199, n. 8

Warren Adelson and Stanley Olson, Sargent at Broadway: The Impressionist Years, exh. cat., Universe/Coe Kerr Gallery (New York, NY, 1986), repr. p. 36

Kate F. Jennings, John Singer Sargent, Crescent Books (New York, NY, 1991), repr. in color, p. 18

Portrait de l'Artiste, auct. cat., Bob P. Haboldt & Co. (Paris, France, 1991 - 1992), pp. 222-223; repr. p. 223

Trevor J. Fairbrother, John Singer Sargent, Harry N. Abrams, Inc. (New York, NY, 1994), pp. 56-57, repr. in color p. 54

Warren Adelson, Sargent Abroad: Figures and Landscapes, Abbeville Press (New York, NY, 1997), repr. in color p. 17, fig. 7

Elaine Kilmurray and Richard Ormond, John Singer Sargent, exh. cat., Tate Gallery Publishing Limited (London, England, 1998), p. 29, reproduced in b/w fig. 30

Richard Ormond and Elaine Kilmurray, John Singer Sargent: The Early Portraits, Yale University Press (U.S.) (New Haven, CT and London, England, 1998), pp. 79 - 80, repr. in color p. 79, cat. no. 74

Jean Strouse, Alice James: A Biography, Harvard University Press (Cambridge MA, 1999), repr. on cover

Warren Adelson, Jay Cantor, and William H. Gerdts, Childe Hassam: Impressionist, Abbeville Press (New York, NY and London, England, 1999), fig. 21

Elaine Kilmurray and Richard Ormond, Sargent e l'Italia, exh. cat., Ferrara Arte SpA (Ferrara, Italy, 2002), repr. fig. 18; detail repr. fig. 19

Christopher Riopelle, Harvard's Winthrop Collection: Nineteenth-Century Paintings and Drawings from the Grenville L. Winthrop Collection, exh. cat., National Gallery Company Limited (London, 2003), p. 46, cat. 33, ill.

Stephan Wolohojian, ed., A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exh. cat., The Metropolitan Museum of Art and Yale University Press (New York, NY, 2003), pp. 458-60, cat. 207, ill.

Stephan Wolohojian, Ingres, Burne-Jones, Whistler, Renoir... La Collection Grenville L. Winthrop, exh. cat., Musée des Beaux-Arts de Lyon and Réunion des Musées Nationaux (Paris, France, 2003), pp. 472-474, cat. 207, ill.

Stephan Wolohojian, ed., Harvard Art Museum Handbook, Harvard Art Museum (Cambridge, MA, 2008), ill. p. 168

Theodore E. Stebbins, Jr., Virginia Anderson, and Kimberly Orcutt, ed., American Paintings at Harvard, Volume Two, Paintings, Drawings, Pastels and Stained Glass by Artists Born 1826-1856, Harvard University Art Museums/Yale University Press (Cambridge, MA and New Haven, CT, 2008), p. 302-04, cat. no. 318, reproduced in color, p. 303

Richard Ormond and Elaine Kilmurray, John Singer Sargent: Figures and Landscapes, 1900-1907, Yale University Press (New Haven and London, 2012), p. 98 (note 6)

Marc A. Simpson, "Two Recently Discovered Paintings by John Singer Sargent", Yale University Art Gallery Bulletin (New Haven, CT, Fall 1980), vol. 38, no. 1, pp. 6-11, repr. in b/w fig. 5, p. 10; text p. 9

Thomas Otten, "Slashing Henry James (On Painting and Political Economy, circa 1900)", The Yale Journal of Criticism, Yale University (New Haven, CT, Fall 2000), vol. 13, no. 2, pp. 293-320, pp. 310-311, repr. in b/w p. 310

Frederic Fairchild Sherman, "Some Early Paintings by John S. Sargent", Art In America (June 1933), vol. XXI, no. 3, pp. 94-99, p. 96; repr. p. 97

Louise Todd Ambler and Kenyon Castle Bolton, III, "American Painting at Harvard", Antiques (New York, NY, November 1972), vol. 102, no. 5, pp. 876-883, pp. 877, 879, fig. 9

Barbara Scott, "Letter from Paris: The Artist in his Studio", Apollo (November 1991), mentioned p. 360

Fogg Art Museum and Benjamin Rowland, Jr., Real and Ideal in American Art, exh. cat. (Cambridge, MA, Summer 1948), cat. 26

Exhibition History

Unidentified Exhibition, Corcoran Gallery of Art, 1934, Corcoran Gallery of Art, Washington, 06/01/1934 - 05/31/1935

Loan Exhibition of Interiors and Paintings of Interiors, Knoedler & Co. Inc., New York, 06/19/1934 - 07/19/1934

Paintings and Watercolors by John Singer Sargent, R.A., M. Knoedler & Co., Newport, 08/19/1935 - 09/03/1935

Real and Ideal in American Art, Fogg Art Museum, Cambridge, 06/01/1948 - 09/01/1948

American Art at Harvard, Fogg Art Museum, Cambridge, 04/19/1972 - 06/18/1972

Master Paintings from the Fogg Collection, Fogg Art Museum, Cambridge, 04/13/1977 - 08/31/1977

Modern Art at Harvard, Harvard University Art Museums, Cambridge, 10/21/1985 - 01/05/1986

A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, Musée des Beaux-Arts de Lyon, Lyon, 03/15/2003 - 05/26/2003; National Gallery, London, 06/25/2003 - 09/14/2003; The Metropolitan Museum of Art, New York, 10/23/2003 - 01/25/2004

For Students of Art and Lovers of Beauty: Highlights from the Collection of Grenville L. Winthrop, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/16/2004

Re-View: S424-426 Western Art from 1560 to 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 08/16/2008 - 06/18/2011

Subjects and Contexts

Collection Highlights

Artstor Digital Library

Google Art Project

Verification Level

4 - Best. Object is extensively researched, well described and information is vetted