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Identification and Creation

Object Number
1988.419
People
Philippe de Champaigne, French (Brussels 1602 - 1674 Paris)
Title
The Duc de Longueville Receiving the Order of the Holy Spirit; verso: Study for Charles Duret de Chevry
Classification
Drawings
Work Type
drawing
Date
c. 1633
Culture
French
Persistent Link
https://hvrd.art/o/294507

Physical Descriptions

Medium
Brown and gray ink, gray wash, and white gouache over traces of black chalk on cream antique laid paper; verso: black chalk
Dimensions
28 x 35.2 cm (11 x 13 7/8 in.)
Inscriptions and Marks
  • watermark: right center: Close to Churchill 266 [c. 1623, Arms of Burgundy and Austria with the Order of the Golden Fleece]
  • inscription: none

Provenance

Recorded Ownership History
Joseph Fouché, Premier Duc d’Otrante, Paris and Trieste; his family, by descent; their sale, Drouot (Labat), Paris, 28-29 January 1980, lot 26; Walter Goetz, London; Artemis, London (by 1982); Seiden and de Cuevas, Inc., New York (by 1984); Harvard Art Museums/Fogg Museum, Gift in part–Melvin R. Seiden and Purchase in part–Marian H. Phinney Fund, 1988.419

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift in part - Melvin R. Seiden and Purchase in part - Marian H. Phinney Fund
Accession Year
1988
Object Number
1988.419
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • David Carritt, Master Prints and Drawings, 15th to 19th Centuries, exh. cat., David Carritt Ltd. (London, 1982), cat. no. 17, pp. 34-35
  • Hilliard T. Goldfarb, From Fontainebleau to the Louvre: French Drawing from the Seventeenth-Century, exh. cat., Cleveland Museum of Art/Indiana University Press (Cleveland, 1989), cat. no. 79, pp. 159-61
  • Bernard Dorival, Supplément au catalogue raisonné de l'oeuvre de Philippe de Champaigne, Léonce Laget (Paris, 1992), cat. no. 4, pp. 13-14
  • Gilles Chomer, Peintures françaises avant 1815: la collection du Musée de Grenoble, Réunion des Musées Nationaux (Grenoble, 2000), p. 74
  • Nicolas Sainte Fare Garnot, Philippe de Champaigne (1602-1674), Jean-Baptiste de Champaigne (1631-1681), Nicolas de Plattemontagne (1631-1706), Galerie de Bayser (Paris, 2000), cat. no. 4, p. 11
  • Emmanuelle Brugerolles and David Guillet, ed., Poussin, Claude, and Their World: Seventeenth-Century French Drawings from the École des Beaux-Arts, exh. cat., Ecole Nationale Superieure des Beaux-Arts and The Frick Collection (Paris and New York, 2001-2002), pp. 280-83
  • Lorenzo Pericolo, Philippe de Champaigne, La Renaissance du Livre (Tournai, 2002), pp. 202-203, 208
  • Sue Welsh Reed, Richelieu: Art and Power, exh. cat., ed. Hilliard T. Goldfarb, Museum of Fine Arts, Montreal/Wallraf-Richartz-Museum/Snoeck-Ducaju & Zoon (Montreal and Cologne, 2002), cat. no. 82, pp. 192-93
  • Alain Tapié and Nicolas Sainte Fare Garnot, Phillipe de Champaigne, 1602-1674: entre politique et dévotion, exh. cat., Réunion des Musées Nationaux (Paris, 2007-2008), p. 34
  • Frédérique Lanoë and Pierre Rosenberg, Trois maîtres du dessin: Philippe de Champaigne (1602–1674), Jean-Baptiste de Champaigne (1631–1681), Nicolas de Plattemontagne (1631–1706), exh. cat., Réunion des Musées Nationaux (Paris, 2009), cat. no. 5, pp. 29-31
  • Guillaume Kazerouni, L'idée et la ligne: Dessins français du musée de Grenoble XVIe-XVIIIe siècle, exh. cat., Musée de Grenoble (Grenoble, 2011), pp. 56-57
  • Louis-Antoine Prat, Le dessin français au XVIIe siècle, Somogy Éditions d'Art (Paris, 2013), pp. 357, 649
  • Alvin L. Clark, Jr. and Edouard Kopp, French Drawings from the Age of Claude, Poussin, Watteau, and Fragonard: Highlights from the Collection of the Harvard Art Museums, Harvard Art Museums (Cambridge, MA, 2022), cat. no. 9, repr.; verso repr. p. 45, pp. 54, 80, p. 18

Exhibition History

  • Master Prints and Drawings, 15th to 19th Centuries, David Carritt Ltd., 06/30/1982 - 07/23/1982
  • From Fontainebleau to the Louvre: French Drawings from the 17th Century, Cleveland Museum of Art, Cleveland, 12/13/1989 - 01/28/1990; Harvard University Art Museums, Cambridge, 02/24/1990 - 04/08/1990; National Gallery of Canada, Ottawa, 05/06/1990 - 06/17/1990
  • Richelieu: Art and Power, The Montreal Museum of Fine Arts, Montreal, 09/18/2002 - 01/05/2003; Wallraf-Richartz-Museum / Fondation Corboud, Cologne, 01/31/2003 - 05/04/2003
  • 32Q: 2400 French/Italian/Spanish, Harvard Art Museums, Cambridge, 03/07/2022 - 07/18/2022

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu