Relief Of A Man And Child
© President and Fellows of Harvard College
Identification and Creation
Object Number
1998.3
Title
Relief of a Man and Child
Classification
Sculpture
Work Type
sculpture
Date
c. 150 CE
Places
Creation Place: Ancient & Byzantine World, Asia, Palmyra (Syria)
Period
Roman Imperial period, Middle
Culture
Roman
Location
Level 3, Room 3710, North Arcade
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Physical Descriptions
Medium
Limestone
Technique
Carved
Dimensions
66 cm h x 56.5 cm w x 22 cm d (26 x 22 1/4 x 8 11/16 in.)
Inscriptions and Marks
  • inscription: in Aramaic, "Male, son of Maliku, son of Bagad, Alas!"; "Maliku, his son, Alas!"
Provenance
Semitic Museum, Cambridge, MA, (by 1941), transfer; to Harvard University Art Museums, 1998.
Acquisition and Rights
Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Transfer from the Semitic Museum, Harvard University
Accession Year
1998
Object Number
1998.3
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Descriptions

Published Catalogue Text: Stone Sculptures: The Greek, Roman and Etruscan Collections of the Harvard University Art Museums , written 1990
A small child stands at the young man's side on a pedestal to the left of the man's right shoulder. The man wears his hair in the combed-forward manner popular in the Roman Empire under Hadrian (AD 125-135). He has a ring with an inset stone on the smallest finger of the left hand. his costume consists of a himation over a loose chiton, the former concealing all of the right arm except for the hand and all the left arm save for the hand that holds a rotulus. The child wears a long tunic with overfold at the waist, covering both arms. He holds a cluster of fruit or a flower in the left hand.

The inscription to the right of the man reads "Male, son of Maliku, son of Bagad, Alas!: The boy's inscription reads "Maliku, his son, Alas."

With the child omitted and the hair arranged in somewhat more early Antonine fashion, this man is identical in costume and sculptural treatment to the monument of Moquimu in the Museum of Fine Arts, Boston. If individual sculptor's hands are to be isolated in Palmyrene funerary sculpture, two monuments by the same carver seem to survive in both the Harvard University Art Museums and the Museum of Fine Arts (Comstock, Vermeule, 1976, p. 256, no. 399).

Cornelius Vermeule and Amy Brauer

Publication History

Gandharan Art and its Classical Connections, Fogg Art Museum (Cambridge, MA, 1983), no. 6, illus.

Cornelius C. Vermeule, III and Amy Brauer, Stone Sculptures: The Greek, Roman and Etruscan Collections of the Harvard University Art Museums, Harvard University Art Museums (Cambridge, MA, 1990), p. 165, no. 151

Exhibition History

Roman Gallery Installation (long-term), Harvard University Art Museums, Cambridge, 09/16/1999 - 01/20/2008

Gods in Color: Painted Sculpture of Classical Antiquity, Harvard University Art Museums, Cambridge, 09/22/2007 - 01/20/2008

Related Works
Verification Level

3 - Good. Object is well described and information is vetted