Art

Summer Scene

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French (Montpelier 1841 - 1870 Beaune-la-Rolande)
Summer Scene, 1869
Alternate Title: Scene d'Ete / Les Baigneurs
Painting
French
,
19th century
Oil on canvas
160 x 160.7 cm (63 x 63 1/4 in.)
frame: 192.1 x 192.4 x 12.4 cm (75 5/8 x 75 3/4 x 4 7/8 in.)
Harvard Art Museums/Fogg Museum, Gift of Mr. and Mrs. F. Meynier de Salinelles
, 1937.78
Department of Paintings, Sculpture & Decorative Arts
,
Marks
signed: l.l.: F. Bazille, 1869
Provenance
Mr. and Mrs. F. Meynier de Salinelles, Gift to Fogg Art Museum, 1937. Mme. de Salinelles was a niece of the artist.
Bibliography
Peter Schabacker, "Frederic Bazille's Summer Scene", (Thesis, Harvard University, n.d.), Unpublished

"[Unidentified article]", L'Amour de l'Art (January 1927), p. 26

G. Poulain, Bazille et ses amis, (Paris, France, 1932), no. 36, pp. 152, 171, 176, 218

"Cambridge: Gift of a Painting by a Rare Impressionist, Bazille", Art News (November 27, 1937), vol. XXXVI, no. 9, p. 19

"A Painting by Bazille", Bulletin of the Fogg Art Museum, Fogg Art Museum (Cambridge, MA, November 1937), vol. VII, no. 1, p. 15, repr.

"[Unidentified article]", Boston Evening Transcript (Boston, MA, November 20, 1937), repr.

"Bazille Painting for Fogg", Art Digest (June 1938), p. 19

Ernst Scheyer, "The Beginnings of Impressionism", The Art Quarterly (Spring 1942), pp. 127-128, ill. p. 124

John Rewald, The History of Impressionism [1st ed.], Museum of Modern Art, New York (New York, NY, 1946), p. 196, repr. p. 199

Bernard Dorival, "La Scene d'Eté de Bazille et Cezanne", Musées de France (May 1949), vol. IV, pp. 94-96

François Daulte, Frederic Bazille et son temps, Pierre Cailler (Geneva, Switzerland, 1952), no. 44, pp. 133, 184, repr.

Anne V. Dort, "French Art of the 19th Century", Boston Symphony Orchestra Concert Bulletin (Boston, MA, 1958 -1959), no. 21, pp. 1316-1317

John Canaday, Mainstreams of Modern Art, Henry Holt and Co. (New York, NY, 1959), p. 224-225, repr. in b/w as fig. 260

Kermit S. Champa, "The Genesis of Impressionism", (Thesis, Harvard University, 1964), Unpublished

Pierre Courthion, Au Temps de l'Impressionisme, Nouvelles Editions Françaises (Paris, France, 1964), repr. in color no. 25

Paintings, Drawings, and Sculpture from the Fogg Art Museum, Harvard University, exh. cat., Yale University Art Gallery (New Haven, CT, 1967), n.p.

Gerd Muehsam, ed., French Painters and Paintings from the 14th Century to Post-Impressionism, Ungar (New York, NY, 1970), pp. 491-493, repr.

John Robert Alderman, "Sources in Bazille's Late Works", (Qualifying paper, Fine Arts Dept., Harvard University, 1972), Unpublished

Pierre Courthion, Impressionism, part of The Library of Great Art Movements, Harry N. Abrams, Inc. (New York, NY, 1972), p. 166, repr. in color

John Rewald, The History of Impressionism [4th ed.], Museum of Modern Art, New York (New York, NY, 1973), p. 234

Kermit S. Champa, Studies in Early Impressionism, Yale University Press (U.S.) (New Haven, CT, 1973), pp. 89-90, plate 23

Franz Schulze, "Frederic Bazille: 'Lost Impressionist' ", Art in America (September 1978 - October 1978), p. 101 repr. in color, p. 102 text

F. Daulte and J. Patrice Marandel, Frederic Bazille and Early Impressionism, exh. cat., The Art Institute of Chicago (Chicago, IL, 1978), no. 43, p. 95, text and repr. in b/w

Diane Kelder, The Great Book of French Impressionism, Abbeville Press (New York, NY, 1980), color plate 18

John Canaday, Mainstreams of Modern Art [2nd ed.], Holt, Rinehart & and Winston (New York, NY, 1981), repr. in b/w fig 309, p. 260

Yann Le Pichon, Les Peintres du Bonheur, Robert Laffont (Paris, France, 1983), repr. in b/w, p. 112

Caroline A. Jones, Modern Art at Harvard: The Formation of the Nineteenth- and Twentieth-Century Collections of the Harvard University Art Museums, exh. cat., Abbeville Press/Harvard University Art Museums (New York, NY and Cambridge, MA, 1985), repr. in color, fig. 15, p. 30

Yann Le Pichon, Sur les Traces de Gauguin, Robert Laffont (Paris, France, 1986), detail repr. in b/w p. 78

Denis Thomas, The Age of the Impressionists, St Michael, Hamlyn Publishing Group Ltd. (London, England, 1987), repr. in color, p. 118

Belinda Thomson and Michael Howard, Impressionism, Bison Books (London, England, 1988), pp. 26-27, ill.

Therese Dolan, "Frederic Bazille and the Goncourt Brothers' Manette Salomon", Gazette des Beaux-Arts (February 1990), repr. b/w fig. 3, p. 101; text p. 101

Nobuo Abe, The Great History of Art: Impressionism, (Tokyo, Japan, 1990 - 1991), repr. in color p. 70

Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 75, color plate; pp. 98, 240, repr. b/w cat. no. 328

John Russell Taylor, Impressionist Dreams, Little, Brown & and Company (Boston, MA, 1990), repr. as fig. 1 (frontispiece)

Bernard Denvir, Impressionism, the Painters and the Paintings, Studio Editions (London, England, 1991), repr. in color fig. 132, p. 142

Ingo F. Walther, Malerei des Impressionismus, 1860-1920, Benedikt Taschen Verlag (Köln, Germany, 1992), repr. in color, p. 75

François Daulte, Frederic Bazille et les Debuts de l'Impressionisme, La Bibliothèque des Arts (Paris, France, 1992), repr. p. 149, text p. 150

Michael Kimmelman, "A Tragic Harbinger of the New", The New York Times (New York, NY, November 13, 1992), repr. in b/w

Musée Fabre, Bazille: Traces et Lieux de la Creation, exh. cat., Musée Fabre (Montpellier, France, 1992), repr. in b/w no. 23, p. 23

François-Bernard Michel, Bazille: 1841-1870, Bernard Grasset (Paris, France, 1992), repr. in b/w (n.p.)

Frederic Bazille: Prophet of Impressionism, exh. cat., Brooklyn Museum (Brooklyn, NY, 1992), repr. p. 76, p. 118; text p. 119, catalog no. 25

Francis Frascina, Modernity and Modernism: French Painting in the 19th Century, Yale University Press (U.S.) (New Haven, CT and London, England, 1993), repr. b/w p. 176; text p. 174

Colin B. Bailey, "Bazille: 'The Astonishing Fullness of Light' ", Apollo (March 1993), p. 185

Great French Paintings from the Barnes Foundation, Alfred A. Knopf, Inc. (New York, NY, 1993), repr. b/w fig. 2, p. 104; mentioned p. 104

Pascal Bonafoux, Les Plaisirs et les Jours, Editions Herscher (Paris, France, 1994), p. 46, repr. in color p. 47

Gary Tinterow and Henri Loyrette, Origins of Impressionism, exh. cat., The Metropolitan Museum of Art (New York, NY, 1994), pp. 274-275, repr. in color fig. 337

Robert Boardingham, Impressionist Masterpieces in American Museums, Hugh Lauter Levin Associates, Inc. (New York, NY, 1996), pp. 34-5

Doreen Bolger, ed., Thomas Eakins and the Swimming Picture, exh. cat., ed. Doreen Bolger Amon Carter Museum (Fort Worth, TX, 1996), pp. 87-88

Kermit S. Champa and Dianne W. Pitman, Monet & Bazille: A Collaboration, High Museum of Art / Harry Abrams (Atlanta, GA / New York, NY, 1998), Pp. 75-77

Nancy Locke, Manet and the Family Romance, Princeton University Press (Princeton and Oxford, 2001), p. 175; repr. in b/w as fig. 97, p. 178

Margaret Werth, The Joy of Life: the idyllic in French art, circa 1900, University of California Press (Berkeley, CA, 2002), repr. p. 157 as fig. 71

Norma Broude, ed., Gustave Caillebotte and the Fashioning of Identity in Impressionist Paris, Rutgers University Press (New Jersey, 2002), pp. 154-174, repr. in b/w as fig. 55

Nancy Locke, "Cezanne's Bathers, Watteau, and the Idea of Fantasy", Bulletin of the Detroit Institute of Arts (2003), vol. 77, no. 1/2, pp. 18-31, p. 28, repr. as fig. 13

Richard R. Brettell, "Eakins and the Male Nude in French Art, 1850-1890", exh. cat., Portland Museum of Art (Portland, ME, 2004), pp. 24-37; repr. in color, p. 38; checklist, p. 145

Randall Griffin, Homer, Eakins and Anschutz: The Search for American Identity in the Gilded Age, Pennsylvania State University (University Park, PA, 2004), pp. 77-80, repr. in b/w as fig. 33

Henri Loyrette, L'Art francais: le XIXeme siècle, Flammarion (Paris, France, 2006), repr. as fig. 69, p. 252

Petra ten-Doesschate Chu, Nineteenth-Century European Art, Pearson Prentice Hall (Upper Saddle River, NJ, 2006), pp. 404-407, ill. p. 405

Stephan Wolohojian, ed., Harvard Art Museum Handbook, Harvard Art Museum (Cambridge, MA, 2008), p. 158, rep.

Sebastian Smee, "A Summer Sojourn in the South of France. Frame by Frame. Unearthing Hidden Treasures in the Collections of New England Museums", The Boston Globe, section G, page 5, November 13, 2012, section G, page 5, reproduced in color

Exhibition History
Annual Exhibition, 1870, Salon, Paris, Paris, 01/01/1870 - 12/31/1870
Retrospective Bazille, Salon, Paris, Paris, 08/01/1910 - 12/31/1910; Exposition Internationale, Montpellier, 01/01/1927 - 12/31/1927
Modern French Painting, Museum of Fine Arts, Boston, Boston, 11/15/1937 - 12/15/1937
Unidentified Exhibition, Word's Fair, 1940, World's Fair, 1940, New York, 01/01/1940 - 12/31/1940
Exposition Organisee au profit du Musee de Montpellier, Galerie Wildenstein, Paris, 06/01/1950 - 06/30/1950
French Art of the 19th Century, Symphony Hall, Boston, 03/24/1959 - 04/24/1959
Paintings, Drawings, Sculpture from the Fogg Art Museum, Harvard University, Yale University Art Gallery, New Haven, 10/12/1967 - 12/03/1967
Master Paintings from the Fogg Collection, Fogg Art Museum, Cambridge, 04/13/1977 - 08/31/1977
Frederic Bazille and Early Impressionism, The Art Institute of Chicago, Chicago, 03/04/1978 - 04/30/1978
Modern Art at Harvard, Harvard University Art Museums, Cambridge, 10/21/1985 - 01/05/1986
Frederic Bazille: Prophet of Impressionism, Musée Fabre, Montpellier, 07/11/1992 - 10/04/1992; Brooklyn Museum of Art, Brooklyn, 11/12/1992 - 01/24/1993; Dixon Gallery and Gardens, Memphis, 02/14/1993 - 04/25/1993
Les origines de l'Impressionnisme, Réunion des Musées Nationaux, Paris, 04/19/1994 - 08/08/1994; Metropolitan Museum of Art, Department of Drawings and Prints, New York, 09/14/1994 - 01/08/1995
Origins of Impressionism, Réunion des Musées Nationaux, Paris, 04/19/1994 - 08/08/1994; The Metropolitan Museum of Art, New York, 09/19/1994 - 01/08/1995
Modern Art at Harvard, Bunkamura Museum of Art, Tokyo, 07/31/1999 - 09/26/1999; Takamatsu City Museum of Art, Kagawa, 10/09/1999 - 11/14/1999; Matsuzakaya Art Museum, Nagoya, 12/02/1999 - 12/27/1999; Oita City Museum, Oita, 01/06/2000 - 02/06/2000; Museum of Modern Art, Ibaraki, Ibaraki, 02/11/2000 - 03/26/2000
European Muses, American Masters: 1870 to 1950, Portland Museum of Art, Portland, 06/23/2004 - 10/17/2004
Re-View: S427 Impressionist & Postimpressionist Art, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 08/02/2008 - 06/18/2011
Ancient to Modern, Harvard Art Museums, Cambridge, 01/31/2012 - 06/01/2013