The Gare Saint-Lazare: Arrival Of A Train
© President and Fellows of Harvard College
Gallery Text

This is the largest in Monet’s series of twelve paintings of the Saint-Lazare train station in Paris, a subject favored by many impressionist painters. While completing the series, Monet relocated from the town of Argenteuil to an apartment near the station in Paris. He worked on all the paintings at the same time, and sometimes he leaned the stretched canvases against each other while the paint was still wet. This caused the cork spacers on the backs of the stretchers to be pressed into the adjacent paintings, creating circular indentations in the surface that are visible along the top edge of this work. Monet’s thick build-up of pigments here is a virtuosic example of his approach to painting during this period, when he juxtaposed multitudinous hues in mounds of impasto that would blend into a coherent whole only when viewed from a distance. This technique reportedly led Cézanne to declare, “Monet is only an eye, but my God what an eye!”

Identification and Creation
Object Number
Claude Monet, French (Paris, France 1840 - 1926 Giverny, France)
The Gare Saint-Lazare: Arrival of a Train
Other Titles
Alternate Title: Gare Saint-Lazare, Paris: Arrival of a Train
Work Type
Level 1, Room 1220, European Art, 19th–20th century, Collection of Maurice Wertheim, Class of 1906
View this object's location on our interactive map
Physical Descriptions
Oil on canvas
83 x 101.3 cm (32 11/16 x 39 7/8 in.)
framed: 110.3 x 127.5 x 9.5 cm (43 7/16 x 50 3/16 x 3 3/4 in.)
Inscriptions and Marks
  • Signed: l.l.: Claude Monet 77
Claude Monet, Painted, 1877, sold: to Ernest Hoschedé, 1877, sold; to Charles Deudon, 1877 [1]. [Paul Rosenberg, Paris (by 1919)]. Mme. Emile Staub-Terlinden, Mannedorf, Switzerland, (by 1923-at least 1938) [2], sold; [to Wildenstein and Co., New York,(c. 1942-1945) ] sold; to Maurice Wertheim (1945-1951), bequest; to Fogg Art Museum, 1951.

[1] Distel cites Monet notebook on sale to Deudon "pour le compte de M. Hoschedé," who had gone bankrupt.

[2] Seligmann archives note presence of this painting in Staub-Terlinden's home during 1930 visit. Staub-Terlinden put paintings on deposit with Wildenstein some time after 1938 exhibition, Wildenstein purchased c. 1942-43, per documents in Foreign Funds Control Investigative Reports.
Acquisition and Rights
Credit Line
Harvard Art Museums/Fogg Museum, Bequest from the Collection of Maurice Wertheim, Class of 1906
Accession Year
Object Number
European and American Art
Publication History

[Reproduction only], "On the right track", Saturday Guardian, (United Kingdom, 11/17/2007)., p. 22

3e exposition de peinture, exh. cat., 6 rue le Peletier (Paris, France, 1877), no. 100

Französische Kunst des 19. und 20. Jahrhunderts, exh. cat., Kunsthaus Zürich (Zurich, Switzerland, 1917)

Gustave Geffroy, Claude Monet, sa vie, son temps, son oeuvre, G. Crès et Cie (Paris, France, 1922), p. 92

Cinquante Ans de peinture française, exh. cat., Musée des Arts Decoratifs (Paris, France, 1925), no. 47

Vincent van Gogh en zijn Tijdgenooten, exh. cat., Stedelijk Museum (Amsterdam, The Netherlands, 1930), no. 220

Chefs-d'oeuvre de l'art français, exh. cat., Petit Palais, Paris (Paris, France, 1937), no. 374

La Peinture Français de XIXe Siècle en Suisse, exh. cat., Gazette des Beaux-Arts (Paris, France, 1938), repr. pl. XXIV, no. 64

Lionello Venturi, Les Archives de l'Impressionisme (Paris, France, 1939), vol. I, p. 152 and vol. II p. 312

Maurice Malingue, Claude Monet, Les Documents d'Art (Monaco, 1943), pp. 83, 147; repr. p. 83

A loan exhibition of paintings by Claude Monet for the benefit of the children of Giverny, exh. cat., Wildenstein Galleries (New York, NY, 1945), no. 24

John Rewald, The History of Impressionism [1st ed.], Museum of Modern Art, New York (New York, NY, 1946), repr. in color facing p. 318

French Painting since 1870, lent by Maurice Wertheim, Class of 1906, exh. cat., Fogg Art Museum (Cambridge, MA, 1946), pp. 12-15, repr. p. 13

Oscar Reuterswärd, Monet, en konstnarshistorik, Albert Bonniers Förlag (Stockholm, Sweden, 1948), p. 281, detail repr. in b/w, fig. 48, p. 108

La Peinture Française Depuis 1870: Collection Maurice Wertheim, exh. cat., Tom Taylor (Québec, Canada, 1949), no. 5, pp. 14-16

M. Rostand, "Quelques amateurs de l'époque impressioniste" (Thesis, Ecole du Louvre, Paris, 1955), Unpublished, p. 284

Denis Rouart and Leon Degand, Claude Monet, Skira Books (New York, NY, 1958), pp. 68, 70, repr. p. 68

The Maurice Wertheim Catalogue: Modern French Art-- Monet to Picasso, exh. cat., North Carolina Museum of Art (Raleigh, NC, 1960), p. 26, repr. p. 27

William Chapin Seitz, Claude Monet, Harry N. Abrams, Inc. (New York, NY, 1960), pp. 29, 106-107

Golden Encyclopedia of Art, Golden Press, Inc. (New York, NY, 1960), repr.

Encyclopedia Universale dell'Arte, Istituto per la Collaborazione Culturale (Rome, Italy, 1961)

Jean Renoir, Renoir, My Father, Collins (London, England, 1962), pp. 174-175

Jean Leymarie, French Painting, the Nineteenth Century, Editions d'Art Albert Skira (Geneva, Switzerland, 1962), repr. in color p. 188

The Maurice Wertheim Collection: Modern French Art-- Manet to Picasso, exh. cat., Museum of Fine Arts, Boston (Houston, TX, 1962), pl. 11, pp. 32-33

Geoffrey Bruun and Millicent Haines, The World Story, D. C. Heath and Co. (Boston, MA, 1963), repr. in color p. 406h

René Gimpel, Journal d'un Collectionneur (Paris, France, 1963), pp. 144-145, 177

R. Niculescu, "G. de Bellio, l'ami des impressionistes", Revue romaine d'Histoire de l'Art (1964), v. I, p. 264, no. 2

Collier Junior Encyclopedia, Crowell-Collier Educational Corp. (New York, NY, 1965), repr.

Odyssey History of the World, Golden Press, Inc. (New York, NY, 1965), repr. vol. XII

Raymond Cogniat, Monet and his World, Viking Press (New York, NY, 1966), repr. p. 70

Phoebe Pool, Impressionism, Viking Press (New York, NY, 1966), p. 162; repr. in color no. 124

Frank Alweis, New Dimensions of World History, American Book Co. (New York, NY, 1968), repr. in color

Paul MacKendrick, Western Civilization, ed. William Leonard Langer, American Heritage Publishing Co. (New York, NY, 1968), repr. in color, vol. II, p. 456

Heinz Peters, ed., Kleine Museum Reise durch Amerika, Gebr. Mann Verlag (Berlin, Germany, 1969), repr. p. 110

W. O. Henderson, The Industrialization of Europe: 1780-1914, Thames & Hudson (London, England, 1969), repr. in color p. 21

Hans L. C. Jaffe, The World of the Impressionists, Hammond, Inc. (Maplewood, NJ, 1969), repr. p. 53

[Unidentified article], Femina (1969), no. 8, repr.

Harold Spencer, ed., Readings in Art History vol. II: The Renaissance to the Present, Charles Scribner's Sons (New York, NY, 1969), repr. in b/w p. 342, fig. 47

Felix Marti-Ibanez, ed., The Adventure of Art, C. N. Potter (New York, NY, 1970), repr. in color p. 503

Norman Rich, The Age of Nationalism and Reform, 1850-1890, W. W. Norton & Company (New York, NY, 1970), repr. in color on cover

Maria Blunden and Godfrey Blunden, Impressionists and Impressionism, Skira Books (Geneva, Switzerland, 1971), repr. in color p. 141

Pierre Daix, L'Aveuglement devant la peinture, Editions Gallimard (Paris, France, 1971), repr.

The Maurice Wertheim Collection, exh. cat., Maine State Museum (Augusta, ME, 1972), no. 21

Monet et L'Impressionisme, Japan Art Center (Tokyo, Japan, 1972), plate II, repr. in color

Fritz Baumgart, DuMont's Kleine Kunstgeschichte, Verlag M. DuMont Schauberg (Köln, Germany, 1972), repr. p. 296

Daniel Wildenstein, Claude Monet: Biographie et Catalogue Raisonné, La Bibliothèque des Arts (Lausanne, Switzerland, 1974 - 1991), no. 439

Kenneth Neill, The Age of Steam and Steel: Ireland, Britain, and Europe in the 19th Century, Gill and MacMillan (Dublin, Ireland, 1976), repr. on cover

Steven Z. Levine, Monet and His Critics (New York, NY, 1976), pp. 27, 30, 33

Georges Riviere, "L'Exposition des Impressionistes", Impressionism in Perspective, ed. Barbara Ehrlich White, Prentice Hall (Englewood Cliffs, NJ, 1978), pp. 9-10, fig. 4

Joel Isaacson, Observation and Reflection: Claude Monet, Phaidon Press / Dutton (Oxford, England / New York, NY, 1978), pp. 22, 45, 108, repr., 210-211

Hommage à Claude Monet, exh. cat., Grand Palais (Paris, France, 1980), p. 159

Akiko Mabuchi, Mone, Kodansha Ltd. (Tokyo, Japan, 1980), repr. in color p. 86

John Russell, The Meanings of Modern Art, Harper & Row (New York, NY, 1981), repr. in color p. 20

Paul Hayes Tucker, Monet at Argenteuil, Yale University Press (U.S.) (New Haven, CT and London, England, 1982), p. 169, fig. 149

Robert Gordon and Andrew Forge, Monet, Harry N. Abrams, Inc. (New York, NY, 1983), pp. 77, 78, repr.

Edmund Burke Feldman, Thinking About Art, Prentice-Hall, Inc. (Englewood Cliffs, NJ, 1985), repr. in color fig. 5-18, p. 211

Claude Monet: Painter of Light, exh. cat., Auckland City Art Gallery (Auckland, New Zealand, 1985), p. 12

Kristin A. Mortimer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums/Abbeville Press (Cambridge, MA; New York, NY, 1985), no. 220, p. 193, repr. in b/w

Bruce Bernard, ed., The Impressionist Revolution, Orbis Publishing Ltd. (London, England, 1986), repr. in color p. 136

Charles S. Moffett, The New Painting: Impressionism, 1874-1886, exh. cat., R. Burton (Geneva, Switzerland, 1986), pp. 189, 191, fig. 2, 198

"Monet", Asahi Graph, Orion Press (Tokyo, Japan, 1988), repr. in color pl. 24

John O'Brian, Degas to Matisse: the Maurice Wertheim Collection, exh. cat., Harry N. Abrams, Inc./Fogg Art Museum (New York, NY and Cambridge, MA, 1988), no. 5, pp. 48-51; repr. in color p. 49

Charles F. Stuckey, Monet Water Lilies, Hugh Lauter Levin Associates, distributed by MacMillan Publishing Co. (New York, NY, 1988), repr. in b/w p. 14

Anne Distel, Les Collectionneurs des Impressionistes: Amateurs et marchands, La Bibliothèque des Arts (Paris, France, 1989), repr. in color, no. 137, p. 160

Anne Distel, "Charles Deudon (1832-1914) collectionneur", Revue de l'Art (1989), 86, Issue 1, pp. 60, 65, reproduced.

Nathan Goldstein, Design and Composition, Prentice-Hall (Englewood Cliffs, NJ, 1989), repr. in b/w, fig. 11.4, p. 255

Winfried Nerdinger, Perspektiven der Kunst von der Karolingerzeit bis zur Gegenwart, Verlag Martin Lurz GmbH (Munich, Germany, 1990), repr. in color, abb. 271, p. 251

Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 83, color plate; pp. 120, 245, repr. b/w cat. no. 345

The Maurice Wertheim Collection and Selected Impressionist and Post-Impressionist Paintings and Drawings in the Fogg Art Museum, exh. cat., Harry N. Abrams, Inc. (New York, NY, 1990), repr. in color no. 6 p. 43

Nobuo Abe, The Great History of Art: Impressionism (Tokyo, Japan, 1990 - 1991), repr. in color, p. 79

Sylvie Patin, Monet "Un oeil...mais, bon dieu, quel oeil!", Decouvertes Gallimard/Reunion des Musées Nationaux (Paris, France, 1991), repr. in color p. 61

Bernard Denvir, Impressionism, the Painters and the Paintings, Studio Editions (London, England, 1991), repr. in color as fig. 235, p. 245

Norma Broude, Impressionism: A Feminist Reading, Rizzoli (New York, NY, 1991), repr. in b/w, fig. 10, p. 29; text p. 28

The Canvas Seeks the Light, Kodansha (Tokyo, Japan, 1992), repr. in color fig. 5-19, p. 103

Gina Crandell, Nature Pictorialized: "The View" in Landscape History, The Johns Hopkins University Press (Baltimore, MD and London, England, 1993), repr. in b/w fig. 10.7, p. 158; text p. 157

Richard Mühlberger, What Makes a Monet a Monet?, Metropolitan Museum of Art / Viking (New York, NY, 1993), pp. 25-27, repr. in color

Christoph Heinrich, Claude Monet 1840-1926, Benedikt Taschen Verlag (Köln, Germany, 1993), repr. in color p. 41

Richard Mühlberger, O Que Faz de um Monet um Monet?, The Metropolitan Museum of Art (New York, 1993), pp. 25-27, repr. in color

The 19th Century, Kodansha (Tokyo, Japan, 1993), repr. in color p. 109

Eric Shanes, Impressionist London, Abbeville Press (New York, NY, 1994), repr. in color no. 27, p. 39

The 3-D Museum, Shogakukan Inc. (Tokyo, Japan, 1995), p. 46, repr. in color p. 47

John Russell Taylor, Claude Monet: Impressions of France from Le Havre to Giverny, Collins and Brown (London, England, 1995), p. 74; repr. in color p. 75

Ulrich Hamm and Gerhard Pick, Traum und Wirklichkeit, Ernst Klett Verlag GmbH (Stuttgart, Germany, 1995), p. 13, repr.

Robert Boardingham, Impressionist Masterpieces in American Museums, Hugh Lauter Levin Associates, Inc. (New York, NY, 1996), pp. 70-1

Heinrich Pleticha, Welt-Geschichte: Furstenhofe und fabriken, Bertelsmann Lexikon Verlag (Gutersloh, Germany, 1996), p. 284, b&w

Juliet Wilson-Bareau, Manet, Monet, and the Gare Saint-Lazare, exh. cat., National Gallery of Art (Washington, D.C., 1998), p. 110, fig. 98, repr. in colour

Belinda Thomson, Impressionism: Origins, Practice, Reception, Thames and Hudson, Ltd. (London, 2000), pp. 210-211, repr. in color

Palmira Brummett, Civilization Past & Present, Addison-Wesley Educational Publishers Inc. (New York, 2000), repr. in color p. 646

Norio Shimada and Keiko Sakagami, Claude Monet 1881-1926, exh. cat., Toppan Tanc (Japan, 2001), p. 136. repr. in color as fig. 103

Richard R. Brettell, "Monet e Parigi", exh. cat., Linea d'Ombra (Conegliano, Italy, 2001), p. 131, repr.

Liza Knapp, ed., Approaches to Teaching Tolstoy's Anna Karenina, The Modern Language Association of America (New York, 2003), repr. in color on cover

Raymond Gubbay, Paris after the War, La Bohème, Raymond Gubbay and the Royal Albert Hall (London, 2004), pp. 16-17, repr. in color

Wiener Linien: Kunst und Stadtbeobachtung seit 1960, exh. cat., Wien Museum Karlsplatz (Vienna, Austria, 2004), pp. 17-18, repr. in b/w

True Kelley, Claude Monet: Sunshine and Waterlilies, Grosset & Dunlap (2004), p. 17, repr. in color

David G. Wilkins and Bernard Schultz, Art Past, Art Present, Pearson Prentice Hall (Saddle River, NJ, 2005), pp. 445-446, repr. in color as fig. 9.54

Petra ten-Doesschate Chu, Nineteenth-Century European Art, Pearson Prentice Hall (Upper Saddle River, NJ, 2006), pp. 392, 394, ill. p. 394

F. Blanchard, M. Boulanger, and C. Cazaban-Mazerolles, Histoire Géographie, Foucher (Vanves, France, 2006), repr. in color p. 129

Paul Tucker, Monet and the Challenges to Impressionism in the 1880s, Critical Readings in Impressionism and Post-Impressionism, ed. Mary Tompkins Lewis, University of California Press (Berkeley, 2007), pp. 237-238, ill. p. 238.

Ian Kennedy and Julian Treuherz, The Railway: Art in the Age of Steam, exh. cat., Nelson-Atkins Museum of Art and National Museums Liverpool (Kansas City and Liverpool, 2008), pp. 159-161, repr. in color as Fig. 58 on p. 160

Ségolène Le Men, Monet, Citadelles & Mazenod (Paris, 2010), p. 194, ill. 158, p. 222, ill. 177, p. 223

Walter B. Denny, Frima Fox Hofrichter, and David L. Simon, Janson's History of Art: The Modern World, Prentice-Hall (Upper Saddle River, NJ, 2012), p. 874, repr. p. 875 as fig. 25.16

Felix Krämer, ed., Monet and the Birth of Impressionism, exh. cat., Prestel (Munich, 2014), pp. 193, 195-6, fig. 3

Jane Sirén, The Impressionist Revolution and the Advent of Abstract Art, exh. cat., Albright-Knox Art Gallery (Buffalo, 2015), pp. 29 - 30, fig. 17

Penelope J. E. Davies, Walter B. Denny, Frima Fox Hofrichter, Joseph Jacobs, Ann M. Roberts, and David L. Simon, Janson's History of Art: The Western Tradition, Pearson and Laurence King Publishing Ltd. (Boston, 2016), p. 874, fig. 25.16, repr. p. 875

Vivien Raynor, "Art: Impressionist Show at the I.B.M. Gallery" [review], The New York Times (New York, NY, April 26, 1985), p. C24

L. G., "Le Salon des Impressionistes", La Presse (April 6, 1877), p. 2

Georges Riviere, "L'Exposition des Impressionistes", L'Impressioniste (April 6, 1877), no. 1

René-Jean, "L'Art français dans une collection suisse", La Renaissance (Aug 1923), p. 472

William Keirce, "Pullmans, Stations, Steam: The Railroad as an Aesthetic Object", Railroad History (Autumn 1998), no. 179, pp. 7-30, pp. 9-11, repr. in b/w

Pierre Courthion, "L'Art français dans les collections privées en Suisse", L'Amour de l'Art (February 1926), vol. VII, pp. 42, 45

"Modern French Art", The Baltimore Sun, Sunday magazine (Baltimore, MD, July 14 1963), ill. p. 9

Howard Devree, "By French Masters: The Metropolitan Shows Wertheim Collection", The New York Times (New York, NY, July 6 1952), p. 6, p. 6

Howard Devree, "By French Masters: Memorable Loan Show in Philadelphia", The New York Times (New York, NY, July 7 1957), p. 70, p. 70, repr.

Alfred M. Frankfurter, "Today's Collectors: Modern Milestones", Art News (June 1946), vol. XLV, no. 4, p. 64; repr. in color p. 28

[Unidentified article], Harvard Bulletin (Cambridge, MA, June 1973), repr. p. 68

Steven Z. Levine, "Monet's Gare Saint-Lazare", Fogg Art Museum Newsletter, Fogg Art Museum (Cambridge, MA, June 1975), p. 7

James Cutting, "Gustave Caillebotte, French Impressionism, and Mere Exposure", Psychonomic Bulletin & Review (June 2003), vol. 10, no. 2, pp. 319-343, p. 323, repr., and no. 26 in checklist

James Nelson, "Impressionism Ridiculed by 19th Century Critics", The Montgomery Advertiser Journal (Montgomery, AL, June 6, 1971)

John Coolidge, "Maurice and Cecile Wertheim", Fogg Art Museum Newsletter, Fogg Art Museum (Cambridge, MA, March 1975), p. 6

"La Curiosité, la collection Deudon", Bulletin de la Vie Artistique (May 1 1920), p. 307

G. Freisinger, "Second Impressions", Harvard Magazine (Cambridge, MA, May 1985 - June 1985), p. 40, ill.

The Complete Works of Claude Monet 1870-1889, Rizzoli (Milan, Italy, n.d.), repr. in color pl. 13; p. 98

Georges Riviere, "Les Intransigents et les impressionistes", L'Artiste (November 1877), p. 301

Rodolphe Walter, "Saint-Lazare l'impressioniste", L'Oeil (November 1979), no. 292, p. 52, repr. p. 55

[Unidentified article], Geijutsu Shincho (Tokyo, Japan, October 1992), repr. in color p. 25

Alfred M. Frankfurter, "Masterpieces of French Art", Art News (October 9, 1937), vol. XXXVI, repr. p. 11

Robert L. Herbert, "Method and Meaning in Monet", Art In America (September 1979), vol. 67, pp. 90-108, p. 108

Roger Dunn, "'The Seine at Bougival' by Claude Monet", Bulletin of the Currier Gallery of Art, Currier Museum of Art (Manchester, NH, Spring 1987), repr. in b/w fig. 4, p. 8

Elizabeth M. Rudy, "Researching the Wertheim Collection at the Harvard Art Museums", Collections: A Journal for Museum and Archives Professionals (Summer 2014), Vol. 10, No. 3, pp. 301-6, p. 302

Exhibition History

Troisième Exposition de Peinture, Rue le Peletier, Paris, 04/01/1877 - 04/30/1877

Französische Kunst des XIX und XX Jahrhunderts, Kunsthaus Zürich, Zurich, 01/01/1917 - 12/31/1917

Cinquante ans de peinture française, Musée des Arts Decoratifs, Paris, 01/01/1925 - 12/31/1925

Van Gogh en zijn tijdgenooten, Stedelijk Museum, Amsterdam, 01/01/1930 - 12/31/1930

Chefs d'oeuvres de l'art française, Palais des Beaux-Arts, Paris, Paris, 01/01/1937 - 12/31/1937

Le peinture française du XIXe siècle en Suisse, [Unknown venue, Paris], 01/01/1938 - 12/31/1938

A Loan Exhibition of Paintings by Claude Monet, Wildenstein Gallery, New York, New York, 04/11/1945 - 05/12/1945

French Painting since 1870 lent by Maurice Wertheim, Class of 1906, Fogg Art Museum, Cambridge, 06/01/1946 - 09/07/1946; National Gallery of Art, Washington, 07/01/1953 - 09/13/1953

La Peinture Française depuis 1870, Musée de la Province de Quebec, 07/12/1949 - 08/07/1949

The Maurice Wertheim Collection, The Metropolitan Museum of Art, New York, 07/01/1952 - 09/14/1952

French Paintings Since 1870 from the Maurice Wertheim Collection, National Gallery of Art, Washington, 06/01/1953 - 09/30/1953

The Maurice Wertheim Collection, Philadelphia Museum of Art, Philadelphia, 06/15/1957 - 09/15/1957

The Maurice Wertheim Collection, Minneapolis Institute of Arts, Minneapolis, 06/10/1958 - 08/31/1958

The Maurice Wertheim Collection: Modern French Art--Monet to Picasso, North Carolina Museum of Art, Raleigh, 06/17/1960 - 09/04/1960

The Maurice Wertheim Collection: Manet to Picasso, The Museum of Fine Arts, Houston, Houston, 06/13/1962 - 09/02/1962

The Maurice Wertheim Collection, Baltimore Museum of Art, Baltimore, 06/20/1963 - 09/01/1963

The Maurice Wertheim Collection, Currier Museum of Art, Manchester, 06/24/1965 - 09/07/1965

The Maurice Wertheim Collection, Rhode Island School of Design, Museum of Art, Providence, 09/03/1968 - 09/22/1968

The Maurice Wertheim Collection, Montgomery Museum of Art, Montgomery, 06/01/1971 - 09/30/1971

The Maurice Wertheim Collection, Maine State Museum, Augusta, 06/01/1972 - 09/01/1972

Manet to Matisse: The Maurice Wertheim Collection, IBM Gallery of Science and Art, New York, 04/09/1985 - 05/25/1985

The Maurice Wertheim Collection and Selected Impressionist and Post-Impressionist Paintings and Drawings in the Fogg Art Museum, Isetan Department Store, Tokyo, 03/01/1990 - 04/10/1990; Yamaguchi Prefectural Museum of Art, 04/14/1990 - 05/13/1990

Re-View: S427 Impressionist & Postimpressionist Art, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 08/02/2008 - 06/18/2011

32Q: 1220 Wertheim, Harvard Art Museums, 11/01/2014

Subjects and Contexts

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