- Identification and Creation
- Object Number
Paul Gauguin, French (Paris 1848 - 1903 Fatu-Iwa [Marquesas Islands])
- Other Titles
- Alternate Title: Man in a Toque / L'Homme à la toque
- Work Type
- c. 1875 - c.1877
- Physical Descriptions
- Oil on canvas
- 46.7 x 38.4 cm (18 3/8 x 15 1/8 in.)
framed: 62.9 x 55.2 cm (24 3/4 x 21 3/4 in.)
- Inscriptions and Marks
- inscription: back of frame: said to be Self-Portrait by Gauguin / Formerly in the Carel F. de Wild Coll. / Formerly owned by M. Knoedler & Co 1915 / Formerly owned by Bernheim-Jeune, Paris
- label: red-bordered label: [printed:] 12249
- label: transferred to backing board from back of frame: No 18228 / Gauguin / Portrait d'hom[ ]
- label: transferred to backing board from back of frame: Scott & Fowles [ ] 11
- label: transferred to backing board from back of frame, red-bordered label: Chelsea / No 21
- Mme Devos, sold July 9, 1910; to [Bernheim-Jeune, Paris, no. 18230], sold; to [Knoedler, New York], sold December 5, 1916; to Carel F.L. de Wild, Larchmont, NY (1), his sale [Anderson Galleries, New York, January 18-19, 1924, lot 309]. [Scott & Fowles, New York], sold (2); to Duncan Stewart Ellsworth, Salisbury, Connecticut, bequeathed; to his wife Helen W. Ellsworth, gift; to Harvard University Art Museums, 1996.
(1) Wildenstein incorrectly lists his middle initials as P.L. rather than F.L.
(2) Wildenstein incorrectly lists "private collection, United States," after Scott & Fowles and before Duncan Ellsworth. Mrs. Ellsworth states that her husband purchased the painting from Scott & Fowles (letter of Dec. 9, 1996, in file).
- Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Gift of Helen W. Ellsworth in memory of Duncan S. Ellsworth '22, nephew of Archibald A. Hutchinson, benefactor of the Hutchinson Wing
- Accession Year
- Object Number
- European and American Art
- Publication History
Gustave Kahn, "Paul Gauguin", L'Art et les Artistes (November 1925), repr. p. 50
Henri Dorra, "A Suburban Landscape by Gauguin", Smith College Museum of Art Bulletin (1953), pp. 33-34, repr. pp.2-4
Georges Wildenstein, Gauguin, Beaux-Arts (Paris, France, 1964), no. 25, repr.
K. Mittelstadt, Gauguin, Self-Portraits (Oxford, England, 1968), no. 2, repr.
Daniel Wildenstein and Raymond Cogniat, Gauguin (Milan, Italy, 1971), p. 11, repr.
Wayne V. Anderson, Gauguin's Paradise Lost, Viking Press (New York, NY, 1971), pp. 6-7, 267, repr.
Lee van Dovski, Die Wahrheit über Gauguin, J.G. Bläschke (Darmstadt, Germany, 1973), no. 81
Daniel Wildenstein, Gauguin: Premier itinéraire d'un sauvage, catalogue de l'oeuvre peint (1873-1888), Skira/Seuil (Milan, Italy, and Paris, France, 2001), vol. 1, p. 27, no. 23, repr.
Douglas Druick and Peter Kort Zegers, Van Gogh and Gauguin: The Studio of the South, exh. cat., The Art Institute of Chicago (Chicago, IL, 2001), p. 29, repr. as fig. 34
Daniel Wildenstein, Gauguin: A Savage in the Making. Catalogue Raisonné of the Paintings (1873-1888), Skira (Paris, Milan, New York, 2002), vol. 1, p. 27, cat. no. 23, repr.
Belinda Thomson, ed., Gauguin: Maker of Myth, exh. cat., Tate (London, 2010), checklist p. 240, pl. 2
Sandrine Andrews, Dada: Gauguin, Éditions Arola (Paris, 2015), p. 6, repr.
- Exhibition History
Gauguin: Maker of Myth, Tate Modern, London, 09/30/2010 - 01/16/2011; National Gallery of Art, Washington, 02/21/2011 - 06/05/2011
- Subjects and Contexts
Google Art Project
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at email@example.com