Hexagonal Tile With Floral And Cloud Pattern
© President and Fellows of Harvard College
Identification and Creation
Object Number
1985.322
Title
Hexagonal tile with floral and cloud pattern
Other Titles
Alternate Title: Hexagonal tile with Blue-and-White Decoration. Iznik Hexagonal tile with cloud bands, arabesque medallions, & stylized lotus flowers
Classification
Architectural Elements
Work Type
architectural element
Date
1520-1540
Places
Creation Place: Middle East, Turkey, Iznik
Period
Ottoman period
Culture
Turkish
Location
Level 2, Room 2550, Art from Islamic Lands
View this object's location on our interactive map
Physical Descriptions
Medium
Glazed hexagonal fritware
Technique
Underglazed, painted
Dimensions
H: 1.5 x W: 24.4 x Depth: 2.5 cm (8 7/16 x 9 5/8 x 1 in.)
Provenance
Edwin Binney, 3rd, (by 1985), bequest; to Harvard University Art Museums, 1985.
Acquisition and Rights
Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, The Edwin Binney, 3rd Collection of Turkish Art at the Harvard Art Museums
Accession Year
1985
Object Number
1985.322
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Descriptions
Commentary
Label text from exhibition “Re-View,” an overview of objects drawn from the collections of Harvard Art Museums, 26 April 2008 – 1 July 2013; label text written by Mary McWilliams, Norma Jean Calderwood Curator of Islamic and Later Indian Art, Division of Asian and Mediterranean Art:

Two Hexagonal Tiles with Floral Arabesque
Turkey, Iznik, Ottoman dynasty, c. 1540
Fritware with painting under glaze
Arthur M. Sackler Museum, Gift of John Goelet, 1960.102; The Edwin Binney, 3rd Collection of Turkish Art at the Harvard Art Museum, 1985.322

For about a century, beginning in the late 1400s, Ottoman potters in the town of Iznik in western Anatolia produced what are arguably the finest ceramics in the history of Islamic art. Working with a white frit body and perfectly transparent glaze, Iznik potters experimented to expand the palette for their underglaze technique. Starting out with a blue-on-white scheme, they added turquoise in the 1520s. By the mid-1550s, they had perfected a dark black, brilliant red, and vibrant green, as can be seen on the floral dish in the case at right.
Publication History

Edwin Binney III, Turkish Treasures from the Collection of Edwin Binney, 3rd: 1981 Supplement to the 1979 catalogue, exh. cat., San Diego Museum of Art (San Diego, CA, 1981), 20-1 (Ceramic 3C)

Yanni Petsopoulos, ed., Tulips, Arabesques, and Turbans: Decorative Arts from the Ottoman Empire, Alexandria Press (London, England, 1982), pl. 84

Exhibition History

The Edwin Binney 3rd Collection of Turkish Art at the Harvard University Art Museums, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 05/16/1987 - 08/02/1987

A Grand Legacy: Arts of the Ottoman Empire, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 10/09/1999 - 01/02/2000

Overlapping Realms: Arts of the Islamic World and India, 900-1900, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 12/02/2006 - 03/23/2008

Re-View: Arts of India & the Islamic Lands, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 04/26/2008 - 06/01/2013

Verification Level

2 - Adequate. Object is adequately described but information may not be vetted