Wisps Of Cloud (Usugumo), Illustration To Chapter 19 Of The Tale Of Genji (Genji Monogatari)
Identification and Creation
Object Number
1985.352.19.A
People
Tosa Mitsunobu, Japanese (active c. 1469-1522)
Title
Wisps of Cloud (Usugumo), Illustration to Chapter 19 of the Tale of Genji (Genji monogatari)
Other Titles
Transliterated Title: Genji monogatari: Usugumo
Classification
Paintings
Work Type
album leaf, painting
Date
Muromachi period, datable to 1509-1510
Places
Creation Place: East Asia, Japan, Kyôto Metropolitan Area, Kyôto
Period
Muromachi period, 1392-1568
Culture
Japanese
Physical Descriptions
Medium
The nineteenth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper
Dimensions
H. 24.1 cm x W. 17.9 cm (9 1/2 x 7 1/16 in.)
Acquisition and Rights
Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Bequest of the Hofer Collection of the Arts of Asia
Accession Year
1985
Object Number
1985.352.19.A
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Descriptions
Description
The daughter of the Akashi Lady is being moved from her mother’s residence to live with Murasaki. Akashi (in white) bids her a tearful farewell.

Label Text: 32Q: 2600 East Asian, Japanese, Chinese and Korean , written 2015
Harvard’s Genji Album is the oldest known complete cycle of album leaves of The Tale of Genji, a foundational work of Japanese literature that recounts the life and loves of the fictional prince Hikaru Genji — a man of rare physical beauty and cultivated taste who epitomized the romantic ideal of Heian period (794–1185) nobility.
The painted leaves have been attributed on the basis of style to Tosa Mitsunobu. Recent research has shed more light on the circumstances surrounding the album’s original production. A medieval courtier’s diary suggests that it was commissioned by a provincial warrior who arranged for six prominent courtiers to provide the calligraphic excerpts. It is assumed that he also arranged for the illustrations to be provided by Mitsunobu, who was head of the Imperial Painting Bureau.
East Asian books and albums are traditionally viewed from right to left. The leaf at the right illustrates a scene from (1985.352.19.A) chapter 19 in which the young daughter of Prince Genji and the lowborn Lady Akashi is being prepared to leave her mother’s provincial residence. As a carriage waits and attendants look on, Lady Akashi (in white) is shown bidding the short-haired toddler a tearful farewell. Genji has arranged for the child to be brought to his home in the capital, so that she can be raised by Murasaki no Ue, his greatest love. The painting on the left (1985.352.20.A) shows a charming scene from chapter 20 in which Genji and Murasaki sit on a veranda, watching young maidservants play in a wintry garden. These illustrations have a freshness and spontaneity unmatched by later Tosa School depictions of this classic novel.

Publication History

Kaori Chino, "Tokushû: Genji monogatari gajô - Hâvâdo Daigaku Bijutsukan zô" [Special Issue: The Tale of Genji Album in the Collection of Harvard University Art Museums] (Tokyo, Japan, 1997), p. 29

Le Dit du Genji de Murasaki-shikibu [The Tale of Genji by Murasaki Shikibu]: Illustré par la peinture traditionnelle japonaise du XII au XVII siècle [Illustrated by traditional Japanese painting of the 12th through 17th century], Editions Diane de Selliers (Paris, France, 2007 & 2008), Vol. 2 / p. 36

Exhibition History

A Decade of Collecting: Asian Acquisitions 1990-1999, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 03/11/2000 - 11/05/2000

A Compelling Legacy: Masterworks of East Asian Painting, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 08/24/2004 - 03/20/2005

The Millennium of the Tale of Genji, The Museum of Kyoto, Kyoto, 04/26/2008 - 06/08/2008

32Q: 2600 East Asian, Japanese, Chinese and Korean, Harvard Art Museums, Cambridge, 11/01/2014 - 03/20/2015

Subjects and Contexts

Google Art Project

Related Works
Verification Level

4 - Best. Object is extensively researched, well described and information is vetted