Bahram Gur Fights The Horned Wolf (Painting, Verso; Text, Recto), Illustrated Folio From A Manuscript Of The Great Il-Khanid Shahnama (Book Of Kings)
verso © President and Fellows of Harvard College
Identification and Creation
Object Number
1960.190
Title
Bahram Gur Fights the Horned Wolf (painting, verso; text, recto), illustrated folio from a manuscript of the Great Il-Khanid Shahnama (Book of Kings)
Other Titles
Series/Book Title: Shahnama
Classification
Manuscripts
Work Type
manuscript folio
Date
c. 1330-1340
Places
Creation Place: Middle East, Iran, Tabriz
Period
Ilkhanid period
Culture
Persian
Location
Level 2, Room 2550, Art from Islamic Lands
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Physical Descriptions
Medium
Opaque watercolor, gold and silver on paper
Dimensions
folio: 41.5 x 30 cm (16 5/16 x 11 13/16 in.)
Provenance
Abby Aldrich Rockefeller, New York, NY, (by 1948), bequest; to Fogg Art Museum, 1960.
Acquisition and Rights
Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Abby Aldrich Rockefeller
Accession Year
1960
Object Number
1960.190
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Descriptions
Description
This folio is from a celebrated copy of the text known as the Great Ilkhanid Shahnama, one of the most complex masterpieces of Persian art. Because of its lavish production, it is assumed to have been commissioned by a high-ranking member of the Ilkhanid court and produced at the court scriptorium. The fifty-seven surviving illustrations reflect the intense interest in historical chronicles and the experimental approach to painting of the Ilkhanid period (1256–1335). The eclectic paintings reveal the cosmopolitanism of the Ilkhanid court in Tabriz, which teemed with merchants, missionaries, and diplomats from as far away as Europe and China. Here the Iranian king Bahram Gur wears a robe made of European fabric to slay a fearsome horned wolf in a setting marked by the conventions of Chinese landscape painting.
Publication History

E. de Lorey, Revue des Arts Asiatiques, vol. IX (1935), pp.35, plate XIV

A Survey of the Collections, Fogg Art Museum (Cambridge, MA, 1964)

Ernst Grube, The World of Islam (New York, NY, 1966), pp.61, fig. 37

David Talbot-Rice, Islamic Painting: A Survey (Edinburgh, Scotland, 1971), pp.94, pl. IV

Kristin A. Mortimer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums/Abbeville Press (Cambridge, MA; New York, NY, 1985), page 72, figure 75

Sheila Blair and Jonathan Bloom, Art and Architecture of Islam: 1250 - 1800 (New Haven, CT, 1994), 31, fig. 36

James Cuno, Harvard's Art Museums: 100 Years of Collecting, Harvard University Art Museums/Harry N. Abrams, Inc. (Cambridge, MA, 1996), page 128-129

Jonathan Bloom and Sheila Blair, Islam: A Thousand Years of Faith and Power, Yale University Press (U.S.) (New Haven, 2002)

Linda Komaroff, ed., The Legacy of Genghis Khan: Courtly Art and Culture in Western Asia, 1256-1353, exh. cat., Yale University Press (U.S.) (New Haven, CT, 2002), pp155, fig. 182; pp257, num 58

Eric Schroeder, "Mrs. Rockefeller's Miniatures at the Fogg", The Connoisseur (August 1961), vol. 148, fig. 1

J.B. Travis, "The Battle of Ardawan and Adrashir from the Demotte Shah-Nameh", The Art Quarterly (Spring 1968), vol. XXXI, no. 1, pp.63-75, fig. 8

David Roxburgh, "Micrographia: Toward a Visual Logic of Persianate Painting", Islamic Arts (Spring 2003), p.14, fig.2

Exhibition History

Arab and Persian Painting, Fogg Art Museum, Cambridge, 02/10/1981 - 03/09/1981

Portraiture in Iran and India, Fogg Art Museum, Cambridge, 12/09/1983 - 02/01/1984

Diverse are their Hues: Animals in Islamic Art, Harvard University Art Museums, Fogg Art Museum, Cambridge, 12/18/1984 - 02/09/1985

Paintings for Princes: The Art of the Book in Islam, Harvard University Art Museums, Cambridge, 01/27/1990 - 03/25/1990

Transformations: Asia East and West, Harvard University Art Museums, Cambridge, 12/19/1992 - 02/14/1993

Legacy of Genghis Khan: Courtly Art and Culture 1256-1353 (The), Los Angeles County Museum of Art, Los Angeles, 04/13/2003 - 07/27/2003; The Metropolitan Museum of Art, New York, 10/28/2002 - 02/16/2003

Subjects and Contexts

Collection Highlights

Verification Level

3 - Good. Object is well described and information is vetted