- Identification and Creation
- Object Number
Georges Braque, French (Argenteuil, France 1882 - 1963 Paris, France)
- The Bay of Estaque
- Other Titles
- Original Language Title: La Baie de L'Estaque
- Work Type
- Creation Place: Europe, France
Level 1, Room 1300, Modern and Contemporary Art, Early Modernism
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- Physical Descriptions
- Oil on canvas
- 33 x 41 cm (13 x 16 1/8 in.)
frame: 49.8 x 58.1 x 3.8 cm (19 5/8 x 22 7/8 x 1 1/2 in.)
- [Galerie Kahnweiler, Paris (inv. no. 118)]. Roger Dutilleul, Paris. Jean Masurel, Mouvaux. [Galerie Beyeler, Basel (through Martha Beck, New York, New York)], sold; to Harvard University Art Museums, 2001.
NOTE: In Dutilleul possession in 1933 according to e-mail from Susanne Kress dated 4/5/05.
- Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Purchase through the generosity of Emily Rauh Pulitzer, Myron Laskin, George David, Ellen Abbott Gilman Trust, Jessie Lie Farber, Frances H. Burr Memorial Fund and the Director's Discretionary Fund; and through the generosity of Philip and Lynn Straus, Marshall Field, Irvin and Rebekah Taube, John and Jill Walsh and Richard E. Oldenburg in honor of James Cuno
- © Artists Rights Society (ARS), New York / ADAGP, Paris
- Accession Year
- Object Number
- Modern and Contemporary Art
Label Text: 32Q: 1300 Early Modernism , written 2014
Exhibitions of the work of postimpressionist painter Paul Cézanne after his death in 1906 spurred several vanguard artists, Braque among them, to emulate the master and further his legacy. In May 1908 Braque traveled from Paris to paint in L’Estaque, a small French fishing village on the Mediterranean where Cézanne had made some of his most iconic paintings. The repetitive brushstroke, restricted palette, and vertiginous perspective of The Bay of Estaque demonstrate the influence of Cézanne. But the allover flattening of the rooftops in the foreground, hills in the background, and surface of the sea into a grid of roughly pyramidal units anticipates the innovative cubist painterly idiom Braque would develop alongside Picasso in the following year.
- Publication History
Georges Braque, exh. cat., Kunsthalle Basel (Basel, Switzerland, 1933), p. 15, cat. no. 9.
Douze Peintures de Georges Braque 1908-1910, brochure, Galerie de France (Paris, France, 1943), Cat. no. 3.
Georges Braque, brochure, Landesamt fur Museen, Freiburg (Freiburg im Breisgau, Germany, 1948), Cat. no. 2.
Autour de 1900, exh. cat., Galerie Charpentier (Paris, France, 1950), Cat. no. 45.
W. Rubin, ed., Cezanne: the late work, exh. cat., Museum of Modern Art, New York (New York, NY, 1977), p. 172, ill.
Nicole Worms de Romilly and Jean Laude, Braque: Cubism 1907-1914, Maeght (Paris, France, 1982), p. 68, fig. 11
William Rubin and Museum of Modern Art, New York, Picasso and Braque: Pioneering Cubism, exh. cat., Bulfinch Press (New York, 1989), p. 88, ill.
Kimberly Orcutt, "Personal Collecting Meets Institutional Vision: The Origins of Harvard's Fogg Art Museum", Journal of the History of Collections (2006), vol. 18, no. 2, pp. 267-284, p. 282
Stephan Wolohojian, ed., Harvard Art Museum/ Handbook, Harvard Art Museum (Cambridge, MA, 2008), p. 189, ill.
Joseph J. Rishel and Katherine Sachs, Cézanne and Beyond, exh. cat., Philadelphia Museum of Art (Philadelphia, 2009), p. 536, pl. 216.
- Exhibition History
Georges Braque, Landesamt fur Museen, Freiburg, 10/01/1948 - 10/01/1948
Autour de 1900, Galerie Charpentier, Paris, 01/01/1950 - 01/01/1950
Collections privees du Nord-Ecole de Paris, Chateau de la Vigne, Bondues, 09/23/1967 - 11/05/1967
Le Bateau-Lavoir, Nihonbashi Mitsukoshi, 04/12/1977 - 04/24/1977; Osaka Mitsukoshi, 05/03/1977 - 05/15/1977
Cezanne and Beyond, Philadelphia Museum of Art, Philadelphia, 02/19/2009 - 05/31/2009
Re-View: European and American Art Since 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/03/2011 - 06/01/2013
- Verification Level
3 - Good. Object is well described and information is vetted