Head, Division of Modern and Contemporary Art, and Daimler Curator of the Busch-Reisinger Museum
email@example.com / 617-495-1697
Ph.D., Johns Hopkins University
B.A., University of Michigan
Lynette Roth supervises the modern and contemporary art department at the Harvard Art Museums generally, as well as the Busch-Reisinger Museum and its collection specifically. Her research focuses on modern and contemporary art from German-speaking countries, with special emphasis on the medium of painting, the relationship between art and politics, and the history and reception of German art in the United States. She has published widely on the art of the Weimar period (Cologne Progressives, Max Beckmann). Recent exhibitions have focused on contemporary art (Rebecca Horn, Wolfgang Tillmans), and a current project planned for 2018, titled Inventur: Art in Germany, 1943–55, focuses on the immediate postwar period.
Max Beckmann at the Saint Louis Art Museum. New York: Prestel, 2015.
“New Identities: Type and Portraiture.” In New Objectivity: Modern German Art, ed. Stephanie Baron and Sabine Eckmann, 258–69. New York: Prestel, 2015.
“‘First Problem͛’: Max Beckmann͛s Saint Louis Still Lifes.” In Beckmann & America, ed. Jutta Schütt,60–68. Ostfildern, Germany: Hatje Cantz; Frankfurt am Main, 2011.