“In celebrating drawing as a verb, a practice, a material, and a thought, Sketch, Shade, Smudge makes a compelling case for its central place in art history.” —Olivia Farrar, Harvard Magazine

Curatorial and conservation staff zoom in on the tiny details that tell big stories about some of their favorite works |  The Harvard Gazette

Conservator Ellen Davis shares her experience with an unusual treatment for Kenneth Noland’s 1964 painting Karma | YouTube